Jimi Hendrix's second album followed up his groundbreaking debut effort with a solid collection of great tunes and great interactive playing between himself, Noel Redding, Mitch Mitchell, and the recording studio itself. Wisely retaining manager Chas Chandler to produce the album and Eddie Kramer as engineer, Hendrix stretched further musically than the first album, but even more so as a songwriter. He was still quite capable of coming up with spacy rockers like "You Got Me Floating," "Up from the Skies," and "Little Miss Lover," radio-ready to follow on the commercial heels of "Foxey Lady" and "Purple Haze." But the beautiful, wistful ballads "Little Wing," "Castles Made of Sand," "One Rainy Wish," and the title track set closer show remarkable growth and depth as a tunesmith, harnessing Curtis Mayfield soul guitar to Dylanesque lyrical imagery and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision. These are tempered with Jimi's most avant-garde tracks yet, "EXP" and the proto-fusion jazz blowout of "If 6 Was 9." ~ Cub Koda|
Rovi
Jimi Hendrix's second album followed up his groundbreaking debut effort with a solid collection of great tunes and great interactive playing between himself, Noel Redding, Mitch Mitchell, and the recording studio itself. Wisely retaining manager Chas Chandler to produce the album and Eddie Kramer as engineer, Hendrix stretched further musically than the first album, but even more so as a songwriter. He was still quite capable of coming up with spacy rockers like "You Got Me Floating," "Up from the Skies," and "Little Miss Lover," radio-ready to follow on the commercial heels of "Foxey Lady" and "Purple Haze." But the beautiful, wistful ballads "Little Wing," "Castles Made of Sand," "One Rainy Wish," and the title track set closer show remarkable growth and depth as a tunesmith, harnessing Curtis Mayfield soul guitar to Dylanesque lyrical imagery and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision. These are tempered with Jimi's most avant-garde tracks yet, "EXP" and the proto-fusion jazz blowout of "If 6 Was 9." ~ Cub Koda
Rovi
〝If 6 Was 9〟: エゴ、傲慢さ、自己中心性を宣言したこの曲は、エキセントリックでありながら普遍性を語っている。
〝Little Wing〟: アルバムの中で最も美しく詩的な曲。
"Ain't No Telling "と "Wait Until Tomorrow": これらの曲は、アーティストの個人的な人間関係にまつわる悲劇的な側面を持つ恋愛ドラマを描いている。
"You Got Me Floatin'": 愛によって引き起こされる狂気を気まぐれに捉えた曲。
"Castles Made Of Sand": アルバムの最高傑作であり、最も重要な作品とされるこの曲は、悲劇と障害を扱っている。〝砂でできた城〟という比喩が深い思考を呼び起こし、暗い詩的な性質がため息を誘うかもしれないが、ジミ・ヘンドリックスの意図とは関係なく、恐ろしく美しい詩の世界を作り出している。
"She's So Fine": この曲はビートルズのスタイルを感じさせる。
"One Rainy Wish": ちょっとキュートな曲。
"Little Miss Lover": この曲の歌詞は少し表面的かもしれない。
"Bold As Love": アルバムの最後を飾るこの曲は、テーマを象徴するようなミリタリー調の曲。