Soul/Club/Rap
CDアルバム

Classikhan

0.0

販売価格

¥
1,859
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2011年11月01日
国内/輸入 輸入(アメリカ盤)
レーベルMusic World
構成数 1
パッケージ仕様 -
規格品番 4500411
SKU 879645004113

構成数 : 1枚
合計収録時間 : 00:00:00

  1. 1.[CDアルバム]
    1. 1.
      Hey Big Spender
    2. 2.
      Hazel's Hips
    3. 3.
      Best is Yet to Come, The
    4. 4.
      Crazy
    5. 5.
      I'm in the Mood For Love
    6. 6.
      Is That All There Is
    7. 7.
      Stormy Weather
    8. 8.
      Round Midnight
    9. 9.
      Teach Me Tonight
    10. 10.
      To Sir With Love
    11. 11.
      Diamonds Are Forever
    12. 12.
      Goldfinger
    13. 13.
      I Believe

作品の情報

メイン
アーティスト: Chaka Khan

ゲスト
アーティスト: Sheila E.Joe SampleAndy Snitzer

商品の紹介

Although the misleading title doesn't indicate it, Classikhan can be seen as a follow-up to the Echoes of an Era album Chaka Khan made with her all-star cast of jazz musicians in 1982. The disc is neither a best-of nor a bunch of re-recordings. Instead, it's a set of jazz standards and traditional pop that she recorded with the London Symphony Orchestra, with a little additional help on a handful of cuts from pianist Joe Sample and percussionist Sheila E. Followers of Khan who know the singer's work well beyond the chart hits know that something like this is hardly out of character for her. While it's true that many of these songs -- such as "The Best Is Yet to Come," "To Sir With Love," "Crazy," "Round Midnight" -- have been worn out by so many other renditions of varying quality, Khan injects plenty of her tirelessly singular personality. Most thrilling of all is a pair of nods to Shirley Bassey, John Barry, and James Bond. Weighty versions of "Diamonds Are Forever" and "Goldfinger" come near the tail end and steal the show, indicating that Khan would be a natural Bond-theme successor to the likes of Bassey, Carly Simon, Gladys Knight, and Tina Turner. The only obvious problem with the disc is its title. Longtime Khan fans are likely to glance at the cover of the disc and see it as a another career retrospective -- or, at most, re-recordings of the singer's old material -- that they don't need to hear. That's clearly not the case here. ~ Andy Kellman|
Rovi

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