Willie And The Poor Boys

構成数 : 1枚
合計収録時間 : 00:36:38
Willie And The Poor Boys: Mickey Gee (vocals, acoustic & electric guitars) Andy Fairweather-Low (vocals, guitar, bass, percussion); Bill Wyman (vocals, bass, percussion); Geraint Watkins (vocals, accordion, piano, organ); Charlie Watts (drums). Additional personnel: Chris Rea, Paul Rodgers (vocals); Jimmy Page (guitar); Willie Garnett, Steve Gregory (horns); Kenny Jones, Henry Spinetti, Terry Williams (drums); Ray Cooper (percussion). Engineers: Leif Mases, Steve Forward, Stu Epps. Personnel: Andy Fairweather Low (vocals, guitar, acoustic guitar, electric guitar, percussion, background vocals); Mickey Gee (vocals, guitar, acoustic guitar, electric guitar, background vocals); Jimmy Page (vocals, guitar); Geraint Watkins (vocals, accordion, piano, organ, keyboards, background vocals); Bill Wyman (vocals, percussion, background vocals); Chris Rea, Paul Rodgers (vocals); Mel Collins, Ron Wood, Raphael Ravenscroft (saxophone); Willie Garnett, Steve Gregory (horns); Kenney Jones (drums, percussion); Terry Williams , Henry Spinetti, Charlie Watts (drums); Terry Taylor, Ray Cooper (percussion). Audio Mixers: Steve Forward; Leif Mases; Stuart Epps. Illustrator: Steve Kingston . Unknown Contributor Roles: Ringo Starr; Stuart Epps. Arranger: Bill Wyman. With the CD issue of the studio recordings by Willie and the Poor Boys -- former Rolling Stone Bill Wyman and a host of the most enduring session and touring players in British rock music history -- listeners get to reconsider not only the songs themselves, a smoking batch of early rock & roll, country, R&B, and even soul recordings, done in a loose but expertly played fashion, but the root of rock & roll itself as played and felt during its golden age. But these yobs are no mere archivists. They were out to have a ball and let the music speak for itself. These tunes are not terribly concerned with authenticity. But they are with the spirit of the thing These were not recordings made to bring some new light to bear on nuggets of rock and soul's golden age. They are what they are: a slew of amazing songs played by a great amalgamated and ever-rotating group who could care less about showing off their individual chops, but are content with getting together and playing the music that drew them in the first place. As such, it works here shockingly well. Paul Rodgers' vocals on Otis Redding's "These Arms of Mine," and Little Richard's "Slippin' and Slidin" (with killer roots guitar work from Jimmy Page). are among the most convincing of his career. Likewise, moody rocker Chris Rea's vocal read of "Baby, Please Don't Go" is astonishing. Geraint Watkins, known by many as Van Morrison's keyboard ace (and producer of Tres Chicas) turns in a killer lead vocal on "Saturday Night" and "Chicken Shack Boogie," (not bad for a guy who everybody thought couldn't sing). Ray Cooper, percussionist to the stars -- and some regular blokes, too -- sings his skinny ass off on Lee Dorsey's nugget "Can You Hear Me?." But it's not just the singers who provide satisfaction here. Guitarists Andy Fairweather Low and Mickey Gee are killer throughout. The horn section's Steve Gregory and Willie Garnett add heft and weight to this entire orgy of rock and rhythm. Speaking of rhythm, the drummers here are none other than fellow Rolling Stone Charlie Watts, ex-Faces and Who drummer Kenney Jones, Eric Clapton skinman Henry Spinetti, and Rockpile's rhythm ace Terry Williams. These cats push the proceedings into the red, with splattering hi hat work and popping snares. With Wyman manning the bass with fingerpopping groove and grit, guests in the chair were utterly unnecessary. Fairweather Low is also a smashing vocalist, as evidenced on a burning read of Hudson Whittaker's "Let's Talk It Over (Don't You Lie to Me)." The awesome thing about the set, brief as it is, is that despite the many players it sounds like a band, a whole band, experienced, rehearsed, and smashing. The final (and title) cut on the Poor Boys studi
録音 : ステレオ (Studio)