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Outside The Box

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フォーマット LPレコード
発売日 2010年08月上旬
国内/輸入 輸入
レーベルTempa
構成数 4
パッケージ仕様 -
規格品番 TEMPALP016
SKU 800071000639

構成数 : 4枚
合計収録時間 : 00:00:00
Ollie Jones, recording as Skream, has been on the dubstep scene since it first lurched out of the London clubs and into the Croydon record shop in which he worked as a teen. Still in his early twenties, Jones has exerted a huge influence on the development of the genre, and on Outside the Box he contributes to a breaking down of the very stylistic definitions he helped create. Guest vocalists pop up here and there throughout the program, but their parts are often chopped and screwed and manipulated and sometimes rendered nearly unrecognizable -- that's a sample of disco diva Jocelyn Brown on "I Love the Way," but her voice is pitched down and tethered to a coolly lurching beat that makes her declaration of love sound more like a cry of desperation; on "Where You Should Be," pop and dubstep join hands and Sam Frank's voice is sacrificed to the great god Vocoder, to very fun effect. Elsewhere you'll hear instrumental dubstep of the more typical dark and juddering variety ("Wibbler," "Fields of Emotion"), mixed-up jungle ("Listenin' to the Records on My Wall"), syrupy hip-hop with subterranean bass ("8 Bit Baby," with Murs on the mike), and straight-up lush and gorgeous electro-pop ("Finally," featuring La Roux). And at the very end, everything explodes into a colorful effusion of frenetic old-school jungle breakage ("The Epic Last Song"). It's an exhilarating ride, equally suited for dancing, fast driving, or skateboarding down the middle of a busy city street. ~ Rick Anderson

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作品の情報

メイン
アーティスト: Skream

オリジナル発売日:2010年08月09日

商品の紹介

Uncut (p.101) - 4 stars out of 5 -- "OUTSIDE THE BOX stretches dubstep definitions beyond current legal limits, from the cubist rave-pop of his Freckles collaboration...to the transatlantic robo-stomp of '8 Bit Baby'..." Mojo (Publisher) (p.99) - 4 stars out of 5 -- "Jones genetically modifies the cavernous dubstep basslines by experimenting in Detroitish techno, hardcore, old skool junglism and trad electronica." Pitchfork (Website) - "[T[racks like 'Where You Should Be' and 'How Real' simultaneously bring heavy, frame-rattling basslines for the steppers and wistful pop-R&B vocals for the lover's-rock crowd." Clash (Magazine) - "From the moody chasms of 'Metamorphosis' to the onomatopoeic LFO-driven 'Wibble', this is a true chocolate box of dubstep's disparate splinter styles..."
Rovi

Ollie Jones, recording as Skream, has been on the dubstep scene since it first lurched out of the London clubs and into the Croydon record shop in which he worked as a teen. Still in his early twenties, Jones has exerted a huge influence on the development of the genre, and on Outside the Box he contributes to a breaking down of the very stylistic definitions he helped create. Guest vocalists pop up here and there throughout the program, but their parts are often chopped and screwed and manipulated and sometimes rendered nearly unrecognizable -- that's a sample of disco diva Jocelyn Brown on "I Love the Way," but her voice is pitched down and tethered to a coolly lurching beat that makes her declaration of love sound more like a cry of desperation; on "Where You Should Be," pop and dubstep join hands and Sam Frank's voice is sacrificed to the great god Vocoder, to very fun effect. Elsewhere you'll hear instrumental dubstep of the more typical dark and juddering variety ("Wibbler," "Fields of Emotion"), mixed-up jungle ("Listenin' to the Records on My Wall"), syrupy hip-hop with subterranean bass ("8 Bit Baby," with Murs on the mike), and straight-up lush and gorgeous electro-pop ("Finally," featuring La Roux). And at the very end, everything explodes into a colorful effusion of frenetic old-school jungle breakage ("The Epic Last Song"). It's an exhilarating ride, equally suited for dancing, fast driving, or skateboarding down the middle of a busy city street. ~ Rick Anderson
Rovi

テンパの顔としてはむろん、今作にも傘下したラ・ルー嬢の”In For The Kill”のリミックスでダブステップを超える期待を背に完成した皇帝スクリームのセカンド・アルバム。すっかり今年のトレンドとなったUKガラージ~西ロン・ブロークンビーツ回帰色を自然に纏いながら、マーズ(リヴィング・レジェンズ!)のフロウを見事にロード・ラップのそれとして召喚したり、ポスト・ムーヴメントとして派生したサイレント・ドラムンベースを牽引する重鎮ブリッジ&インストゥラメンタともきっちりリンクされた一大絵巻は、さながらトラディショナルなUKダンス・ミュージックの古今を一気に目の前に差し出されたかのよう。後を絶たないダブステップって何?って方々、2010年はまずこれを聴きなさいってば。
bounce (C)入江亮平
タワーレコード(vol.325(2010年9月25日発行号)掲載)

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