World/Reggae
CDアルバム

Joshua to Jashwha : 30 Years in the Wilderness

0.0

販売価格

¥
2,390
税込
還元ポイント

販売中

お取り寄せ
発送目安
2日~14日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

フォーマット CDアルバム
発売日 2012年04月下旬
国内/輸入 輸入
レーベルBristol Archives
構成数 1
パッケージ仕様 -
規格品番 ARC250CD
SKU 5052571025024

構成数 : 1枚
合計収録時間 : 00:00:00
The Bristol Archives label continues its project of documenting the long-neglected Bristol reggae scene with this odds-and-ends assortment of recordings by Joshua Moses. Moses began recording in 1978 and soon became a local favorite. However, when Bristol Archives contacted him to begin the project of compiling a retrospective album, they found that he had kept no copies of any of his many recordings. Joshua to Jashwa: 30 Years in the Wilderness is therefore the product of extensive detective work, and includes the only two Moses tracks ever to have been commercially released: "Africa Is Our Land" and its dub version. Where the rest of this material came from is a mystery, but reggae lovers everywhere owe a huge debt to those who dug it up -- this is top-quality roots reggae. Moses' voice is smooth and strong, sometimes strongly reminiscent of Johnny Clarke's, and his songs are simple and straightforward but powerfully engaging. Those who have been following the Bristol Archives' aggressive release schedule over the past few years will recognize "Rise Up" from the excellent Bristol Reggae Explosion, Vol. 2 compilation, but there is even better material here: excellent live versions of "House of Dread" and "Protection"; the weirdly chugging "Steel"; his adaptation of Aswad's "Promised Land" rhythm into the original song "Jah Time Has Come," and the ska-inflected "Bobby Wrong." At the peak of his powers, Moses was both deeply rooted in the traditional reggae verities and a truly unique vocalist and songwriter -- a combination both counterintuitive and wonderful. Despite one or two minor clunkers (check out the bizarrely unbalanced sound on "Nothing to Lose" and the messy, pseudo-Delta-blues of "Distant Guns") this album should be considered an essential purchase by all serious reggae lovers. ~ Rick Anderson

  1. 1.[CDアルバム]
    1. 1.
      Africa (Is Our Land)

      アーティスト: Joshua Moses

    2. 2.
      House Of Dread (Live)

      アーティスト: Joshua Moses

    3. 3.
      Stick It Up (Live)

      アーティスト: Joshua Moses

    4. 4.
      Jah Time Has Come

      アーティスト: Joshua Moses

    5. 5.
      Rise Up

      アーティスト: Joshua Moses

    6. 6.
      Rise Up Dub

      アーティスト: Joshua Moses

    7. 7.
      Steel

      アーティスト: Joshua Moses

    8. 8.
      Protection (Live)

      アーティスト: Joshua Moses

    9. 9.
      Distant Guns

      アーティスト: Joshua Moses

    10. 10.
      Home

      アーティスト: Joshua Moses

作品の情報

メイン
アーティスト: Joshua Moses

商品の紹介

The Bristol Archives label continues its project of documenting the long-neglected Bristol reggae scene with this odds-and-ends assortment of recordings by Joshua Moses. Moses began recording in 1978 and soon became a local favorite. However, when Bristol Archives contacted him to begin the project of compiling a retrospective album, they found that he had kept no copies of any of his many recordings. Joshua to Jashwa: 30 Years in the Wilderness is therefore the product of extensive detective work, and includes the only two Moses tracks ever to have been commercially released: "Africa Is Our Land" and its dub version. Where the rest of this material came from is a mystery, but reggae lovers everywhere owe a huge debt to those who dug it up -- this is top-quality roots reggae. Moses' voice is smooth and strong, sometimes strongly reminiscent of Johnny Clarke's, and his songs are simple and straightforward but powerfully engaging. Those who have been following the Bristol Archives' aggressive release schedule over the past few years will recognize "Rise Up" from the excellent Bristol Reggae Explosion, Vol. 2 compilation, but there is even better material here: excellent live versions of "House of Dread" and "Protection"; the weirdly chugging "Steel"; his adaptation of Aswad's "Promised Land" rhythm into the original song "Jah Time Has Come," and the ska-inflected "Bobby Wrong." At the peak of his powers, Moses was both deeply rooted in the traditional reggae verities and a truly unique vocalist and songwriter -- a combination both counterintuitive and wonderful. Despite one or two minor clunkers (check out the bizarrely unbalanced sound on "Nothing to Lose" and the messy, pseudo-Delta-blues of "Distant Guns") this album should be considered an essential purchase by all serious reggae lovers. ~ Rick Anderson|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。