World/Reggae
CDアルバム
Various Artists

Listen Up! Dancehall

0.0

販売価格

¥
2,090
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2013年01月10日
国内/輸入 輸入
レーベルKingston Sounds
構成数 1
パッケージ仕様 -
規格品番 KSCD040
SKU 5060135761158

構成数 : 1枚
合計収録時間 : 00:51:26

  1. 1.[CDアルバム]
    1. 1.
      Laser Beam / Don Carlos
    2. 2.
      Love Trap / Cornell Campbell
    3. 3.
      Wicked Them a Say / Linval Thompson
    4. 4.
      Tribal War / Ronnie Davis
    5. 5.
      Mr. Landlord / Michael Palmer
    6. 6.
      Bad Boy Possee / Robert French
    7. 7.
      King of the Arena / Johnny Clarke
    8. 8.
      Got to Tell the People / Cornell Campbell
    9. 9.
      Mr. Babylon / Robert French
    10. 10.
      Satisfaction / Johnny Clarke
    11. 11.
      Prophecy / Neville Brown
    12. 12.
      Ababa John I / Don Carlos
    13. 13.
      Time and Place / Dennis Brown
    14. 14.
      Take Heed / Ronnie Davis
    15. 15.
      No Funny Trick / Early B
    16. 16.
      Just Care for I / Don Carlos

作品の情報

オリジナル発売日:2012年

商品の紹介

英国KINGSTON SOUNDSによるジャマイカ独立50周年記念コンピ最終章はダンスホール!今作は80'sダンスホールの名曲からレア曲まで詰め込んだ一筋縄ではいかない内容。EARLY DANCEHALLファンから絶大な人気を誇るDON CARLOSの名曲"LESER BEAM"からはじまり、CORNELL CAMPBELL、LINVAL THOMPSONと時代を代表するシンガーが続く。レゲエが世界に広まった時代の本国ジャマイカのリアルな空気感が伝わる良質のコンピレーション。
発売・販売元 提供資料(2012/11/09)

Continuing its series of excellent compilations of obscure reggae tracks by genre, U.K. reissue label Kingston Sounds offers up the dancehall chapter of its Listen Up! series with Listen Up! Dancehall Originals. Focusing more on the roots-originating early-'80s dancehall sound than the digital-derived one that would follow by the middle of the decade, the 16 songs here are mainly slower, driftier affairs, with wide-open rhythmic skeletons to hang upon the laid-back vocals and chants of the genre in its earliest days. Licensing and time constraints keep the collection from being a definitive document of essential early dancehall, but a fair number of key tracks show up, including Johnny Clarke's strutting "King of the Arena" and the summery "Ababa John I" by Don Carlos. Those looking for hard-edged rhythms and thick-voiced dancehall DJs will want to look elsewhere, as the closest this volume of Listen Up! comes to the shape dancehall would take in the later '80s and afterwards are the occasional computerized sound effects on "Take Heed" by Ronnie Davis and the dribbly scatting on Cornell Campbell's "Got to Tell the People." Though it may be a little too early in the subgenre's development to be categorized as dancehall by some listeners, taken even as a collection of killer reggae this scores high marks, and maintains the great batting average set by the rest of the series. ~ Fred Thomas|
Rovi

Continuing its series of excellent compilations of obscure reggae tracks by genre, U.K. reissue label Kingston Sounds offers up the dancehall chapter of its Listen Up! series with Listen Up! Dancehall Originals. Focusing more on the roots-originating early-'80s dancehall sound than the digital-derived one that would follow by the middle of the decade, the 16 songs here are mainly slower, driftier affairs, with wide-open rhythmic skeletons to hang upon the laid-back vocals and chants of the genre in its earliest days. Licensing and time constraints keep the collection from being a definitive document of essential early dancehall, but a fair number of key tracks show up, including Johnny Clarke's strutting "King of the Arena" and the summery "Ababa John I" by Don Carlos. Those looking for hard-edged rhythms and thick-voiced dancehall DJs will want to look elsewhere, as the closest this volume of Listen Up! comes to the shape dancehall would take in the later '80s and afterwards are the occasional computerized sound effects on "Take Heed" by Ronnie Davis and the dribbly scatting on Cornell Campbell's "Got to Tell the People." Though it may be a little too early in the subgenre's development to be categorized as dancehall by some listeners, taken even as a collection of killer reggae this scores high marks, and maintains the great batting average set by the rest of the series. ~ Fred Thomas
Rovi

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