Jazz
CDアルバム

Number Five

0.0

販売価格

¥
2,490
税込
ポイント15%還元

在庫状況 について

フォーマット CDアルバム
発売日 2012年05月22日
国内/輸入 輸入
レーベルHigh Note Records
構成数 1
パッケージ仕様 -
規格品番 HNR7236
SKU 632375723620

構成数 : 1枚
合計収録時間 : 00:59:07

  1. 1.[CDアルバム]
    1. 1.
      Blue 'N' Boogie
    2. 2.
      Right as Rain
    3. 3.
      No. 5
    4. 4.
      Journey to the Stars
    5. 5.
      GT
    6. 6.
      Present
    7. 7.
      Star Eyes
    8. 8.
      Preludium
    9. 9.
      The Question
    10. 10.
      Melody in B-Flat
    11. 11.
      A Blue Time

作品の情報

メイン
アーティスト: Tom Harrell

その他
エンジニア: Mike Marciano
プロデューサー: Angela HarrellTom HarrellWayne Escoffery

オリジナル発売日:2012年

商品の紹介

Tom Harrell has had a lot of success with his series of quintet recordings for HighNote, but his fifth release for the label, which uses the same musicians as the first four CDs (tenor saxophonist Wayne Escoffery, pianist Danny Grissett, bassist Ugonna Okegwo, and drummer Johnathan Blake), takes a different path, featuring the full band on four of the eleven tracks, then in various configurations from solo to duo, trio, and quartet. He explodes out of the box with a fiery take of Dizzy Gillespie's "Blue 'N' Boogie" accompanied solely by Blake. Harrell previously recorded his mellow ballad "Journey to the Stars" as a duet with Grissett, but for this session, he overdubs several muted trumpets in spots. Grissett switches to electric piano for the leader's haunting ballad "The Question," a trio feature that also showcases Escoffery to good effect. The full quintet is heard in Harrell's lush miniature "Right as Rain," with the rich blend of his flugelhorn and Escoffery's tenor in the ensembles. Escoffery steals the show with his engaging solo in Harrell's tricky "No. 5," a potent post-bop workout. "GT" has a free jazz vibe, with potent solos all around. Harrell is all alone for the standard "Star Eyes" and Tadd Dameron's infrequently played "A Blue Time," taking his time to work his way into the theme of the former while only briefly touching on it before returning to improvising on its well-traveled changes, then bringing out the melancholy air of the latter with a loping, spacious interpretation. Tom Harrell continues to surprise with his thoughtful playing, composing, and arranging for this rewarding effort. ~ Ken Dryden
Rovi

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