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The Girl with the Dragon Tattoo

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フォーマット CDアルバム
発売日 2020年06月30日
国内/輸入 輸入
レーベルMute
構成数 3
パッケージ仕様 -
規格品番 5099995679020
SKU 5099995679020

構成数 : 3枚
合計収録時間 : 02:53:28
The Girl with the Dragon Tattoo, Trent Reznor and Atticus Ross' second score for a David Fincher film, finds them further pushing the boundaries of their collaboration. Their brilliant Academy Award-winning score for The Social Network was as much an aural portrait of the film's version of Facebook's Mark Zuckerberg as it was a backdrop for the film's action, juxtaposing bright, clinical electronics with bottomed-out desperation; however, The Girl with the Dragon Tattoo only has hints of its protagonist, defiant hacker Lisbeth Salander, flitting through its massive length -- over three hours, making it longer than the actual film -- like a ghost in the machine. Indeed, the music's most Salander-like trait might be how often it defies convention. While the opening cover of Led Zeppelin's "Immigrant Song," which features the Yeah Yeah Yeahs' Karen O standing in for Robert Plant's barbaric yawp, goes in an industrial rock direction that nods to Nine Inch Nails' '90s heyday (indeed, there's more than a touch of the '90s to Lisbeth's goth-hacker persona), the bulk of the score is cavernous, elongated, and surprisingly restrained given its sheer size. The pair rarely turns up the volume, and even on louder cues such as "With the Flies" and "You're Here," the effect feels more like industrial music's ghost than a full onslaught. Instead, Ross and Reznor craft almost unrelenting tension and paranoia with dark electronic drones that are only slightly mitigated by piano, guitar, and percussion but still leave a feeling of deep unease, particularly on tracks like "Under the Midnight Sun," which closes with a sinister, respirator-like loop. When they do break this mood, it leads to some of the score's loveliest moments, such as "What If We Could?," which pairs a delicate piano melody with a discordant electronic shadow, and the equally lovely and unsettling "Please Take Your Hand Away." The duo spends just as much time establishing the film's frosty environs on tracks such as "Hidden in Snow," which evokes dripping icicles paired with dubstep-like bass, while clever contrasts like "Perihelion"'s hypnotic, almost squealing drones and "Aphelion"'s receding tones add to the score's cohesiveness. There's also an oddly feminine depth to the score's layered sounds, making it easy to get lost in the intricacies of texture and melody of cues such as "Cut into Pieces" and "Hypomania." Hearing the entire score at once might be exhausting for casual listeners, but The Girl with the Dragon Tattoo is a musical labyrinth that is well worth getting lost in for Ross and Reznor fans as well as soundtrack buffs. ~ Heather Phares

  1. 1.[CDアルバム]
    1. 1.
      Immigrant Song - Reznor, Trent
    2. 2.
      She Reminds Me of You - Reznor, Trent
    3. 3.
      People Lie All the Time - Reznor, Trent
    4. 4.
      Pinned and Mounted - Reznor, Trent
    5. 5.
      Perihelion - Reznor, Trent
    6. 6.
      What If We Could? - Reznor, Trent
    7. 7.
      With the Flies - Reznor, Trent
    8. 8.
      Hidden in Snow - Reznor, Trent
    9. 9.
      A Thousand Details - Reznor, Trent
    10. 10.
      One Particular Moment - Reznor, Trent
    11. 11.
      I Can't Take It Anymore - Reznor, Trent
    12. 12.
      How Brittle the Bones - Reznor, Trent
    13. 13.
      Please Take Your Hand Away - Reznor, Trent
  2. 2.[CDアルバム]
    1. 1.
      Cut Into Pieces - Reznor, Trent
    2. 2.
      The Splinter - Reznor, Trent
    3. 3.
      An Itch - Reznor, Trent
    4. 4.
      Hypomania - Reznor, Trent
    5. 5.
      Under the Midnight Sun - Reznor, Trent
    6. 6.
      Aphelion - Reznor, Trent
    7. 7.
      You're Here - Reznor, Trent
    8. 8.
      The Same as the Others - Reznor, Trent
    9. 9.
      A Pause for Reflection - Reznor, Trent
    10. 10.
      While Waiting - Reznor, Trent
    11. 11.
      The Seconds Drag - Reznor, Trent
    12. 12.
      Later into the Night - Reznor, Trent
    13. 13.
      Parallel Timeline with Alternate Outcome - Reznor, Trent
  3. 3.[CDアルバム]
    1. 1.
      Another Way of Caring - Reznor, Trent
    2. 2.
      A Viable Construct - Reznor, Trent
    3. 3.
      Revealed in the Thaw - Reznor, Trent
    4. 4.
      Millennia - Reznor, Trent
    5. 5.
      We Could Wait Forever - Reznor, Trent
    6. 6.
      Oraculum - Reznor, Trent
    7. 7.
      Great Bird of Prey - Reznor, Trent
    8. 8.
      The Heretics - Reznor, Trent
    9. 9.
      A Pair of Doves - Reznor, Trent
    10. 10.
      Infiltrator - Reznor, Trent
    11. 11.
      The Sound of Forgetting - Reznor, Trent
    12. 12.
      Of Secrets - Reznor, Trent
    13. 13.
      Is Your Love Strong Enough? - Reznor, Trent

作品の情報

メイン
アーティスト： Trent Reznor 、 Atticus Ross

オリジナル発売日：2011年

商品の紹介

伝説の監督David Fincherのスリラー映画The Girl With The Dragon Tattooを、今世紀最強の楽曲製作チームが迎え撃つ！SevenやFight ClubやThe Social Networkなど数々の歴史的大ヒット作を手がけたDavid Fincher監督作を、アカデミー賞やゴールデングローブ賞などを獲得した同監督作品である「The Social Network」のサウンドトラックも制作したNine Inch NailsのTrent ReznorとAtticus Rossが一体となって手がけた一枚。本映画作品のトレーラーにも使用されているLed Zeppelinのカバー曲「Immigrant Song」は、なんとあのYeah Yeah YeahsのKaren Oをフィーチャリング。
IMS
発売・販売元 提供資料（2011/12/06）

Kerrang - "[T]his is largely music designed to create mood. And that mood is isolated and uncannily still." Rolling Stone - 3 stars out of 5 -- "Reznor and collaborator Atticus Ross roll out three hours of often weirdly engrossing metal-machine music....There's a huge debt to Brian Eno at his most austere..." Billboard - "'Hidden in Snow' hauntingly mixes the creepy and the tender." Pitchfork - "[T]he most arresting moments emerge out of layers of increasingly damaged soundsthat set an uncompromisingly bleak mood." Uncut - 4 stars out of 5 -- "[M]urky Eno-style synth washes and Reznor's echo-soaked piano lines go to some gloomy, emotionally wrenching places."
Rovi

The Girl with the Dragon Tattoo, Trent Reznor and Atticus Ross' second score for a David Fincher film, finds them further pushing the boundaries of their collaboration. Their brilliant Academy Award-winning score for The Social Network was as much an aural portrait of the film's version of Facebook's Mark Zuckerberg as it was a backdrop for the film's action, juxtaposing bright, clinical electronics with bottomed-out desperation; however, The Girl with the Dragon Tattoo only has hints of its protagonist, defiant hacker Lisbeth Salander, flitting through its massive length -- over three hours, making it longer than the actual film -- like a ghost in the machine. Indeed, the music's most Salander-like trait might be how often it defies convention. While the opening cover of Led Zeppelin's "Immigrant Song," which features the Yeah Yeah Yeahs' Karen O standing in for Robert Plant's barbaric yawp, goes in an industrial rock direction that nods to Nine Inch Nails' '90s heyday (indeed, there's more than a touch of the '90s to Lisbeth's goth-hacker persona), the bulk of the score is cavernous, elongated, and surprisingly restrained given its sheer size. The pair rarely turns up the volume, and even on louder cues such as "With the Flies" and "You're Here," the effect feels more like industrial music's ghost than a full onslaught. Instead, Ross and Reznor craft almost unrelenting tension and paranoia with dark electronic drones that are only slightly mitigated by piano, guitar, and percussion but still leave a feeling of deep unease, particularly on tracks like "Under the Midnight Sun," which closes with a sinister, respirator-like loop. When they do break this mood, it leads to some of the score's loveliest moments, such as "What If We Could?," which pairs a delicate piano melody with a discordant electronic shadow, and the equally lovely and unsettling "Please Take Your Hand Away." The duo spends just as much time establishing the film's frosty environs on tracks such as "Hidden in Snow," which evokes dripping icicles paired with dubstep-like bass, while clever contrasts like "Perihelion"'s hypnotic, almost squealing drones and "Aphelion"'s receding tones add to the score's cohesiveness. There's also an oddly feminine depth to the score's layered sounds, making it easy to get lost in the intricacies of texture and melody of cues such as "Cut into Pieces" and "Hypomania." Hearing the entire score at once might be exhausting for casual listeners, but The Girl with the Dragon Tattoo is a musical labyrinth that is well worth getting lost in for Ross and Reznor fans as well as soundtrack buffs. ~ Heather Phares|
Rovi

「ソーシャル・ネットワーク」でアカデミー賞を獲得したデヴィッド・フィンチャー×トレント・レズナーの最強タッグがふたたび! 緻密なノイズの効いたスコア群もスリラー映画らしい緊迫感溢れる出来で素晴らしいが、何と言ってもトレーラーに使用されているカレン・Oを迎えたレッド・ツェッペリン〈移民の歌〉の、ナイン・インチ・ネイルズさながらのデジタル・ハードコアなカヴァーが凄まじい破壊力。圧巻です!
bounce (C)武田晃
タワーレコード（vol.341（2012年2月25日発行号）掲載）

予告編曲「移民の歌」も収録。独特のミステリアス・エレクトロ。

『ドラゴン・タトゥーの女』(2011)
サウンドトラック3枚組

音楽　トレント・レズナー&アティカス・ロス
監督　デヴィッド・フィンチャー
主演　ダニエル・クレイグ、ルーニー・マーラ

先にスウェーデンでの映画化も大ヒットした、スティーグ・ラーソンのミステリー・ベストセラーのハリウッド映画化。実業家一族を長年怯えさせ続けている少女の失踪事件の探偵を依頼された男と、竜のタトゥーを入れたボーイッシュな少女・・・・フィンチャーによる映画化で、音楽は、気心の知れた、そして前作『ソーシャル・ネットワーク』でも独自の世界構築に成功したトレント・レズナー(ナイン・インチ・ネイルズ)と、フィルムスコア仕事も主戦場となりつつあるアティカス・ロスの両名に依頼。予告編にも使われている、レッド・ツェッペリンの名曲「移民の歌」の研ぎ澄まされたロックなカバーで歌うは、映画ファンにも『かいじゅうたちのいるところ』で知られるカレン・オー。この主題歌を始めに、シンプルながら、音の響きで聴かせるまたもや独自のエレクトロ・スコアでミステリアスに盛り上げる。 (C)馬場敏裕
タワーレコード

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