フォーマット |
CD |
---|---|
構成数 |
1 |
国内/輸入 |
輸入 (International Version) |
パッケージ仕様 |
- |
発売日 |
2010年06月26日 |
---|---|
規格品番 |
2738110 |
レーベル |
|
SKU |
602527381107 |
構成数 | 1枚
合計収録時間 | 00:44:13
Scissor Sisters completed and then scrapped an entire album before Night Work, not only ditching arrangements and mixes but an entire set of songs. When they re-entered the studio, it was with producer Stuart Price, whose work with artists from Madonna to Kylie to Pet Shop Boys to the Killers proved his hit-making potential -- and whose music, including the excellent Darkdancer as Les Rythmes Digitales, is one of the best love letters to the '80s dance scene ever produced. Price ably provides the '80s in full force, with obvious touchstones from Duran Duran to Giorgio Moroder to Prince to Kenny Loggins' "Footloose" to Pet Shop Boys. The entire group sound enlivened by the help, transcending the piano-heavy rock of Ta-Dah! to get closer to their debut's raft of double entendres (and single entendres). Scissor Sisters are record fans from way back (they covered Roxy Music between albums), so they structure nearly every element of Night Work to relive the heady days of AOR (aka album-oriented rock). Slotted in the third track is a power ballad aching with sincerity (and synths), the cover includes a Robert Mapplethorpe photo from 1980 above a title appearing in circa-1981 cursive script, and the songs are nearly straitjacket tight examples of the classic verse-chorus-verse format. Granted, Jake Shears and Babydaddy haven't written a set of songs to compete with their debut, but they beat Ta-Dah! by a few yards and sound more energized than they have in years. The songs and lyrics are naturally full of clubland tales and dancefloor come-ons, plus nearly endless metaphors for sex ("I need express delivery," "Gotta do the night work," "Sting me like a bee," "Might sneak up from behind," "I got a brand new hook to hang your hat," "I got some apples, if you want 'em you can grab 'em"). Classic AOR would be nothing without a few moments of sincerity, and the last track, "Invisible Light," shows the most evidence of honesty as well as innovation -- for once, Scissor Sisters aren't aping power-ballad emotion or double-entendre pop. It's a driving clubland epic encompassing love (love of dance and love of love), ending with a Sir Ian McKellen voiceover in tribute to the "bacchanal." ~ John Bush
録音 | ステレオ (Studio)
-
1.[CD]
-
1.Night Work
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2.Whole New Way
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3.Fire With Fire
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4.Any Which Way
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5.Harder You Get
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6.Running Out
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7.Something Like This
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8.Skin This Cat
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9.Skin Tight
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10.Sex and Violence
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11.Night Life
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12.Invisible Light
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-
外部プロデューサーを初めて起用するにあたり、スチュワート・プライスを指名した……ってことだけでも注目度大な3枚目のニュー・アルバムですよ!ダンス・ミュージックに対する強いパッションをいつになく感じさせる内容で、バンド感はすっかり影を潜め、打ち込み主体のサウンドが流れ出せば、ほら一瞬にしてそこはディスコに様変わり。妖しく飛び交うシンセ音の応酬に、汗だくになるまで踊っちゃって!
bounce (C)柴田かずえタワーレコード (vol.322(2010年6月25日発行号)掲載)
My Best Track 12. Invisible Light " Bliss at 14 seconds of 06 minutes " " Divine, Celestial Music " " A Jacket Is Also Splendid "
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