| フォーマット | LPレコード |
| 発売日 | 2011年02月15日 |
| 国内/輸入 | 輸入 |
| レーベル | Alligator Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | ALL514701 |
| SKU | 014551470113 |
構成数 : 1枚
合計収録時間 : 00:00:00
Hound Dog Taylor & The Houserockers: Hound Dog Taylor, Brewer Phillips (guitar); Ted Harvey (drums).
Producers: Hound Dog Taylor, Bruce Iglauer, Wesley Race.
Recorded at Sound Studios, Chicago, Illinois. Includes liner notes by Wesley Race and Bruce Iglauer.
A talent so mighty and so criminally overlooked that Bruce Iglauer started Chicago's Alligator Records just to put out his debut full-length, Theodore Roosevelt "Hound Dog" Taylor may be as important to blues and roots postmodernists as Robert Johnson and Muddy Waters were to the classic blues rockers. With a heavily distorted, highly amplified electric sound that eschewed the standard time-keeping of a bassist for the more propulsive chug of a rhythm guitar player, Taylor and his Houserockers brought the grimy juke-joint boogie back to the fore with this 1973 release. Influenced by Elmore James' loud and hard slide-guitar attack (James' standard "It Hurts Me Too" is given a rather fierce reading) and Freddy King's sweet melodicism, Taylor specialized in good-time dance-floor burners at a time when Chicago blues were sliding into a state of overblown reverence. Most of Taylor's originals are rocked-up party calls, greatly served by the minimal recording production they are given (it is a great lo-fi blues prototype for much of Fat Possum's work in the '90s). And while they may never be as lauded as the anthems of a John Lee Hooker or a Howlin' Wolf, chances are that purists are far more likely to boogie to 'em.
エディション : Remaster
録音 : ステレオ (Studio)

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