Blood

英国の老舗音楽レーベル＜4AD＞の創始者アイヴォ・ワッツ＝ラッセルによる、音楽プロジェクト“ディス・モータル・コイル”が残した全3枚のアルバムがリマスタリングされ登場！スタジオ・アルバム3作品を完全最新リマスタリングし紙ジャケ、HDCD仕様で復刻！HDCD、パッケージは全て日本が誇る株式会社一九堂印刷所で限定生産。帯はバーコード部分以外全て日本語を使用した“日本盤仕様風”のこだわりの逸品。音源は英ラウド・マスタリング社のジョン・デントがオリジナル・アナログ・マスターテープからリマスタリング。

The third and final album by This Mortal Coil, 1991's Blood is neither as unfocused as Filigree & Shadow or as conceptually pure as It'll End in Tears, but it's a solidly enjoyable set. Once again, nearly half the tracks are instrumentals (or tracks with minimal and often wordless female vocals) written by Ivo Watts-Russell and John Fryer, but this batch of tunes holds together much better than the much more amorphous originals on Filigree & Shadow; lengthy atmospheric explorations like "Dreams Are Like Water" sound composed and thoughtful rather than merely pretty. And as always, the covers are brilliantly chosen. The twin highlights are two songs written by Big Star's Chris Bell; "I Am the Cosmos" is reinterpreted as a ragged, brink-of-chaos rocker that sounds like it could have been on Big Star's post-Bell magnum opus, Third, while a delicate acoustic version of "You and Your Sister" with wispy, unsure vocals by Kim Deal and Tanya Donelly ranks with the first album's reinterpretation of Tim Buckley's "Song to the Siren" as one of the group's masterpieces. Other gems include a near-symphonic reading of Spirit's "Nature's Way" and a version of Syd Barrett's "Late Night" that strips the song down to not much more than Caroline Crawley's voice and a low-frequency hum. ~ Stewart Mason|