Ninety Miles

構成数 : 1枚
合計収録時間 : 00:53:06
Personnel: David Sanchez (tenor saxophone); Stefon Harris (vibraphone). Audio Mixer: Seth Presant. Recording information: Studio 18, Havana, Cuba; Teatro Amadeo Roldan, Havana, Cuba. Photographer: Devin DeHaven. This album is a collaboration between vibraphonist Stefon Harris, trumpeter Christian Scott, and tenor saxophonist David Sanchez, recorded in Havana with Cuban musicians, including pianists Rember Duharte and Harold Lopez-Nussa. It's not a Latin jazz album, though; these guys are primarily interested in moving classic hard bop into the future with infusions of hip-hop sensibility and groove, and that aesthetic permeates Ninety Miles, though there are occasional keyboard montunos and plenty of conga-driven rhythms to be heard, particularly on the album's peak, the hard Afro-Cuban/New Orleans funk workout "Congo." In a way, Ninety Miles is a puzzling album, because it doesn't seem to be making any explicit political statement; it's about the artistry, and nothing more. Christian Scott is a blazing young trumpeter in the Clifford Brown mold; Stefon Harris, who came up under Greg Osby, is keenly aware of the vibes' traditional position within jazz, and makes the most of that; David Sanchez is a powerful saxophonist with a flair for melody over muscle-flexing displays of lung power. And that's all they really want you to take away from this album. It's a blowing session that just happens to have been recorded in Cuba, with Cuban musicians backing them. Which, in its way, is a political statement, if an oblique one. But the album is well worth hearing on purely musical grounds. ~ Phil Freeman