Soul/Club/Rap
CDアルバム

Accept No Substitutes

0.0

販売価格

¥
1,890
税込
還元ポイント

販売中

在庫わずか
発送目安
当日~翌日

在庫状況 について

・各種前払い決済は、お支払い確認後の発送となります(Q&A)

フォーマット CDアルバム
発売日 2011年11月28日
国内/輸入 輸入
レーベルBGP/Beat Goes Public
構成数 1
パッケージ仕様 -
規格品番 CDBGPM246
SKU 029667524629

構成数 : 1枚
合計収録時間 : 00:00:00
Back in the '70s, AOR radio and soul radio were two very different formats -- and not just because one played rock and the other played R&B. "AOR" stood for album-oriented rock, which was an accurate name because that format was, in fact, album-oriented; at AOR, album tracks that were never released as singles could be candidates for heavy rotation. Soul radio, however, was much more singles-oriented -- an established soul radio DJ could play some album tracks here and there, but singles were the primary focus. And that wasn't good news for Pleasure, who were more of an album act than a singles act. Pleasure recorded great albums, but for the most part, they didn't have the type of singles that drove program directors wild. Accept No Substitutes, Pleasure's second album, is a perfect example of a record that is excellent but, as a rule, didn't blow program directors away. The funk gem "Let's Dance" had the makings of a radio hit, although radio didn't really take notice until the West Street Mob covered it in 1981. At any rate, Pleasure's relatively small group of hardcore fans loved this record. They loved the jazz-tinged funk of "Pleasure for Your Pleasure" and "I'm Mad"; they loved the mellow, laid-back quiet storm outlook of "The Love of My Life." Accept No Substitutes did contain one charting single: the hypnotic "Ghettoes of the Mind," which wasn't a huge smash but did become a minor hit and was a favorite at Pleasure's live gigs. Had '70s soul radio been as album-minded a medium as AOR radio, this Wayne Henderson-produced LP might have enjoyed heavy rotation. But in a medium that worshipped singles, Accept No Substitutes was fighting an uphill battle. Regardless, most Pleasure fans think of this LP as a highly respectable sophomore outing. ~ Alex Henderson

  1. 1.[CDアルバム]
    1. 1.
      Let's Dance

      アーティスト: Pleasure

    2. 2.
      I'm Mad

      アーティスト: Pleasure

    3. 3.
      Pleasure for Your Pleasure

      アーティスト: Pleasure

    4. 4.
      We Have So Much

      アーティスト: Pleasure

    5. 5.
      Jammin' with Pleasure

      アーティスト: Pleasure

    6. 6.
      Ghettos of the Mind

      アーティスト: Pleasure

    7. 7.
      The Love of My Life

      アーティスト: Pleasure

    8. 8.
      Theme for the Moonchild

      アーティスト: Pleasure

    9. 9.
      2 For 1

      アーティスト: Pleasure

作品の情報

メイン
アーティスト: Pleasure

オリジナル発売日:1976年

商品の紹介

ポートランドのファンク・バンドであり、ソウル、ファンク、ジャズなどをクロスオーヴァーさせた音楽性は「FANTASYからのEARTH,WIND & FIREまたはKOOL & THE GANGへの回答」とも言える、PLEASUREの1976年リリース、セカンド・アルバム。ジャズ・トロンボーン奏者WAYNE HENDERSONのプロデュースで、ヒットした「Ghettos Of The Mind」、SIDE EFFECTとコラボレーションしたフロア・フィラー「Let's Dance」、鳥の鳴き声が浮遊するイマジネイティブなメロウ・フュージョン「Theme From The Moonchild」、高速ジャズ・ダンス・クラシック「2 For 1」など、まさにクロスオーヴァー・サウンド!
P-VINE
発売・販売元 提供資料(2011/12/12)

Uncut (p.94) - 3 stars out of 5 -- "The second of their seven albums features some tight, brilliantly played funk....The frenetic Latin-jazz closer '2 For 1' stands out."
Rovi

Back in the '70s, AOR radio and soul radio were two very different formats -- and not just because one played rock and the other played R&B. "AOR" stood for album-oriented rock, which was an accurate name because that format was, in fact, album-oriented; at AOR, album tracks that were never released as singles could be candidates for heavy rotation. Soul radio, however, was much more singles-oriented -- an established soul radio DJ could play some album tracks here and there, but singles were the primary focus. And that wasn't good news for Pleasure, who were more of an album act than a singles act. Pleasure recorded great albums, but for the most part, they didn't have the type of singles that drove program directors wild. Accept No Substitutes, Pleasure's second album, is a perfect example of a record that is excellent but, as a rule, didn't blow program directors away. The funk gem "Let's Dance" had the makings of a radio hit, although radio didn't really take notice until the West Street Mob covered it in 1981. At any rate, Pleasure's relatively small group of hardcore fans loved this record. They loved the jazz-tinged funk of "Pleasure for Your Pleasure" and "I'm Mad"; they loved the mellow, laid-back quiet storm outlook of "The Love of My Life." Accept No Substitutes did contain one charting single: the hypnotic "Ghettoes of the Mind," which wasn't a huge smash but did become a minor hit and was a favorite at Pleasure's live gigs. Had '70s soul radio been as album-minded a medium as AOR radio, this Wayne Henderson-produced LP might have enjoyed heavy rotation. But in a medium that worshipped singles, Accept No Substitutes was fighting an uphill battle. Regardless, most Pleasure fans think of this LP as a highly respectable sophomore outing. ~ Alex Henderson
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。