Rock/Pop
CDアルバム

販売価格

¥
2,690
税込
ポイント15%還元

在庫状況 について

フォーマット CDアルバム
発売日 2012年11月05日
国内/輸入 輸入(ヨーロッパ盤)
レーベルChrysalis Records
構成数 2
パッケージ仕様 -
規格品番 XW40461625
SKU 5099940461625

構成数 : 2枚
合計収録時間 : 01:57:33
Full performer name: Carter The Unstoppable Sex Machine. Carter The Unstoppable Sex Machine includes: Jim Bob, Fruitbat. Recorded at Important Notice Studios, London, England. Arguably, nothing really changed from 101 Damnations to 30 Something; the Carter formula was already well-established, so the duo just kept right at it. The difference lies in -- whisper it -- a growing sophistication that fleshed out both sound and lyrics. That may seem deeply bemusing to those who will note the typical Carter trappings still running rampant: puns explode everywhere without restraint, musical and lyrical references creep in from the Clash and David Bowie to traditional football chants, and so forth. More than once a lack of context can be a problem to anyone not born in the sceptr'd isle -- a "Glasgow kiss" (as referred to in the title of "Sealed with A...," a harrowing picture of domestic abuse) is a fierce headbutting, not a smooch. But while there's that, and the still cheap-and-cheery sound of the band's keyboards, drum machines, and more, Carter as a band seem a little more comfortable in the studio here. The two are able to whip up their surging numbers to a higher level -- the group's stated fondness for Queen actually makes a little more sense here, while "Billy's Smart Circus" is flawless in its soaring, anthemic power. Meanwhile, their bluer moods get more gently evocative accompaniment, often addressing getting addicted to the bottle and the unfortunate results. Everything kicks off with a great one-two punch, like the nutty instrumental "Surfin' USM," which kicks off with a great snippet about what growing old really means, and "My Second to Last Will and Testament." This has Jim Bob settling affairs all around, down to organ donation: "They can take my lungs and kidneys/But my heart belongs to Daphne." Other strong cuts include the Gary Glitter-in-hell stomp of "Bloodsport for All," a bitter vivisection of Army racism, and the end-of-the-social-drama movie music and feel of "Falling on a Bruise." ~ Ned Raggett
エディション : Reissue

  1. 1.[CDアルバム]
    1. 1.
      Surfin' USM

    2. 2.
      Second to Last Will and Testament

    3. 3.
      Anytime Anyplace Anywhere

    4. 4.
      A Prince in a Pauper's Grave

    5. 5.
      Shopper's Paradise

    6. 6.
      Billy's Smart Circus

    7. 7.
      Bloodsport for All

    8. 8.
      Sealed With a Glasgow Kiss

    9. 9.
      Say It With Flowers

    10. 10.
      Falling On a Bruise

    11. 11.
      The Final Comedown

  2. 2.[CDアルバム]
    1. 1.
      Re-Educating Rita

    2. 2.
      Alternate Title

    3. 3.
      Randy Sarf Git

    4. 4.
      2001: A Clockwork Orange

    5. 5.
      Bedsitter

    6. 6.
      Christmas Shoppers' Paradise

    7. 7.
      Surfin' USM (BBC in Concert: Live At Kilburn - 7 December 1991)

    8. 8.
      Midnight on the Murder Mile (BBC in Concert: Live At Kilburn - 7 December 1991)

    9. 9.
      Rubbish (BBC in Concert: Live At Kilburn - 7 December 1991)

    10. 10.
      Good Grief Charlie Brown (BBC in Concert: Live At Kilburn - 7 December 1991)

    11. 11.
      My Second to Last Will and Testament (BBC in Concert: Live At Kilburn - 7 December 1991)

    12. 12.
      Re-Educating Rita (BBC in Concert: Live At Kilburn - 7 December 1991)

    13. 13.
      Anytime Anyplace Anywhere (BBC in Concert: Live At Kilburn - 7 December 1991)

    14. 14.
      Say It With Flowers (BBC in Concert: Live At Kilburn - 7 December 1991)

    15. 15.
      A Prince in a Pauper's Grave (BBC in Concert: Live At Kilburn - 7 December 1991)

    16. 16.
      Sheriff Fatman (BBC in Concert: Live At Kilburn - 7 December 1991)

    17. 17.
      After the Watershed (BBC in Concert: Live At Kilburn - 7 December 1991)

    18. 18.
      Shoppers' Paradise (BBC in Concert: Live At Kilburn - 7 December 1991)

    19. 19.
      The 90's Revival (BBC in Concert: Live At Kilburn - 7 December 1991)

    20. 20.
      Bloodsport for All (BBC in Concert: Live At Kilburn - 7 December 1991)

    21. 21.
      This Is How It Feels (BBC in Concert: Live At Kilburn - 7 December 1991)

    22. 22.
      A Perfect Day to Drop the Bomb (BBC in Concert: Live At Kilburn - 7 December 1991)

作品の情報

メイン

オリジナル発売日:1991年

商品の紹介

1991年発売のセカンド・アルバム。全英アルバム・チャートで8位を記録。今回2012年デジタル・リマスターされたオリジナル・アルバムにB面曲に1991年のBBC・イン・コンサートを収録した2枚組でリイシュー。
発売・販売元 提供資料(2012/10/02)

Arguably, nothing really changed from 101 Damnations to 30 Something; the Carter formula was already well-established, so the duo just kept right at it. The difference lies in -- whisper it -- a growing sophistication that fleshed out both sound and lyrics. That may seem deeply bemusing to those who will note the typical Carter trappings still running rampant: puns explode everywhere without restraint, musical and lyrical references creep in from the Clash and David Bowie to traditional football chants, and so forth. More than once a lack of context can be a problem to anyone not born in the sceptr'd isle -- a "Glasgow kiss" (as referred to in the title of "Sealed with A...," a harrowing picture of domestic abuse) is a fierce headbutting, not a smooch. But while there's that, and the still cheap-and-cheery sound of the band's keyboards, drum machines, and more, Carter as a band seem a little more comfortable in the studio here. The two are able to whip up their surging numbers to a higher level -- the group's stated fondness for Queen actually makes a little more sense here, while "Billy's Smart Circus" is flawless in its soaring, anthemic power. Meanwhile, their bluer moods get more gently evocative accompaniment, often addressing getting addicted to the bottle and the unfortunate results. Everything kicks off with a great one-two punch, like the nutty instrumental "Surfin' USM," which kicks off with a great snippet about what growing old really means, and "My Second to Last Will and Testament." This has Jim Bob settling affairs all around, down to organ donation: "They can take my lungs and kidneys/But my heart belongs to Daphne." Other strong cuts include the Gary Glitter-in-hell stomp of "Bloodsport for All," a bitter vivisection of Army racism, and the end-of-the-social-drama movie music and feel of "Falling on a Bruise." ~ Ned Raggett|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。