Jazz
CDアルバム

Wild Horses / Rock Steady

0.0

販売価格

¥
2,490
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2011年09月30日
国内/輸入 輸入
レーベルMasterworks
構成数 1
パッケージ仕様 -
規格品番 794380
SKU 886979438026

構成数 : 1枚
合計収録時間 : 00:38:02
エディション : Remaster
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Rock Steady
    2. 2.
      Who Is Sylvia?
    3. 3.
      Peace Train
    4. 4.
      I Don't Know How to Love Him
    5. 5.
      It's Impossible
    6. 6.
      Wild Horses

作品の情報

メイン
アーティスト: Johnny "Hammond" Smith

その他
プロデューサー: Richard SeidelCreed Taylor
エンジニア: Rudy Van Gelder

商品の紹介

Johnny Hammond's 1972 soul-jazz beauty is another stunning example of great creativity at Creed Taylor's Kudu label through the mid-'70s. Arranged by Bob James, Hammond's trademark B-3 work is showcased here on six extended cover versions of tunes from the pop vernacular. The lineup includes guitarists George Benson, Eric Gale, and Melvin Sparks, saxophonists Grover Washington, Jr. and Pepper Adams, bassist Ron Carter (playing electric as well as double bass), and drummers Bernard Purdie and Billy Cobham! There are grooves galore in this wondrously mixed set, from the smoking guitar breaks in the read of Aretha Franklin's "Rock Steady" to the syncopated organ pyrotechnics in "It's Impossible," with Washington playing his ass off around Hammond's organ breaks, and the beautiful horn arrangements by James in "Peace Train." The funky-butt glimmer in "I Don't Know How to Love Him" could have been played by the Stax/Volt horns with a Funk Brothers rhythm section. James weaves a string section in harmonic counterpoint to Hammond's organ in the melody, creating a moving tapestry of textures against the backbeat. But nothing can prepare the listener for the closing cover of Jagger and Richard's "Wild Horses," with a military snare beat providing an unlikely intro to an "All Along the Watchtower"-like progression that transforms itself seamlessly into a darkly minor reading of the original melody, with beautiful fills by Benson and Sparks. When the horns kick in during the refrain with plenty of fuzz guitar and bass over the top, the listener falls headlong into the magic of dirty groove and roll. ~ Thom Jurek
Rovi

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