Soul/Club/Rap
LPレコード

DJ-Kicks

0.0

販売価格

¥
3,490
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2011年10月中旬
国内/輸入 輸入
レーベル!K7
構成数 2
パッケージ仕様 -
規格品番 K7291LP
SKU 730003729119

構成数 : 2枚
合計収録時間 : 00:00:00
With a DJ mix program, there's always a very fine line to be navigated: it's the one that separates seamlessness from monotony. On the one hand, you want the tracks to flow cleanly from one into the other, which implies the necessity of careful beat matching and artful use of the fader -- but a consistent tempo means the risk of tedium. Lock yourself into a specific style (house or dubstep or techno) for 76 minutes and you compound the risk of boring everyone in the room. DJ Scuba is a master at avoiding that problem. Despite having made his name on the dubstep scene, Scuba roams all over the place on his contribution to the DJ-Kicks series, hinting at his roots more than embracing them. The 32 tracks presented here range from thumpy house (Sigha's "Let Me In," Arkist's pretty but rather tedious "Rendez-Vous [SCB Edit]") to juddering dubstep (Badawi's "Lost Highway [Incyde Remix]," Sigha's "Where I Come to Forget") with stops along the way in neighborhoods that are harder to identify: Braille's "Breakup" incorporates slippery beats and orchestral synthesizers to weird and fascinating effect, while Scuba himself and Jichael Mackson both contribute examples of what can really only be called meat-and-potatoes electro-funk. Throughout it all runs a deeply dubwise aesthetic: vocals are used only in scraps and as decoration, while booming echo and infinitely regressive delay define enormous sonic spaces. Scuba has achieved something hard to define with this mix program, and that's part of what makes it so enjoyable. ~ Rick Anderson

  1. 1.[LPレコード] DISC 1:
    1. 1.
      M.A.R.S.
    2. 2.
      Acid Battery
    3. 3.
      Streetwalk
  2. 2.[LPレコード] DISC 2:
    1. 1.
      For Tonight
    2. 2.
      An We Drop
    3. 3.
      CPX11
    4. 4.
      Let Me In

作品の情報

メイン
DJ: Scuba

商品の紹介

鋭い人選と良質な内容を誇るミックス・シリーズに、来日時のDJプレイも好評だったスクーバが登場。冒頭のサージオン~D・ブリッジの流れで早々に引き込まれ、以降も霞がかったジャケの雰囲気を逸脱することのない深い音像が紡がれていく。しかし中盤以降はアシッドやディスコ調の曲も挿み、〈ダブステップとテクノの架け橋〉というマンネリ化したイメージに縛られない自由な選曲に彼の進化が見られる。
bounce (C)青木正之
タワーレコード(vol.337(2011年10月25日発行号)掲載)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。