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Virtually

3.0

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フォーマット CDアルバム
発売日 2020年02月28日
国内/輸入 輸入
レーベルCuneiform Records
構成数 1
パッケージ仕様 -
規格品番 RUNE100
SKU 045775010021

構成数 : 1枚
合計収録時間 : 01:17:16
VIRTUALLY is a live performance recorded in 1971 for Radio Bremen, Germany but not released until 1998. Soft Machine: Robert Wyatt (vocals, drums); Elton Dean (alto saxophone, saxello, electric piano); Mike Ratledge (electric piano, organ); Hugh Hopper (bass); Recorded on March 23, 1971 at the Gondel Filmkunsttheater, Bremen, Germany. Includes liner notes by Peter Schulze. Personnel: Robert Wyatt (vocals, drums); Elton Dean (saxello, alto saxophone, electric piano); Mike Ratledge (electric piano, organ). Recording information: Gondel Filmkunsttheater, Bremen, Germany (03/23/1971). This set was recorded for Germany radio broadcast at a concert in Bremen in 1971. The performance came a few months prior to Robert Wyatt's departure from Soft Machine. The lineup on VIRTUALLY includes bass player Hugh Hopper, keyboardist Mike Ratledge, and saxophonist Elton Dean, who had joined a year-and-a-half prior. At the time, the group's most recent release (FOURTH) was their first album not to feature vocals. This is how things were to continue henceforth. The 11 selections on VIRTUALLY include all four of FOURTH's featured compositions, although "Virtually" is played in abbreviated form-not as the nearly 20-minute-long, four-part suite Hopper had originally composed. Since it was intended for airing on Germany's Radio Bremen, the recording quality is superb throughout. The release of VIRTUALLY in 1998 marks the first commercial appearance of these recordings.
録音 : ステレオ (Live)

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作品の情報

メイン
アーティスト: Soft Machine

その他
プロデューサー: Peter Schulze
エンジニア: Robert Friedrich

商品の紹介

Recorded on March 23, 1971 for Radio Bremen, during the band's final European tour with Robert Wyatt in the lineup, this is a good (and very well-recorded) document of their early-'70s sound. At this point the band, having doubled in size around the Third era, had contracted to a quartet with Wyatt, Mike Ratledge, Hugh Hopper, and saxophonist Elton Dean. Over the course of the 77-minute disc, they run through all of the material from Fourth, and much of Third: the music that found them tilting toward jazz, rather than rock. Those who are attracted to the band because of Wyatt may thus be disappointed; his drumming is here in force, but he contributes no original compositions, and his vocals are limited to a few processed scats. It's challenging, at times demanding listening, especially when Dean goes off into improv territory; numbers highlighting Ratledge's Lowrey organ hit grooves that are more accessible to rock listeners, but not much. It's certainly better, from both audio and performance aspects, than the Live at the Proms 1970 release, which features the same personnel. ~ Richie Unterberger
Rovi

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