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| フォーマット | CDアルバム |
| 発売日 | 2010年06月26日 |
| 国内/輸入 | 輸入 |
| レーベル | Hip-O Select |
| 構成数 | 3 |
| パッケージ仕様 | ボックス |
| 規格品番 | B001338402 |
| SKU | 602527176437 |
構成数 : 3枚
合計収録時間 : 03:35:21
Personnel: Nat King Cole (piano).
Audio Remasterer: Kevin Reeves.
Liner Note Authors: David Ritz; Norman Granz.
Recording information: Chicago, IL (02/16/1946); Hollywood Recorders, Los Angeles, CA (02/16/1946); Los Angeles (02/16/1946); Los Angeles, CA (02/16/1946); New York, NY (02/16/1946); The Philharmonic Auditorium, Los Angeles, CA (02/16/1946); Chicago, IL (03/14/1941); Hollywood Recorders, Los Angeles, CA (03/14/1941); Los Angeles (03/14/1941); Los Angeles, CA (03/14/1941); New York, NY (03/14/1941); The Philharmonic Auditorium, Los Angeles, CA (03/14/1941); Chicago, IL (03/1946-04/1946); Hollywood Recorders, Los Angeles, CA (03/1946-04/1946); Los Angeles (03/1946-04/1946); Los Angeles, CA (03/1946-04/1946); New York, NY (03/1946-04/1946); The Philharmonic Auditorium, Los Angeles, CA (03/1946-04/1946); Chicago, IL (07/02/1944); Hollywood Recorders, Los Angeles, CA (07/02/1944); Los Angeles (07/02/1944); Los Angeles, CA (07/02/1944); New York, NY (07/02/1944); The Philharmonic Auditorium, Los Angeles, CA (07/02/1944); Chicago, IL (07/16/1941); Hollywood Recorders, Los Angeles, CA (07/16/1941); Los Angeles (07/16/1941); Los Angeles, CA (07/16/1941); New York, NY (07/16/1941); The Philharmonic Auditorium, Los Angeles, CA (07/16/1941); Chicago, IL (07/28/1936); Hollywood Recorders, Los Angeles, CA (07/28/1936); Los Angeles (07/28/1936); Los Angeles, CA (07/28/1936); New York, NY (07/28/1936); The Philharmonic Auditorium, Los Angeles, CA (07/28/1936); Chicago, IL (07/30/1944); Hollywood Recorders, Los Angeles, CA (07/30/1944); Los Angeles (07/30/1944); Los Angeles, CA (07/30/1944); New York, NY (07/30/1944); The Philharmonic Auditorium, Los Angeles, CA (07/30/1944); Chicago, IL (10/22/1941); Hollywood Recorders, Los Angeles, CA (10/22/1941); Los Angeles (10/22/1941); Los Angeles, CA (10/22/1941); New York, NY (10/22/1941); The Philharmonic Auditorium, Los Angeles, CA (10/22/1941); Chicago, IL (12/06/1940); Hollywood Recorders, Los Angeles, CA (12/06/1940); Los Angeles (12/06/1940); Los Angeles, CA (12/06/1940); New York, NY (12/06/1940); The Philharmonic Auditorium, Los Angeles, CA (12/06/1940).
Illustrator: Philip Manning.
Photographers: Rolland Shreves; William Gottlieb.
Nat King Cole spent virtually all of his career with a contract from Capitol. (The classic Capitol Records tower, near Sunset & Vine in Hollywood, wasn't known as "the house that Nat built" for nothing.) But his earliest sides appeared on a range of labels, including, but not limited to, Decca, Keynote, and Mercury. (Aside from what's heard here, the King Cole Trio recorded dozens of effervescent songs between 1938 and 1941 for transcription services, music that has only rarely been commercially issued.) Riffin': The Decca, JATP, Keynote and Mercury Recordings puts a wrapper around a fair share of his non-Capitol sides, some of them early (Decca) and some of them live (JATP) and some of them as a sideman (complete with hilarious noms de plume) for Lester Young and others (Mercury). Best are the early King Cole Trio sides, from 1940-1941, when the group was still writing songs and delivering them with the energy and flair of a club act, making mini-masterpieces from off-the-cuff songs "I Like to Riff," "Call the Police," and "Stop! The Red Light's On." Novelties for sure, but novelties with tight group interplay that showed what small-group swing could do, along with bouncing solos from Cole's piano that earned him fame and influence far beyond what the singer of "Unforgettable" could have garnered. Also well-deserving of attention is his 1946 session with Lester Young (and drummer Buddy Rich) for a Mercury album that sees him giving Young the best accompaniment he would ever receive. The JATP sides cover a Jazz at the Philharmonic concert from 1944 where Cole's piano was heard (faintly) with a jam session including flamboyant, roof-raising solos from Les Paul, Illinois Jacquet, and J.J. Johnson, among others. (Cole's modesty in these circumstances
エディション : Remaster
録音 : ステレオ (Studio/Live)
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