Rock/Pop
CDアルバム

Ash Ra Tempel

5.0

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フォーマット CDアルバム
発売日 2024年03月20日
国内/輸入 輸入
レーベルMG Art
構成数 1
パッケージ仕様 -
規格品番 MGART111
SKU 4260017591113

構成数 : 1枚
合計収録時間 : 00:45:22
Personnel: Manuel Gottsching (vocals, guitar, electronics); Klaus Schulze (drums, percussion, electronics). Audio Remasterer: Manuel Gottsching. In light of the 1990s post-rock scene and the often clear links back to Krautrock of all stripes, Ash Ra Tempel's monster debut album stands as being both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms. Featuring the original trio of Enke, Gottsching and Schulze, Ash Ra Tempel consists of only two side-long tracks, both of which are gripping examples of technical ability mixed with rock power. If more progressive music was like it, there wouldn't be as many continuing complaints about that genre as a whole. "Amboss" contains the more upfront explosions of sound, though it mixes in restraint as much as crunch. Starting with Gottsching's extended guitar notes and Schulze's cymbals, it begins with a slow, ominous build that is equally haunting, as mysterious as the cryptic artwork of temples and figures found on the inside. Quick, rumbling drums slowly fade up some minutes in, with more crashing guitar mixing in with the previous tones, creating a disorienting drone experience. The active jam then takes over the rest of the song at the point, the three going off just as they want to (Gottsching's soloing in particular is fantastic) before all coming back together for an explosive, shuddering series of climaxes. "Traummaschine," in marked contrast, is a quieter affair, with Gottsching's deep drones setting and continuing the tone throughout. Fading in bit by bit, the guitars are accompanied by equally mesmerizing keyboards from Schulze, creating something that calls to mind everything from Eno's ambient works to Lull's doom-laden soundscapes and, after more distinct guitar pluckings start to surface, Flying Saucer Attack's rural psychedelia. Halfway through, soft percussion blends with the music to create a gentle but persistent intensity, cue for a series of shifts between calmer and more active sections, but all kept more restrained than on "Amboss." ~ Ned Raggett
エディション : Reissue、Remaster

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      Pimboss

      アーティスト: Ash Ra Tempel

    2. 2.
      Traummaschine

      アーティスト: Ash Ra Tempel

作品の情報

メイン
アーティスト: Ash Ra Tempel

オリジナル発売日:1969年

商品の紹介

ジャーマン・ロックの第一人者アシュ・ラ・テンペルの記念すべきデビュー・アルバム『Ash Ra Tempel』の、マニュエル・ゲッチングのレーベル「MG.ART」からの再発リリース。待望の再プレス。
『Ash Ra Tempel』は、タンジェリン・ドリームやアモン・デュールをリリースしていたOhr Recordsから1971年に発売されたアシュ・ラ・テンペルのファースト・アルバム。マニュエル・ゲッチング(ギター)、クラウス・シュルツェ(ドラムス)、ハルトムート・エンケ (ベース)の3人をフィーチャー。録音はコニー・プランクをエンジニアに迎えおこなわれた。2曲45分、サイケデリックでトランシー、どこまでもフリーフォームなクラウトロック初期の金字塔。マニュエル・ゲッチングのレーベル「MG.ART」による2011年リマスター再発盤。
発売・販売元 提供資料(2024/02/15)

Uncut (p.102) - 4 stars out of 5 -- "The 19-minute 'Amboss' heads out there fast, Gottsching's arcing guitar leads held down, barely, by Schulze's racing drums..."
Rovi

In light of the 1990s post-rock scene and the often clear links back to Krautrock of all stripes, Ash Ra Tempel's monster debut album stands as being both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms. Featuring the original trio of Enke, Gottsching and Schulze, Ash Ra Tempel consists of only two side-long tracks, both of which are gripping examples of technical ability mixed with rock power. If more progressive music was like it, there wouldn't be as many continuing complaints about that genre as a whole. "Amboss" contains the more upfront explosions of sound, though it mixes in restraint as much as crunch. Starting with Gottsching's extended guitar notes and Schulze's cymbals, it begins with a slow, ominous build that is equally haunting, as mysterious as the cryptic artwork of temples and figures found on the inside. Quick, rumbling drums slowly fade up some minutes in, with more crashing guitar mixing in with the previous tones, creating a disorienting drone experience. The active jam then takes over the rest of the song at the point, the three going off just as they want to (Gottsching's soloing in particular is fantastic) before all coming back together for an explosive, shuddering series of climaxes. "Traummaschine," in marked contrast, is a quieter affair, with Gottsching's deep drones setting and continuing the tone throughout. Fading in bit by bit, the guitars are accompanied by equally mesmerizing keyboards from Schulze, creating something that calls to mind everything from Eno's ambient works to Lull's doom-laden soundscapes and, after more distinct guitar pluckings start to surface, Flying Saucer Attack's rural psychedelia. Halfway through, soft percussion blends with the music to create a gentle but persistent intensity, cue for a series of shifts between calmer and more active sections, but all kept more restrained than on "Amboss." ~ Ned Raggett
Rovi

メンバーズレビュー

2件のレビューがあります
5.0
100%
0%
0%
0%
0%
ずばりジャーマン・ロック黄金期の歴史的名盤。(RECOMENDED...→)D*** U****限定でPPSの“THE RECOMENDED RECORDS SAMPLER”が売り出されるのを機に名前が挙がっているアーティストたちを本サイトで探ってみたところ、知っていますねェ(笑)。ETRON FOU LELOUBAN、面白そう。1st・2ndがいいのですかね?AKSAK MABOULも良さそうな。個別にPPSで出ないのかな。
2008/10/08 Nishaさん
0
シュルツェの天賦の作曲能力とエディ・ヘイゼル、ニール・ショーンばりのギター天才児ゲッチングとの邂逅から生まれた怒涛のサイケデリック大名盤。負けじとエンケのベースもいい。(北欧は......→)SAMLA MAMMAS MANNAのボックス、一刻も早く欲しいのに年内は無理だろうな(号泣)。KULTIVATORも面白そう。ARCHIMEDES BADKAR、以前からTHIRD EARの店主が推しているバンドの1stが出た(ただしT.RECORDS不取扱い)。
2008/09/30 Nishaさん
0

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