Name: Ash Ra Tempel
Price: 3490 JPY

Rock/Pop

Ash Ra Tempel

★★★★★

0.0

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商品の情報

フォーマット	CD
構成数	1
国内/輸入	輸入
パッケージ仕様	-

発売日	2024年03月20日
規格品番	MGART111
レーベル	MG Art
SKU	4260017591113

作品の情報

メイン

アーティスト

：

Ash Ra Tempel

オリジナル発売日

：

1969年

商品の紹介

ジャーマン・ロックの第一人者アシュ・ラ・テンペルの記念すべきデビュー・アルバム『Ash Ra Tempel』の、マニュエル・ゲッチングのレーベル「MG.ART」からの再発リリース。待望の再プレス。
『Ash Ra Tempel』は、タンジェリン・ドリームやアモン・デュールをリリースしていたOhr Recordsから1971年に発売されたアシュ・ラ・テンペルのファースト・アルバム。マニュエル・ゲッチング(ギター)、クラウス・シュルツェ(ドラムス)、ハルトムート・エンケ (ベース)の3人をフィーチャー。録音はコニー・プランクをエンジニアに迎えおこなわれた。2曲45分、サイケデリックでトランシー、どこまでもフリーフォームなクラウトロック初期の金字塔。マニュエル・ゲッチングのレーベル「MG.ART」による2011年リマスター再発盤。

発売・販売元提供資料（2024/02/15）

Uncut (p.102) - 4 stars out of 5 -- "The 19-minute 'Amboss' heads out there fast, Gottsching's arcing guitar leads held down, barely, by Schulze's racing drums..."

Rovi

In light of the 1990s post-rock scene and the often clear links back to Krautrock of all stripes, Ash Ra Tempel's monster debut album stands as being both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms. Featuring the original trio of Enke, Gottsching and Schulze, Ash Ra Tempel consists of only two side-long tracks, both of which are gripping examples of technical ability mixed with rock power. If more progressive music was like it, there wouldn't be as many continuing complaints about that genre as a whole. "Amboss" contains the more upfront explosions of sound, though it mixes in restraint as much as crunch. Starting with Gottsching's extended guitar notes and Schulze's cymbals, it begins with a slow, ominous build that is equally haunting, as mysterious as the cryptic artwork of temples and figures found on the inside. Quick, rumbling drums slowly fade up some minutes in, with more crashing guitar mixing in with the previous tones, creating a disorienting drone experience. The active jam then takes over the rest of the song at the point, the three going off just as they want to (Gottsching's soloing in particular is fantastic) before all coming back together for an explosive, shuddering series of climaxes. "Traummaschine," in marked contrast, is a quieter affair, with Gottsching's deep drones setting and continuing the tone throughout. Fading in bit by bit, the guitars are accompanied by equally mesmerizing keyboards from Schulze, creating something that calls to mind everything from Eno's ambient works to Lull's doom-laden soundscapes and, after more distinct guitar pluckings start to surface, Flying Saucer Attack's rural psychedelia. Halfway through, soft percussion blends with the music to create a gentle but persistent intensity, cue for a series of shifts between calmer and more active sections, but all kept more restrained than on "Amboss." ~ Ned Raggett

Rovi

収録内容

構成数 | 1枚

合計収録時間 | 00:45:22

Personnel: Manuel Gottsching (vocals, guitar, electronics); Klaus Schulze (drums, percussion, electronics). Audio Remasterer: Manuel Gottsching. In light of the 1990s post-rock scene and the often clear links back to Krautrock of all stripes, Ash Ra Tempel's monster debut album stands as being both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms. Featuring the original trio of Enke, Gottsching and Schulze, Ash Ra Tempel consists of only two side-long tracks, both of which are gripping examples of technical ability mixed with rock power. If more progressive music was like it, there wouldn't be as many continuing complaints about that genre as a whole. "Amboss" contains the more upfront explosions of sound, though it mixes in restraint as much as crunch. Starting with Gottsching's extended guitar notes and Schulze's cymbals, it begins with a slow, ominous build that is equally haunting, as mysterious as the cryptic artwork of temples and figures found on the inside. Quick, rumbling drums slowly fade up some minutes in, with more crashing guitar mixing in with the previous tones, creating a disorienting drone experience. The active jam then takes over the rest of the song at the point, the three going off just as they want to (Gottsching's soloing in particular is fantastic) before all coming back together for an explosive, shuddering series of climaxes. "Traummaschine," in marked contrast, is a quieter affair, with Gottsching's deep drones setting and continuing the tone throughout. Fading in bit by bit, the guitars are accompanied by equally mesmerizing keyboards from Schulze, creating something that calls to mind everything from Eno's ambient works to Lull's doom-laden soundscapes and, after more distinct guitar pluckings start to surface, Flying Saucer Attack's rural psychedelia. Halfway through, soft percussion blends with the music to create a gentle but persistent intensity, cue for a series of shifts between calmer and more active sections, but all kept more restrained than on "Amboss." ~ Ned Raggett

エディション | Reissue、Remaster