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Rock/Pop
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Hidden

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フォーマット CDアルバム
発売日 2012年09月21日
国内/輸入 輸入
レーベルOne Little Indian
構成数 1
パッケージ仕様 -
規格品番 TPLP1157CD
SKU 5016958154622

構成数 : 1枚
合計収録時間 : 00:00:00
The brother-and-sister duo Marry Waterson and Oliver Knight are the children of the late British songstress Lal Waterson. Knight has been either recording or producing music since he was 13. Waterson's career actually began with the duo's 2011 album, The Days That Shaped Me. While that recording proved interesting, it was also predictable as an intimate, and largely acoustic, singer/songwriter affair. Despite her heritage, Waterson's songs are intuitive. Not playing an instrument, she writes entirely in her head; she then hums or sings melodies to Knight, who orchestrates and arranges them. This makes them collaborators in a very real sense. Hidden reflects the increasing comfort the siblings have with one another in the recording studio. More importantly, it reveals remarkable growth in their songwriting prowess. Hidden is more extroverted, musically diverse, and ambitious all around, its songs character-driven rather than just first-person narratives. While some of these songs evoke earlier musical eras quite authoritatively -- the lazy ragtime in "Going Going Gone," the Piccadilly Circus-era stage music in "Scarlet Starlet" -- others songs, such as "Benign" (which features uncle Martin Carthy on acoustic guitar) and "Love Song to a Lyric," readily reveal the Brit-folk lineage but with modern twists in melody and articulation. The real surprise, however, is a more rockist dynamic in some of the set's best cuts. "I'm in a Mood," "Gormandizer," and closer "Starveling" all feature Knight's electric guitar playing prominently (with a backing band to boot). Obviously influenced by Richard Thompson and David Gilmour, his chord voicings, single-string lead playing, and sonic effects are textural, precise; they're never flashy or intrusive yet they have heft and drama. A fine example is in "I Won't Hear" -- which has to be the only accordion-driven ska tune in existence -- where his stinging Stratocaster lines in the instrumental break add a more authoritative dimension to Waterson's crystalline contralto. Another highlight is "Russian Dolls," which also features cousin Eliza Carthy, Barry Cooper, and Lester Simpson on backing vocals. It's based on a traditional round, but its use of blues and doo wop against that backdrop is surprising and unique. Hidden is not merely a second step for this duo, but real deepening in a highly individual sound. ~ Thom Jurek

  1. 1.[CDアルバム]
    1. 1.
      I’m in a Mood

      アーティスト： Marry Waterson
      Oliver Knight

    2. 2.
      Going Going Gone

      アーティスト： Marry Waterson
      Oliver Knight

    3. 3.
      Gormandizer

      アーティスト： Marry Waterson
      Oliver Knight

    4. 4.
      Benign

      アーティスト： Marry Waterson
      Oliver Knight

    5. 5.
      I Won't Hear

      アーティスト： Marry Waterson
      Oliver Knight

    6. 6.
      Scarlet Starlet

      アーティスト： Marry Waterson
      Oliver Knight

    7. 7.
      Love Song to a Lyric

      アーティスト： Marry Waterson
      Oliver Knight

    8. 8.
      Professional Confessionals

      アーティスト： Marry Waterson
      Oliver Knight

    9. 9.
      Sustained Notes - Knight, Oliver

      アーティスト： Marry Waterson
      Oliver Knight

    10. 10.
      Sustained Notes

      アーティスト： Marry Waterson
      Oliver Knight

    11. 11.
      Russian Dolls
    12. 12.
      Starveling

作品の情報

メイン
アーティスト： Oliver Knight 、 Marry Waterson

オリジナル発売日：2012年

商品の紹介

The WatersonsやThe Waterdaughters、Lal and Mike Watersonなどでも知られる英国トラッド・フォークの重要人物＝Lal Watersonの娘と息子による姉弟デュオ、Marry Waterson & Oliver Knightによる2ndアルバムが登場！2007年に母親であるLalのトリビュート・ライヴをきっかけにデュオを結成し、Marryがヴォーカル、Oliverがギターという編成を基本にして活動を開始。2011年にONE LITTLE INDIANよりデビュー・アルバム『Days That Shaped Me』を発表。この作品にはメジャー・デビューも果たしているKathryn WilliamsやJames Yorkston、そして従姉妹のEliza Carthy（Norma WatersonとMartin Carthyの子供。MarryとOliverとは親戚にあたる）らも参加し話題に。そして、約1年振りにリリースされたのが、2作目となる本作『Hidden』。英国トラッド家系の血統の良さを表すかのようなオーセンティックなトラディショナル・フォークを基調としながらも、ラグタイム、スカ風、アシッド・フォーク、ブルースなどをバンド・スタイルで紡ぎながら、まるで"60年代のミュージック・ホールで奏でているかのような大衆風情なミュージカル音楽"のような心地よいレイドバック感が素晴らしい！バンド・メンバーには、前作にも参加していたマルチ・インストゥルメンタリストのReuben Taylor(The Athletes)とダブル・ベース奏者のMiranda Sykes(Show Of Hands)を筆頭に、ピアノやオルガンにチェロまで担当するBarney Morse Brown(The Imagined Village)、ドラムにはPete Flood(Bellowhead)などを起用。
発売・販売元 提供資料（2012/08/14）

Q - 4 stars out of 5 -- "[Knight] has grown on increasingly confident guitar, particularly the darkly JJ Cale-like 'Gormandizer.' A great leap from an already remarkable debut." Mojo - 3 stars out of 5 -- "Marry's sharp lyrics and engaging vocals are given full expression by the bold colours of Knight's arrangements."
Rovi

The brother-and-sister duo Marry Waterson and Oliver Knight are the children of the late British songstress Lal Waterson. Knight has been either recording or producing music since he was 13. Waterson's career actually began with the duo's 2011 album, The Days That Shaped Me. While that recording proved interesting, it was also predictable as an intimate, and largely acoustic, singer/songwriter affair. Despite her heritage, Waterson's songs are intuitive. Not playing an instrument, she writes entirely in her head; she then hums or sings melodies to Knight, who orchestrates and arranges them. This makes them collaborators in a very real sense. Hidden reflects the increasing comfort the siblings have with one another in the recording studio. More importantly, it reveals remarkable growth in their songwriting prowess. Hidden is more extroverted, musically diverse, and ambitious all around, its songs character-driven rather than just first-person narratives. While some of these songs evoke earlier musical eras quite authoritatively -- the lazy ragtime in "Going Going Gone," the Piccadilly Circus-era stage music in "Scarlet Starlet" -- others songs, such as "Benign" (which features uncle Martin Carthy on acoustic guitar) and "Love Song to a Lyric," readily reveal the Brit-folk lineage but with modern twists in melody and articulation. The real surprise, however, is a more rockist dynamic in some of the set's best cuts. "I'm in a Mood," "Gormandizer," and closer "Starveling" all feature Knight's electric guitar playing prominently (with a backing band to boot). Obviously influenced by Richard Thompson and David Gilmour, his chord voicings, single-string lead playing, and sonic effects are textural, precise; they're never flashy or intrusive yet they have heft and drama. A fine example is in "I Won't Hear" -- which has to be the only accordion-driven ska tune in existence -- where his stinging Stratocaster lines in the instrumental break add a more authoritative dimension to Waterson's crystalline contralto. Another highlight is "Russian Dolls," which also features cousin Eliza Carthy, Barry Cooper, and Lester Simpson on backing vocals. It's based on a traditional round, but its use of blues and doo wop against that backdrop is surprising and unique. Hidden is not merely a second step for this duo, but real deepening in a highly individual sound. ~ Thom Jurek|
Rovi

The brother-and-sister duo Marry Waterson and Oliver Knight are the children of the late British songstress Lal Waterson. Knight has been either recording or producing music since he was 13. Waterson's career actually began with the duo's 2011 album, The Days That Shaped Me. While that recording proved interesting, it was also predictable as an intimate, and largely acoustic, singer/songwriter affair. Despite her heritage, Waterson's songs are intuitive. Not playing an instrument, she writes entirely in her head; she then hums or sings melodies to Knight, who orchestrates and arranges them. This makes them collaborators in a very real sense. Hidden reflects the increasing comfort the siblings have with one another in the recording studio. More importantly, it reveals remarkable growth in their songwriting prowess. Hidden is more extroverted, musically diverse, and ambitious all around, its songs character-driven rather than just first-person narratives. While some of these songs evoke earlier musical eras quite authoritatively -- the lazy ragtime in "Going Going Gone," the Piccadilly Circus-era stage music in "Scarlet Starlet" -- others songs, such as "Benign" (which features uncle Martin Carthy on acoustic guitar) and "Love Song to a Lyric," readily reveal the Brit-folk lineage but with modern twists in melody and articulation. The real surprise, however, is a more rockist dynamic in some of the set's best cuts. "I'm in a Mood," "Gormandizer," and closer "Starveling" all feature Knight's electric guitar playing prominently (with a backing band to boot). Obviously influenced by Richard Thompson and David Gilmour, his chord voicings, single-string lead playing, and sonic effects are textural, precise; they're never flashy or intrusive yet they have heft and drama. A fine example is in "I Won't Hear" -- which has to be the only accordion-driven ska tune in existence -- where his stinging Stratocaster lines in the instrumental break add a more authoritative dimension to Waterson's crystalline contralto. Another highlight is "Russian Dolls," which also features cousin Eliza Carthy, Barry Cooper, and Lester Simpson on backing vocals. It's based on a traditional round, but its use of blues and doo wop against that backdrop is surprising and unique. Hidden is not merely a second step for this duo, but real deepening in a highly individual sound. ~ Thom Jurek
Rovi

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