Soul/Club/Rap
CDアルバム

The Marshall Mathers Lp [ECD]

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フォーマット CDアルバム
発売日 2001年06月19日
国内/輸入 輸入
レーベルInterscope Records (Hong Kong)
構成数 1
パッケージ仕様 -
規格品番 755202
SKU 766487552028

構成数 : 1枚
合計収録時間 : 01:11:56
Personnel: Eminem, Snoop, Xzibit, Nate Dogg, Sticky Fingaz (rap vocals); Dido (vocals); Jeff Bass, Steve Berman, Paul "Bunyan" Rosenberg (spoken vocals); Mike Elizondo (guitar, keyboards, bass); Sean Cruise, John Bingham (guitar); Tommy Coster, Jr., Camara Kambon (keyboards); DJ Head (programming). D-12: Kon Artis, Proof, Kuniva, Swifty, Bizarre (rap vocals). Producers include: Dr. Dre, The 45 King, Mel-Man, F.B.T., Eminem. Engineers: Richard "Segal" Huredia, Mike Butler, Aaron Lepley. THE MARSHALL MATHERS LP won the 2001 Grammy Award for Best Rap Album. "The Real Slim Shady" won the 2001 Grammy Award for Best Rap Solo Performance. THE MARSHALL MATHERS LP was nominated for the 2001 Grammy Award for Album Of The Year. A Caucasian rapper from Detroit, a Dr. Dre disciple with bright blonde hair--at first glance, Eminem seemed the unlikeliest of hip-hop stars. However, his debut, THE SLIM SHADY LP, contained clever rhymes and even the occasional innovation. His sophomore effort, THE MARSHALL MATHERS LP, proved that Eminem was no fluke, but instead a legitimate rap visionary. While his horror/shock rap can be unsettling, it's more often hilarious, as he and his Slim Shady character skewer anyone and everyone, notably the MTV-based world that surrounded him after the success of his first record. Few can come up with rhymes as consistently clever as this Motor City madman, and lines that will be repeated as long as this CD is spun. The most startling moment has to be "Stan," featuring haunting, ethereal guest vocals from Dido; an incongruously sublime track, it spins an O. Henry-meets-'60s teenage-death-song tale of obsessed fan worship gone terribly wrong.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Public Service Announcement 2000

      アーティスト: Eminem

    2. 2.
      Kill You

      アーティスト: Eminem

    3. 3.
      Stan [Ft. Dido]

      アーティスト: Eminem

    4. 4.
      Paul [Skit]

      アーティスト: Eminem

    5. 5.
      Who Knew

      アーティスト: Eminem

    6. 6.
      Steve Berman

      アーティスト: Eminem

    7. 7.
      Way I Am, The

      アーティスト: Eminem

    8. 8.
      Real Slim Shady, The

      アーティスト: Eminem

    9. 9.
      Remember Me? [Ft. RBX and Sticky Fingaz]

      アーティスト: Eminem

    10. 10.
      I'm Back

      アーティスト: Eminem

    11. 11.
      Marshall Mathers

      アーティスト: Eminem

    12. 12.
      Ken Kaniff (Skit)

      アーティスト: Eminem

    13. 13.
      Drug Ballad

      アーティスト: Eminem

    14. 14.
      Amityville [Featuring Bizarre From D-12]

      アーティスト: Eminem

    15. 15.
      Bitch Please II

      アーティスト: Eminem

    16. 16.
      Kim

      アーティスト: Eminem

    17. 17.
      Under the Influence [Ft. D-12]

      アーティスト: Eminem

    18. 18.
      Criminal

      アーティスト: Eminem

    19. 19.
      Real Slim Shady [Instrumental], The

      アーティスト: Eminem

    20. 20.
      Way I Am [Instrumental], The

      アーティスト: Eminem

    21. 21.
      Stan [Instrumental]

      アーティスト: Eminem

    22. 22.
      Kids [Explicit Version], The

      アーティスト: Eminem

    23. 23.
      Way I Am [Danny Lohner Remix, Featuring Marilyn Manson], The

      アーティスト: Eminem

作品の情報

メイン
アーティスト: Eminem

ゲスト
アーティスト: Snoop DoggXzibitNate DoggDido

商品の紹介

Rolling Stone (1/4/01, p.106) - Ranked #1 in Rolling Stone's Top 10 Albums of 2000 - "...His tortured conscience gives the album its complex emotional kick..." Rolling Stone (7/20/00, pp.135-6) - 4 stars out of 5 - "...He's more funny and much more scary....A car-crash record: loud, wild, dangerous, out of control, grotesque, unsettling. It's also impossible to pull your ears awat from." Spin (1/01, p.73) - Ranked #3 in Spin's "Top 20 Albums of the Year [2000]" - "...What 'going too far' means: really, finally brought that psycho rude s*** home to the 'burbs....leaving more things unsettled than when he started." Entertainment Weekly (6/2/00, pp.76-7) - "...Indefensible and critic-proof, hypocritical and heartbreaking, unlistenable and undeniable; it's a disposable shock-rap session, and the first great pop record of the 21st century..." - Rating: A- Q (1/01, p.90) - Included in Q's "50 Best Albums of 2000". Q (8/00, p.98) - 3 stars out of 5 - "...[His] disaffection sucks you in and the wholesale nihilism can still provoke shivers..." Uncut (8/00, p.90) - 4 stars out of 5 - "...You might not like where he's dragging you, but there's no denying the style with which he does it..." CMJ (1/08/01, p.10) - Included in CMJ's "Best of the Year" for 2000. CMJ (6/12/00, p.3) - "...Musically, the album is a triumph....You can't deny [the lyrics'] searing honesty, and that's what makes [him] one of pop's compelling artists." Vibe (8/00, p.162) - "...Should forever erase the notion that [he] is the Elvis Presley of hardcore hip hop. If anything, he's rap's Eric Clapton: a white boy who can hang with the best black talent based on sheer skill - enhancing the art form instead of stealing from it." The Source (8/00, pp.225-6) - 4 mics out of 5 - "...You wanna peep [this LP], if not for the intense lyrics and witty punch lines, at least for the chance of witnessing one of the craziest MCs grow up right before ya ears." Melody Maker (6/6/00, p.54) - 4 stars out of 5 - "...It has an answer to everything, filling every parking-spot in the towering multi-storey of ego with a triple-bluffmobile....No one else puts such a rocket under rap's self-consciousness or makes it so shocking..." Rap Pages (7/00, p.45) - "...Even more abrasive and offensive....proving again that his imagery and storytelling abilities stand tall over most other rappers..." Mojo (Publisher) (p.57) - Ranked #78 in Mojo's "100 Modern Classics" -- "The results were brutal, politically insane, loaded with pop hooks, and hysterically funny." NME (Magazine) (12/30/00, p.77) - Ranked #7 in NME's "Top 50 Albums Of The Year". NME (Magazine) (6/3/00, p.39) - 9 out of 10 - "...Real twisted...one long, disillusioned whine....[It] may be the white noise of America's Most Unwanted, but it also the product of a talent supremely Untouchable." Pitchfork (Website) - "The virtuosity of 'The Way I Am' gained Eminem access to an audience that believed that the better you were at your instrument, the better music you made."
Rovi

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