On Broadway

構成数 : 1枚
合計収録時間 : 00:45:43
Personnel: Paul Viapiano (guitar); Amy Wilkins (harp); John Wittenberg, Cameron Patrick, Carolyn Osborn , Songa Lee, Erika Walczak, Christine Frank, Sharon Jackson , Kathleen Robertson , Gina Kronstadt, Norm Hughes, Mark Robertson , Judy Yoo, Julie Rogers, Peter Kent, Susan Chatman (violin); Jessica van Velzen, Andrew Picken, Scott Hosfeld, Maria Newman, Briana Bandy (viola); Rudy Stein, Elizabeth Wright , Andrew Shulman , John Krovosa, Cameron Stone (cello); Geri Rotella (flute); Gary Gray (clarinet); Jay Mason, Dan Higgins , Phillip D. Feather, Jeff Driskill (woodwinds, saxophone); Willie Murillo, Darrel Gardner, Don Clarke, Wayne Bergeron (trumpet); Dave Ryan, Charlie Morillas, Bob McChesney, Craig Ware (trombone); Alan Broadbent (piano); Ray Brinker, Bernie Dresel (drums). Audio Mixers: Charlie Paakkari; Mark Linett. Recording information: EastWest Studios, Hollywood, CA; Your Palce Or Mine Recording, Glendale, CA. Photographer: Pierre Baroni. Arranger: Bill Elliott. The warhorses that have emerged from the Broadway musicals of the 1940s on have become such standards -- either in the popular culture at large or at least along the Great White Way -- that when cabaret singers and moonlighting stage performers make solo albums, they often shy away from these obvious songs, perhaps feeling they have been too exposed, or that definitive versions of them have been recorded already. Australian singer David Campbell appears to be completely untroubled by any such consideration on his album of theater music, On Broadway. Instead of avoiding the standards, he fills the disc with them, starting (after an overture) with the opening song from Oklahoma!, "Oh, What a Beautiful Mornin'." From there, it's one familiar song after another, including "Hey There" from The Pajama Game, "Hello, Dolly!," "Being Alive" from Company, and "Bring Him Home" from Les Miserables. As such a selection suggests, Campbell has a tenor voice, and he likes to show it off. He has appeared in Les Miserables in his native country, and Off-Broadway in Stephen Sondheim's Saturday Night, and it sounds like he'd like to do more stage work. In fact, On Broadway is, in a sense, an audition tape in which Campbell tries out for the leads in Chicago, Guys and Dolls, and even a show that, as of release date, hadn't yet opened in New York, the musical adaptation of the film Catch Me If You Can. Typically, he chooses from its score a real "11 o'clock number," the soaring "Goodbye," which gives a hint of the show's classic rock feel. Maybe if he gets some of the stage work he wants, Campbell will get a chance to live with some of this material, and with the characters who sing it, a little more and gain a deeper understanding of both. On this album, he is too in love with his own voice to really get the most out of, for example, "What Kind of Fool Am I?" (He does not sound like a man who thinks he's any kind of fool). Still, it's hard to blame him for his self-regard, since he clearly has the talent to back it up. ~ William Ruhlmann
録音 : ステレオ (Live)