Name: Schwingungen
Price: 3490 JPY

Rock/Pop

Schwingungen

Ash Ra Tempel

★★★★★

0.0

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開催期間：2024年9月18日(水)0:00～9月21日(土)23:59まで！[※期間中のご予約・お取り寄せ・ご注文が対象 ※店舗取置・店舗予約サービス、マーケットプレイス商品は除く]

商品の情報

フォーマット	CD
構成数	1
国内/輸入	輸入
パッケージ仕様	-

発売日	2024年03月20日
規格品番	MGART112
レーベル	Mg.Art
SKU	4260017591120

作品の情報

メイン

アーティスト

：

Ash Ra Tempel

商品の紹介

静と動、光と陰の対比も鮮やかな、更なる進化を遂げたアシュ・ラ・テンペルの傑作セカンド『Schwingungen』の、マニュエル・ゲッチングのレーベル「MG.ART」からの再発リリース。待望の再プレス。
『Schwingungen』は1972年にリリースされたジャーマン・ロックの第一人者アシュ・ラ・テンペルのセカンド・アルバム。クラウス・シュルツェにかわってウォルフガング・ミューラーがドラムで参加。フリートウッド・マックのインスト名曲「アルバトロス」にインスパイアされたというオープニングの「Light」から一転、「Darkness」ではフリークアウトしたボーカルやサックスも躍動、静と動、光と陰のコントラストが際立つ快心作。マニュエル・ゲッチングのレーベル「MG.ART」による2011年リマスター再発盤。

発売・販売元提供資料（2024/02/15）

Uncut (p.102) - 4 stars out of 5 -- "The twinkling, bluesy 'Light: Look At Your Sun' imagines a more blissed-out Can..."

Rovi

Ash Ra Tempel's second album featured the first of several personnel changes, Klaus Schulze having departed for other realms and replaced as a result by Wolfgang Muller. A few guest players surfaced here and there as well, with one John L. taking the lead vocals -- another difference from the self-titled debut, which was entirely instrumental. The general principle of side-long efforts continued, though the first half was split into two related songs, "Light" and "Darkness." "Light" itself sounded halfway between the zoned-out exploration of "Traummaschine" and bluesy jamming, a weird if not totally discordant combination that still manages to sound more out there than most bands of the time. Gottsching's fried solo, in particular, is great, sending the rest of the song out to silence that leads into "Darkness." Said song initially takes a far more minimal approach that bears even more resemblance to "Traummaschine," fading out almost entirely by the third minute before a full band performance (including Uli Popp on bongos and Matthais Wehler's sudden alto sax bursts) slowly builds into a frenetic jam. John L.'s vocals become echoed screams and yelps not far off from Damo Suzuki's approach in Can, and the overall performance is a perfect slice of Krautrock insanity, sudden swirls of flanging and even more on-the-edge solos from Gottsching and Wehler sending it over the top. "Suche & Liebe" takes up the entire second side, the performers this time around concentrating on the quiet but unsettling approach, Gottsching's massive soloing kept low in the mix but not so much that it doesn't freak out listeners. The song concludes on an almost conventionally pretty band jam, something that could almost be Meddle-era Pink Floyd, only with even a more haunting, alien air thanks to the wordless vocal keening. ~ Ned Raggett

Rovi

収録内容

構成数 | 1枚

合計収録時間 | 00:38:28

Personnel: Manuel Gottsching (guitar, organ, electronics); Hartmut "Indra Roger" Enke (guitar, electronics); Wolfgang Muller (vibraphone, drums). Audio Remasterer: Manuel Gottsching. Ash Ra Tempel's second album featured the first of several personnel changes, Klaus Schulze having departed for other realms and replaced as a result by Wolfgang Muller. A few guest players surfaced here and there as well, with one John L. taking the lead vocals -- another difference from the self-titled debut, which was entirely instrumental. The general principle of side-long efforts continued, though the first half was split into two related songs, "Light" and "Darkness." "Light" itself sounded halfway between the zoned-out exploration of "Traummaschine" and bluesy jamming, a weird if not totally discordant combination that still manages to sound more out there than most bands of the time. Gottsching's fried solo, in particular, is great, sending the rest of the song out to silence that leads into "Darkness." Said song initially takes a far more minimal approach that bears even more resemblance to "Traummaschine," fading out almost entirely by the third minute before a full band performance (including Uli Popp on bongos and Matthais Wehler's sudden alto sax bursts) slowly builds into a frenetic jam. John L.'s vocals become echoed screams and yelps not far off from Damo Suzuki's approach in Can, and the overall performance is a perfect slice of Krautrock insanity, sudden swirls of flanging and even more on-the-edge solos from Gottsching and Wehler sending it over the top. "Suche & Liebe" takes up the entire second side, the performers this time around concentrating on the quiet but unsettling approach, Gottsching's massive soloing kept low in the mix but not so much that it doesn't freak out listeners. The song concludes on an almost conventionally pretty band jam, something that could almost be Meddle-era Pink Floyd, only with even a more haunting, alien air thanks to the wordless vocal keening. ~ Ned Raggett

エディション | Reissue、Remaster