| フォーマット | CDアルバム |
| 発売日 | 1999年08月10日 |
| 国内/輸入 | 輸入 |
| レーベル | Hightone Music Group |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | HMG1009 |
| SKU | 012928100922 |
構成数 : 1枚
合計収録時間 : 00:56:54
Personnel includes: Bob Corritore (harmonica); Bo Diddley, Jimmy Rogers, R.L. Burnside, Pinetop Perkins, Henry Gray, Clarence Edwards, Robert Jr. Lockwood, Lil Ed, Nappy Brown, Rusty Zinn.
Engineers include: Clark Rigsby, Kerry Jackson, Tom Connell.
Includes liner notes by Dick Shurman.
Personnel: Bob Corritore (harmonica); Jimmy Rogers , Lil' Ed Williams, R.L. Burnside, Bo Diddley (vocals, guitar); Henry Gray (vocals, piano); Chico Chism (vocals, drums); Nappy Brown (vocals); Robert Lockwood, Jr., Rusty Zinn, Buddy Reed, Bob Margolin (guitar); Tom Mahon, Pinetop Perkins (piano); Greg Zark, Richard Innes, Brian Fahey (drums).
Liner Note Author: Dick Shurman.
Recording information: El Dorado Studio, AZ (04/28/1986-01/01/1998); Tempest Recorders, AZ (04/28/1986-01/01/1998); Vintage Recorders, AZ (04/28/1986-01/01/1998).
Editors: Jeff Harris ; John Wroble.
Photographers: Drew Verbis; Dino Spells.
Recorded, helmed, and mostly produced by Phoenix, AZ blues renaissance man Bob Corritore (club owner, record label exec, writer, manager, radio DJ, and harp player), this hour-long disc is a potent example of loose, straight-ahead blues played with guts and low-boil intensity. Spanning 1986-1998, these 16 tracks recorded in Phoenix and Tempe studios feature a variety of classic bluesmen such as Lil' Ed Williams, Henry Gray, R.L. Burnside, Bob Margolin, Jimmy Rogers, Pinetop Perkins, and Bo Diddley (who is prominently pictured with Corritore in the CD's tray). It's well-recorded -- clean but never slick -- and the performances find a genuine and spontaneous rugged midtempo groove. Which is exactly what the blues should be. So even if you've never heard of such vocalists as Dino Spells, Jimmy Dotson, Clarence Edwards, or Chico Chism, they prove nearly as gifted and freewheeling as some of the more recognizable names. Corritore, who plays prominent harp on every track, is an exceptionally talented musician, even if his instrument seems a little higher in the mix than you might expect. The songs, all of which are covers, are especially well selected. Instead of jaunts through traditional, often stale standards, most are relatively obscure choices that allow the band to stretch out in a variety of established blues tempos. Even when Nappy Brown digs into Charles Brown's oft-covered "Driftin' Blues," (altered here to "Nappy's Driftin' Blues"), the vocalist tears through it with the passion and intensity of someone who wrote the song. A take on Eddie Boyd's popular "Five Long Years" is similarly inspired. This is a real find for deep blues fans and an enjoyable if not essential listen for everyone else. Bob Corritore has assembled a classy collection that finds all of his players -- both popular and obscure -- in top form. ~ Hal Horowitz
録音 : ステレオ (Studio)
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