Rock/Pop
CDアルバム

Dye It Blonde

0.0

販売価格

¥
2,090
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2011年04月19日
国内/輸入 輸入
レーベルDomino Recording Co.
構成数 1
パッケージ仕様 -
規格品番 WEIRD001CD
SKU 5055453700125

構成数 : 1枚
合計収録時間 : 00:00:00
Smith Westerns' self-titled debut album had all the scruffy charm of a bunch of high school kids bashing out ultra-catchy rock & roll tunes in their garage and recording it on a boom box. Which it basically was. The record had all kinds of rambunctious energy, glitter pop hooks, and lo-fi appeal. The question on the follow-up is whether or not moving to a more professional recording setup would sap the power and individuality out of the group's sound. Luckily, Dye It Blonde is just as rowdy and full of life, only this time you can hear what's going on a lot better. Where a lot of the debut sounded like T. Rex in a teacup (or a tornado), this record goes for more of a budget Mott the Hoople approach. Lots of midtempo ballads with singalong choruses, pounding piano, and swooping organ, and a loose, frayed-around-the-edges, boys-together feel place the album firmly in the Mott style. The production by Chris Coady plays up the strengths of the band like the boyish lead vocals, the super hooky choruses, and the great guitar work. Everything blends together perfectly without sounding glossy or overcooked, and the guitar tone is especially nice, totally overdriven but super compressed with plenty of punch. Of course a sound without songs is like a pretty homebaked cake that tastes like Dolly Madison, and the band deliver a batch of them here that make the total package quite tasty. The rockers like "Weekend," "Dance Away," and "Imagine, Pt.3" have a pleasing swagger, the midtempo tracks (like "Fallen in Love" and "End of the Night") bounce along happily, and the ballads have all kinds of ragged soul. Sounding both end-of-the-night epic and heartbreakingly sad, these songs provide some depth that the first record didn't have. Dye It Blonde may be a step away from the lo-fi bedroom sound toward the mainstream, but it's a small step, and they retain more than enough of the songcraft and attitude to keep things interesting. Anyone who liked the debut and was filled with apprehension about what would happen next will be pleasantly surprised, and might even end up liking this record more. ~ Tim Sendra

  1. 1.[CDアルバム]
    1. 1.
      Weekend
    2. 2.
      Still New
    3. 3.
      Imagine, Pt. 3
    4. 4.
      All Die Young
    5. 5.
      Fallen in Love
    6. 6.
      End of the Night
    7. 7.
      Only One
    8. 8.
      Smile
    9. 9.
      Dance Away
    10. 10.
      Dye the World

作品の情報

メイン
アーティスト: Smith Westerns

オリジナル発売日:2011年

商品の紹介

MGMTやベル・アンド・セバスチャン、ウェーヴス、ガールズのオープニング・アクトにも大抜擢!人気急上昇の米シカゴ出身若き3人組、スミス・ウェスタンズが待望のセカンド・アルバムをリリース! ピッチフォークを始めとした早耳系メディアでジワジワとバズを広げてきた彼ら。世界規模で日に日に大きくなるバズを聞きつけ、アークティック・モンキーズ等を輩出した人気英レーベル“Domino”が、新たに設立した新レーベル“Weired World”の第1弾アーティストとして契約!クリス・コーディ(ビーチ・ハウス、TVオン・ザ・レディオ他)がプロデュースを手掛けた本作は、敬愛するマーク・ボランやT.Rexといったグラムの影響を残しつつ、ブリットポップを彷彿とさせるキャッチーさを持ち合わせた究極のローファイ・ポップロック・アルバム!
Hostess Entertainment
発売・販売元 提供資料(2011/03/31)

CMJ - "DYE IT BLONDE blows off the fuzz and polishes the scratchy sounds off their last recordings, revealing a whole lot of something we didn't hear before." Entertainment Weekly - "[B]ursting with cocky glam-rock riffs....BLONDE is a promising step forward for a group that's still growing into its talents." -- Grade: B Rolling Stone - 3.5 stars out of 5 -- "Everything is drenched in reverb and echo, as if frontman Cullen Omori is transmitting his pie-eyed romance straight from the ballrooms of Mars." Billboard - "'Imagine Pt. 3' shimmers like an indie-garage version of 'Mr. Blue Sky' by Electric Light Orchestra." Spin - "With searing guitars, swooning keyboards, and airy, not-that-innocent vocals..."
Rovi

Smith Westerns' self-titled debut album had all the scruffy charm of a bunch of high school kids bashing out ultra-catchy rock & roll tunes in their garage and recording it on a boom box. Which it basically was. The record had all kinds of rambunctious energy, glitter pop hooks, and lo-fi appeal. The question on the follow-up is whether or not moving to a more professional recording setup would sap the power and individuality out of the group's sound. Luckily, Dye It Blonde is just as rowdy and full of life, only this time you can hear what's going on a lot better. Where a lot of the debut sounded like T. Rex in a teacup (or a tornado), this record goes for more of a budget Mott the Hoople approach. Lots of midtempo ballads with singalong choruses, pounding piano, and swooping organ, and a loose, frayed-around-the-edges, boys-together feel place the album firmly in the Mott style. The production by Chris Coady plays up the strengths of the band like the boyish lead vocals, the super hooky choruses, and the great guitar work. Everything blends together perfectly without sounding glossy or overcooked, and the guitar tone is especially nice, totally overdriven but super compressed with plenty of punch. Of course a sound without songs is like a pretty homebaked cake that tastes like Dolly Madison, and the band deliver a batch of them here that make the total package quite tasty. The rockers like "Weekend," "Dance Away," and "Imagine, Pt.3" have a pleasing swagger, the midtempo tracks (like "Fallen in Love" and "End of the Night") bounce along happily, and the ballads have all kinds of ragged soul. Sounding both end-of-the-night epic and heartbreakingly sad, these songs provide some depth that the first record didn't have. Dye It Blonde may be a step away from the lo-fi bedroom sound toward the mainstream, but it's a small step, and they retain more than enough of the songcraft and attitude to keep things interesting. Anyone who liked the debut and was filled with apprehension about what would happen next will be pleasantly surprised, and might even end up liking this record more. ~ Tim Sendra|
Rovi

イマドキのギター・ロック・バンドには違いない。しかし、60sマージー・ビートにまで遡ることのできるノスタルジックなセンスが、その存在を際立たせている。自主で発表されて初作を再リリースしてしまうほど、ファット・ボッサムが惚れ込んだシカゴの3人組。そのセカンド・アルバムはUSインディー・ファンのみならず、ビートルズを源流とするパワー・ポップ~ギター・ポップのファンにも薦めてみたい。
bounce (C)山口智男
タワーレコード(vol.329(2011年2月25日発行号)掲載)

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