Rock/Pop
CDアルバム

I Can Hear The Heart Beating As One

5.0

販売価格

¥
1,890
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2020年06月12日
国内/輸入 輸入
レーベルMatador
構成数 1
パッケージ仕様 -
規格品番 OLE2222
SKU 744861022220

構成数 : 1枚
合計収録時間 : 01:08:18
Yo La Tengo: Georgia Hubley, Ira Kaplan, James McNew. Additional personnel: Al Perkins (lap steel & pedal steel guitars); Jonathan Marx (trumpet). Recorded at House Of David, Nashville, Tennessee. Personnel: Al Perkins (lap steel guitar); Jonathan Marx (trumpet). Audio Mixer: Roger Moutenot. Recording information: House Of David, Nashville, TN. Photographer: Steve Thornton . New Jersey indie rockers Yo La Tengo had already been slowly growing into their sound for over a decade by the 1997 release of their revelational eighth album, I Can Hear the Heart Beating as One. Their guitar-based pop was steadily finding its legs before this, as the band moved toward increasingly dreamy productions on albums like Painful and Electr-O-Pura. The 16 tracks that made up the ambitious and epic I Can Hear the Heart found the group stretching out their whispery vocals and deceptively straightforward pop approach to encompass a variety of unexpected styles. This meant softly wandering guitars and steadfast drums twisted out of their indie rock trappings and morphed into adventurous Krautrock jams like "Spec Bebop," haunting, harmony-driven psych-folk like "We're an American Band," and even a playfully naive take on bossa nova with "Center of Gravity." As for the blissed-out melodic noise pop Yo La Tengo had been working on for the majority of their existence, this was one of the band's finest hours. Propulsive rockers like "Sugarcube" and a particularly feedback-laden reading of the Beach Boys' "Little Honda" offered Ira Kaplan a fantastic platform for his often dialed-down guitar playing to break into the manic territory he would explore in live settings. These more unhinged moments were counterpointed with hypnotic electronic grooves like "Autumn Sweater" and glowing instrumentals like the Santo & Johnny-channeling "Green Arrow." The album ends with its only other cover tune, a head-clearingly simple take on Anita Bryant's singsongy bubblegum tune "My Little Corner of the World." Sung by drummer Georgia Hubley in her most Moe Tucker-esque performance, the song gently sets the album back down to earth following the dizzying detours and shifts of the last hour. While the band turned in standout albums before and after, I Can Hear the Heart Beating as One announced itself as a definitive master statement. The subtly shifting moods and wide, curious palette of stylistic exploration resulted in a lasting indie rock classic, essential listening and also something of a blueprint for much of what followed from like-minded bands for years to come. ~ Fred Thomas
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Return to Hot Chicken

      アーティスト: Yo La Tengo

    2. 2.
      Moby Octopad

      アーティスト: Yo La Tengo

    3. 3.
      Sugarcube

      アーティスト: Yo La Tengo

    4. 4.
      Damage

      アーティスト: Yo La Tengo

    5. 5.
      Deeper Into Movies

      アーティスト: Yo La Tengo

    6. 6.
      Shadows

      アーティスト: Yo La Tengo

    7. 7.
      Stockholm Syndrome

      アーティスト: Yo La Tengo

    8. 8.
      Autumn Sweater

      アーティスト: Yo La Tengo

    9. 9.
      Little Honda

      アーティスト: Yo La Tengo

    10. 10.
      Green Arrow

      アーティスト: Yo La Tengo

    11. 11.
      One PM Again

      アーティスト: Yo La Tengo

    12. 12.
      Lie and How We Told It, The

      アーティスト: Yo La Tengo

    13. 13.
      Center of Gravity

      アーティスト: Yo La Tengo

    14. 14.
      Spec Bebop

      アーティスト: Yo La Tengo

    15. 15.
      We're an American Band

      アーティスト: Yo La Tengo

    16. 16.
      My Little Corner of the World

      アーティスト: Yo La Tengo

作品の情報

メイン
アーティスト: Yo La Tengo

その他
プロデューサー: Roger Moutenot

商品の紹介

98年のこの作品の大ヒットによりCMJ界隈で最高峰となった8作目。涼しくも、ひたひたとやってくる胸騒ぎの種。繊細にして怠惰な音の暴力。傑作。
タワーレコード(2009/04/08)

Rolling Stone (5/13/99, p.65) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (5/1/97, pp.50-52) - 4 Stars (out of 5) - "...Yo La Tengo maintain a tension between aural deconstruction and sharp songwriting. The album has its share of perfect pop songs....HEART proves that Yo La Tengo can master nearly any pop style..." Spin (9/99, p.158) - Ranked #78 in Spin Magazine's "90 Greatest Albums of the '90s." Spin (1/98, p.86) - "Ranked #8 on Spin's list of the "Top 20 Albums Of The Year." Spin (6/97, pp.118-119) - 9 (out of 10) - "...this is a band that not only delves into their vast record collection but figures out what makes their faves tick; and their tickers beat as one..." Entertainment Weekly (5/2/97, p.56) - "...confirms what their last few albums have intimated: They've become our best old-school indie-rock band....Their muted, after-hours guitar drone is in full effect. But splashes of piano or acoustic guitar add depth and airiness to the songs..." - Rating: A- Q (6/97, p.140) - "...16 examples of Nashville-recorded, dreamy pop sleight-of-hand..." Option (5-6/97, p.89) - "...influences ranging from Jobim and '60s French pop to the Jesus & Mary Chain and the Beach Boys...bound by occasional dollops of greasy feedback....YLT fully indulges its desire to make noise, bridging the drone gap between '60s VU and '90s Tortoise..." Melody Maker (4/19/97, p.52) - "This album is a long journey. It has the stretch of distance covered and the domestic intimacy of sitting in a small space and watching things go by the window..." Village Voice (2/24/98) - Ranked #5 in the Village Voice's 1997 Pazz & Jop Critics' Poll. Billboard (p.36) - "[L]ovely and catchy in its mix of shoegazer drone and pop." NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #19 in NME's 1997 Critics' Poll. NME (Magazine) (4/19/97, p.44) - "...I CAN HEAR THE HEART BEATING AS ONE is wonderfully sprawling and diverse, with a rock curator's attention to detail and the odd in-joke thrown in....An impressive mixture of curiousness and guile, all told...."
Rovi

メンバーズレビュー

3件のレビューがあります
5.0
100%
0%
0%
0%
0%
全員が口を揃えて言うほどにこれが彼らの最高傑作です…!ノイジーなのに尖っていない、影を含んだ包み込む様な柔らかい音。アンビエントを感じさせる沈み込む音楽。実験的なのに奇を衒わず、それが見事にスイートスポットにハマって気持ちいい。インスト曲までも一切の捨て曲無し、音楽史に残る必聴盤!
2020/04/21 pslさん
0
か細い声と空間をいかした夢幻ギターノイズ…
もうトリコです
17曲と曲数は多いけれど捨て曲なし!
2004/10/14 Nack-Dさん
0
涙、涙、涙の傑作です。1曲1曲というよりもアルバム全体が、まるで春霞の夜を感じさるような雰囲気です。
2004/07/13 tradumpさん
0

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