Soul/Club/Rap
CDアルバム

Blue Slide Park

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フォーマット CDアルバム
発売日 2011年11月04日
国内/輸入 輸入
レーベルIngrooves
構成数 1
パッケージ仕様 -
規格品番 218
SKU 881034845894

構成数 : 1枚
合計収録時間 : 00:45:48
Audio Mixer: E.Dan (Eric Dan). Throw a joint, bong, or bottle of booze in rapper Mac Miller's hands and he'll mug for the camera while taking the party to another level, and if there's such a thing as slacker hoodie grace, his chalice overflows with it. Think Asher Roth with madder skills or Eminem without spite or baggage and you've got Miller in a nutshell, with some extra details being his charming, Pittsburgh-loving attitude along with his affiliation with a killer hometown production team called ID Labs, who help make Blue Slide Park sound like the old-school party rocking with the new school. This blast of college-kid enthusiasm that doubles as Miller's official debut does come with some slight issues though, and if you don't feel like poppin' bottles or mackin' on the honeys, it seems caught in a redundant loop of wine, women, and bong. Approach it unfettered and Blue Slide Park is like winning the lotto, where all of a sudden "frat" means "Animal House" and "backpacker" means "guy sneaking booze into the dorms." This kid even has the audacity to grab the "45 Number"/"Let Me Clear My Throat" beat for "Party on Fifth Ave." and the talent to turn the track into a highlight, plus his hedonism is anchored by daytime playfulness, believable respect ("Thinkin' bout my people murdered in the Holocaust" comes off just fine), and a true understanding of hip-hop that attracts revered folks like Clams Casino to contribute beats. Miller's big challenge is that he follows in a long line of suburban college rappers who have thrown up whack mixtapes like they were yesterday's punch bowl, but this memorable debut steps right around that mess and suggests that the kids are not just all right, but all the way live. ~ David Jeffries
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      English Lane
    2. 2.
      Blue Slide Park
    3. 3.
      Party on Fifth Ave.
    4. 4.
      PA Nights
    5. 5.
      Frick Park Market
    6. 6.
      Smile Back
    7. 7.
      Under the Weather
    8. 8.
      Of the Soul
    9. 9.
      My Team
    10. 10.
      Up All Night
    11. 11.
      Loitering
    12. 12.
      Hole in My Pocket
    13. 13.
      Diamonds & Gold
    14. 14.
      Missed Calls
    15. 15.
      Man in the Hat
    16. 16.
      One Last Thing

作品の情報

メイン
アーティスト: Mac Miller

その他
プロデューサー: Jeremy KulousekEric Dan

商品の紹介

ネット上のシーンやミックステープを中心に、メディアでも熱い注目を集めた新世代ラッパーが遂にデビュー!なんと全米1位を獲得!!90'S黄金期ヒップホップと、同郷ピッツバーグのウィズ・カリファに影響を受けたというスタイルは聴きやすく、広くヒップホップ・ファンに浸透しそう。''900 Number''使いのオールドスクール風シット(3)、先行曲(5)、(6)は必聴!
タワーレコード(2011/11/22)

Entertainment Weekly (p.72) - "Miller sticks with a cruise-controlled slow burn for most of his full-length debut, getting smelt-hot only on the faux-hardcore slamboree 'Up All Night.'" -- Grade: B-
Rovi

Throw a joint, bong, or bottle of booze in rapper Mac Miller’s hands and he’ll mug for the camera while taking the party to another level, and if there’s such a thing as slacker hoodie grace, his chalice overflows with it. Think Asher Roth with madder skills or Eminem without spite or baggage and you’ve got Miller in a nutshell, with some extra details being his charming, Pittsburgh-loving attitude along with his affiliation with a killer hometown production team called ID Labs, who help make Blue Slide Park sound like the old-school party rocking with the new school. This blast of college-kid enthusiasm that doubles as Miller’s official debut does come with some slight issues though, and if you don’t feel like poppin’ bottles or mackin’ on the honeys, it seems caught in a redundant loop of wine, women, and bong. Approach it unfettered and Blue Slide Park is like winning the lotto, where all of a sudden “frat” means “Animal House” and “backpacker” means “guy sneaking booze into the dorms.” This kid even has the audacity to grab the “45 Number”/”Let Me Clear My Throat” beat for “Party on Fifth Ave.” and the talent to turn the track into a highlight, plus his hedonism is anchored by daytime playfulness, believable respect (“Thinkin’ bout my people murdered in the Holocaust” comes off just fine), and a true understanding of hip-hop that attracts revered folks like Clams Casino to contribute beats. Miller’s big challenge is that he follows in a long line of suburban college rappers who have thrown up whack mixtapes like they were yesterday’s punch bowl, but this memorable debut steps right around that mess and suggests that the kids are not just all right, but all the way live. ~ David Jeffries
Rovi

ウィズ・カリファに続くピッツバーグの新鋭としてミックステープで絶大な支持を得ていたとはいえ、いきなり全米No.1とは! 初の公式アルバムにも気負いなく、酩酊気味の幽玄ビーツやラフな定番ネタをズルリと舐め回すラップの支配力も、クラムス・カジノやパックのヤングLといった参加者の顔ぶれも実にイマっぽい。ある意味ではドレイク以上に2011年らしいムードでもあるし、インディー系リスナーもこれは必聴ですよ。
bounce (C)出嶌孝次
タワーレコード(vol.338(2011年11月25日発行号)掲載)

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