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Rzewski: People United Will Never Be Defeated!

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フォーマット CDアルバム
発売日 2011年10月18日
国内/輸入 輸入
レーベルPiano Classics
構成数 1
パッケージ仕様 -
規格品番 PCL0019
SKU 5065001863424

構成数 : 1枚
合計収録時間 : 00:48:57
Liner Note Author: Christian Wolff . Recording information: 1978. This is the original recording of Frederic Rzewski's masterwork, performed in 1977 by Ursula Oppens. While the composer's own rendition on the hat ART release from 1986 might be regarded as definitive, both this, and the New Albion release by Stephen Drury, are also quite powerful and beautiful. The main theme is a Chilean protest song, and it is run through 36 variations of bewildering and amazing variety, ranging from serialism to jazz to romanticism. to the further reaches of the avant-garde and back, all coalescing into a coherent (if complex) structure leading to a superbly emotional climax. The final recapitulation of the central theme is as deep and moving a moment as there is in late 20th century music. Oppens plays the work with fluency and grace, especially in the quieter interludes where the music takes on an almost ghostly quality. The Vanguard issue includes excellent liner notes by composer Christian Wolff who, in addition to providing good insight into the piece's architecture, elaborates on Rzewski's musical journey from Karlheinz Stockhausen interpreter to freely improvised jazz to his revelation that his socialist political stance would be more properly matched to some sort of populist movement. Hence his absorption into, and adoption of, work songs and other "music of the people." This is a landmark recording and, even if the listener owns other renditions of the composition, this one should definitely be heard. ~ Brian Olewnick
録音 : ステレオ (Studio)

【曲目】
フレデリック・ジェフスキー：「不屈の民」変奏曲
　（政治闘争歌“El pueblo unido jamas sera vencido”による36の変奏曲）
【演奏】
ウルズラ・オッペンス（pf）

  1. 1.[CDアルバム]
    1. 1.
      People Unit ed Will Never Be Defeated: Thema: With determination, The
    2. 2.
      People Unit ed Will Never Be Defeated: Var. 1: Weaving: delicate but firm, The
    3. 3.
      People Unit ed Will Never Be Defeated: Var. 2: With firmness, The
    4. 4.
      People Unit ed Will Never Be Defeated: Var. 3: Slightly slower, with expressive nuances, The
    5. 5.
      People Unit ed Will Never Be Defeated: Var. 4: Marcato, The
    6. 6.
      People Unit ed Will Never Be Defeated: Var. 5: Dreamlike, frozen, The
    7. 7.
      People Unit ed Will Never Be Defeated: Var. 6: Same tempo as beginning, The
    8. 8.
      People Unit ed Will Never Be Defeated: Var. 7: Lightly, impatiently, The
    9. 9.
      People Unit ed Will Never Be Defeated: Var. 8: With agility; not too much pedal; crisp, The
    10. 10.
      People Unit ed Will Never Be Defeated: Var. 9: Evenly, The
    11. 11.
      People Unit ed Will Never Be Defeated: Var. 10: Comodo, recklessly, The
    12. 12.
      People Unit ed Will Never Be Defeated: Var. 11: Tempo 1, like fragments of an absent melody - in strict time, The
    13. 13.
      People Unit ed Will Never Be Defeated: Var. 12, The
    14. 14.
      People Unit ed Will Never Be Defeated: Var. 13, The
    15. 15.
      People Unit ed Will Never Be Defeated: Var. 14: A bit faster, optimistically, The
    16. 16.
      People Unit ed Will Never Be Defeated: Var. 15: Flexible, like an improvisation, The
    17. 17.
      People Unit ed Will Never Be Defeated: Var. 16: Same tempo as preceding, with fluctuations; much pedal / Expansive, with a victorious feeling, The
    18. 18.
      People Unit ed Will Never Be Defeated: Var. 17: L.H. strictly; R.H. freely, roughly in space, The
    19. 19.
      People Unit ed Will Never Be Defeated: Var. 18, The
    20. 20.
      People Unit ed Will Never Be Defeated: Var. 19: With energy, The
    21. 21.
      People Unit ed Will Never Be Defeated: Var. 20: Crisp, precise, The
    22. 22.
      People Unit ed Will Never Be Defeated: Var. 21: Relentless, uncompromising, The
    23. 23.
      People Unit ed Will Never Be Defeated: Var. 22, The
    24. 24.
      People Unit ed Will Never Be Defeated: Var. 23: As fast as possible, with some rubato, The
    25. 25.
      People Unit ed Will Never Be Defeated: Var. 24, The
    26. 26.
      People Unit ed Will Never Be Defeated: Var. 25, The
    27. 27.
      People Unit ed Will Never Be Defeated: Var. 26: In a militant manner, The
    28. 28.
      People Unit ed Will Never Be Defeated: Var. 27: Tenderly, and with a hopeful expression, The (cadenza)
    29. 29.
      People Unit ed Will Never Be Defeated: Var. 28, The
    30. 30.
      People Unit ed Will Never Be Defeated: Var. 29, The
    31. 31.
      People Unit ed Will Never Be Defeated: Var. 30, The
    32. 32.
      People Unit ed Will Never Be Defeated: Var. 31, The
    33. 33.
      People Unit ed Will Never Be Defeated: Var. 32, The
    34. 34.
      People Unit ed Will Never Be Defeated: Var. 33, The
    35. 35.
      People Unit ed Will Never Be Defeated: Var. 34, The
    36. 36.
      People Unit ed Will Never Be Defeated: Var. 35, The
    37. 37.
      People Unit ed Will Never Be Defeated: Var. 36: Thema, The

作品の情報

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プロデューサー： Seymour Solomon

商品の紹介

This is the original recording of Frederic Rzewski's masterwork, performed in 1977 by Ursula Oppens. While the composer's own rendition on the hat ART release from 1986 might be regarded as definitive, both this, and the New Albion release by Stephen Drury, are also quite powerful and beautiful. The main theme is a Chilean protest song, and it is run through 36 variations of bewildering and amazing variety, ranging from serialism to jazz to romanticism. to the further reaches of the avant-garde and back, all coalescing into a coherent (if complex) structure leading to a superbly emotional climax. The final recapitulation of the central theme is as deep and moving a moment as there is in late 20th century music. Oppens plays the work with fluency and grace, especially in the quieter interludes where the music takes on an almost ghostly quality. The Vanguard issue includes excellent liner notes by composer Christian Wolff who, in addition to providing good insight into the piece's architecture, elaborates on Rzewski's musical journey from Karlheinz Stockhausen interpreter to freely improvised jazz to his revelation that his socialist political stance would be more properly matched to some sort of populist movement. Hence his absorption into, and adoption of, work songs and other "music of the people." This is a landmark recording and, even if the listener owns other renditions of the composition, this one should definitely be heard. ~ Brian Olewnick|
Rovi

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