World/Reggae
CDアルバム

Safari Disco Club

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2011年03月28日
国内/輸入 輸入
レーベルDowntown Records
構成数 1
パッケージ仕様 -
規格品番 76009
SKU 602527600925

構成数 : 1枚
合計収録時間 : 00:42:23
Personnel: Julie Budet (vocals); Jean Francois Perrier, Tanguy Destable (guitar, keyboards, drums, programming). Audio Mixers: Jean Francois Perrier; Oliver Le Brouder. Recording information: Recreation Center Studio, Brittany, France. Photographer: Gregoire Alexandre. The four years it took Yelle to follow up their debut album might lead the casual observer to expect some kind of dramatic shift in sound or direction. Safari Disco Club betrays almost no development or evolution as the group of singer Julie Budet ("Yelle") and musicians/producers Jean-Francois Perrier ("GrandMarnier") and Tanguy Destable ("Tepr") stick to what made Pop Up so much fun. Namely, slick and bouncy '80s-influenced dance-pop with Budet's snarky, happy vocals on top; still influenced by Madonna, brighter than the afternoon sun, and made for dancing to with a big, silly smile on your face. The main difference this time out is that it's a little slicker sounding, the synths are heavier, more vintage, and more varied, and the songs are less influenced by hip-hop and a little more by Euro-pop, especially on the Moroder-esque "Le Grand Saut." That being said, Safari Disco Club is a monster party album, filled with the kind of songs that spruce up a playlist. Budet sounds more assured than on Pop Up, less shouty and more confident. On songs like the slinky "J'ai Bu," she almost even sounds a little adult! The production (by the guys in the group and guest Moritz Friedrich of Siriusmo on a few tracks) may be slicker, but it's also filled with little instrumental hooks that are surprising and fun, making each song sound different. So maybe there actually is a little progression to be heard on the record, not enough to ruin what made Pop Up great, but enough to keep Safari from being a carbon copy. If it weren't for the lack of an R&B ballad like Pop Up's excellent "Tu Es Beau," it might even be better. As it is, Yelle will have to settle for having made a merely awesome album instead of double awesome one, which is still pretty awesome when you get right down to it. ~ Tim Sendra
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Safari Disco Club
    2. 2.
      Que Veux-Tu
    3. 3.
      C'est Pas Une Vie
    4. 4.
      Comme Un Enfant
    5. 5.
      Chimie Physique
    6. 6.
      La Musique
    7. 7.
      Mon Pays
    8. 8.
      J'ai Bu
    9. 9.
      Le Grand Saut
    10. 10.
      Unillusion
    11. 11.
      S'eteint le Soleil

作品の情報

メイン
アーティスト: Yelle

オリジナル発売日:2011年

商品の紹介

Spin (p.81) - "[The] pairing of girlie vocals with grown-up instrumentation situates Yelle firmly in the gallic ye -ye tradition of France Gall and Serge Gainsbourg..."
Rovi

The four years it took Yelle to follow up their debut album might lead the casual observer to expect some kind of dramatic shift in sound or direction. Safari Disco Club betrays almost no development or evolution as the group of singer Julie Budet (“Yelle”) and musicians/producers Jean-Francois Perrier (“GrandMarnier”) and Tanguy Destable (“Tepr”) stick to what made Pop Up so much fun. Namely, slick and bouncy '80s-influenced dance-pop with Budet’s snarky, happy vocals on top; still influenced by Madonna, brighter than the afternoon sun, and made for dancing to with a big, silly smile on your face. The main difference this time out is that it’s a little slicker sounding, the synths are heavier, more vintage, and more varied, and the songs are less influenced by hip-hop and a little more by Euro-pop, especially on the Moroder-esque "Le Grand Saut." That being said, Safari Disco Club is a monster party album, filled with the kind of songs that spruce up a playlist. Budet sounds more assured than on Pop Up, less shouty and more confident. On songs like the slinky "J'ai Bu," she almost even sounds a little adult! The production (by the guys in the group and guest Moritz Friedrich of Siriusmo on a few tracks) may be slicker, but it’s also filled with little instrumental hooks that are surprising and fun, making each song sound different. So maybe there actually is a little progression to be heard on the record, not enough to ruin what made Pop Up great, but enough to keep Safari from being a carbon copy. If it weren’t for the lack of an R&B ballad like Pop Up’s excellent "Tu Es Beau," it might even be better. As it is, Yelle will have to settle for having made a merely awesome album instead of double awesome one, which is still pretty awesome when you get right down to it. ~ Tim Sendra
Rovi

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