Jazz
CDアルバム

My Buddy (The Songs Of Buddy Johnson)

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販売価格

¥
2,490
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 1998年05月15日
国内/輸入 輸入
レーベルHigh Note Records
構成数 1
パッケージ仕様 -
規格品番 HCD7026
SKU 632375702625

構成数 : 1枚
合計収録時間 : 00:52:11
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      When My Man Comes Home

      アーティスト: Etta Jones

    2. 2.
      They All Say I'm the Biggest Fool

      アーティスト: Etta Jones

    3. 3.
      Save Your Love For Me

      アーティスト: Etta Jones

    4. 4.
      Let's Beat Out Some Love

      アーティスト: Etta Jones

    5. 5.
      Since I Fell For You

      アーティスト: Etta Jones

    6. 6.
      Baby I'm Yours

      アーティスト: Etta Jones

    7. 7.
      Fine Brown Frame

      アーティスト: Etta Jones

    8. 8.
      I Wonder Where Our Love Has Gone

      アーティスト: Etta Jones

    9. 9.
      Please Mr. Johnson

      アーティスト: Etta Jones

    10. 10.
      Hittin' on Me

作品の情報

メイン
アーティスト: Etta Jones

商品の紹介

On My Buddy: Songs of Buddy Johnson, Etta Jones pays tribute to the man who got her started back in 1944. She sings songs originally done by Ella Johnson (Buddy's sister, whom she subbed for) and Arthur Prysock, in her typical soulful, clear, sweet, high-pitched voice. Legendary piano accompanist Norman Simmons is here doing his yeoman's work, with young bassist John Webber and reliable drummer Kenny Washington providing support. Longtime partner, tenor saxophonist Houston Person, tends to lay out in most of the ten cuts until the latter part of these classic melodies. The Prysock tunes include mostly ballads as "They All Say I'm the Biggest Fool" and "Save All Your Love for Me." Jones changes up a bit, playing with the lyric on the easy blues swing of "Let's Beat Out Some Love" and pines, not croons (as would Prysock) for the tenor-led slow tune "I Wonder Where Our Love Has Gone." The Ella Johnson tunes include a personal favorite of Jones, the WWII-era "When My Man Comes Home" -- a good swinger that shows its timelessness. "Hittin' on Me" is a down-home blues cut that has a defiant, rollicking forward motion that suggests escape, and a fine closer to the set. It is clear that this project was important to Etta Jones for personal and historical reasons. It should be just as vital to the jazz and blues community as a whole to not only hear the music of the oft-neglected Buddy Johnson, but to revel in the song stylings of a great vocal treasure. [This highly recommended CD is also a 1998 Grammy nominee for Best Jazz Vocal Performance.] ~ Michael G. Nastos
Rovi

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