| フォーマット | CDアルバム |
| 発売日 | 1999年05月04日 |
| 国内/輸入 | 輸入 |
| レーベル | Dischord Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 120 |
| SKU | 718751962026 |
構成数 : 1枚
合計収録時間 : 00:45:37
Fugazi: Guy Picciotto, Ian MacKaye (vocals, guitar); Joe Lally (vocals, bass); Brendan Canty (drums).
Personnel: Guy Picciotto (vocals, guitar, clarinet, percussion); Ian MacKaye (vocals, guitar, piano, keyboards); Joe Lally (vocals); Brendan Canty (melodica, drums).
Audio Mixer: Fugazi.
Photographers: Guy Picciotto; Jem Cohen .
Since almost nothing about Washington D.C.'s Fugazi is conventional, it makes perfect sense that their first "career-spanning" compilation album is largely made up of demos and unreleased tracks. Ostensibly the soundtrack for Jem Cohen's documentary, INSTRUMENT, the album is a glimpse into the creative process of one of punk's most adventurous and forward-thinking bands. The material stems from the 10 years between 1988 and '98 and, aside from some demo versions of songs that appeared in finished versions on 1998's END HITS, is largely composed of unreleased music.
Fans who know Fugazi only from intense, tightly wound post-hardcore like their debut's anthem "Waiting Room" will be astonished by the stylistic breadth of INSTRUMENT. Types of songs never before expected of the band make appearances here, like Ian Makaye's poignant piano ballad, "I'm So Tired," and the minor keyboard funk of "Afterthought." Even the songs that appeared on albums, like "Arpeggiator" and "Pink Frosty," take on new raw life in demo form, as much sketches as songs. As an album, INSTRUMENT does feel like something unfinished, but as an accompaniment to a film that chronicles a restlessly creative band's philosophy and working process, it's a vital document.
録音 : ステレオ (Studio)
フガジの歴史をライヴ映像等を交えてドキュメンタリー・タッチで振り返る『インストゥルメント』、このフィルムのサントラの役割を果たす1枚。
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静寂と空間を感じさせるパンクってfugazi
以外は不可能な音世界。