Rising Sun

Ottawa, Canada's Souljazz Orchestra have been around since 2002, releasing three albums of Afro-beat-inspired jazz before Rising Sun, their fourth. But despite a name that's unfortunately similar to jazz-fusion and jam band favorite Soulive, the Canadian sextet manages to make music that stays relatively true and honest to its inspirations without sounding either derivative or exploitative. This is especially true of the songs that stay closer to the jazz realm, which makes sense: Souljazz's members were trained in, and started in, jazz, and they seem most comfortable here. This means even when the African and Latin influences are added in, as in "Mamaya" (the name of a Guinean dance from the '40s) or the lovely "Consecration" -- which starts with a riff off the first section of Miles Davis' version of "Concierto de Aranjuez" (albeit with saxophone instead of trumpet) before moving into something more upbeat, a swinging modal jazz piece with plenty of room for exploratory solos -- there's an understanding in the listener that the music comes from a sincere and well-kept place. It's not that the songs that move away from this direction -- the Afro-beaty "Agbara" and Mulata Astatke-inspired "Negus Negast" are the two prominent examples -- sound insincere, there's just something a little bit off, the drums in "Negus Negast" mixed just a little too loud, the background vocals in "Agbara" a little too pretty (something, that needs to be noted, contemporaries like Antibalas and Budos Band have been able to avoid), something that hints just slightly of the "world music made palatable" phenomenon. Fortunately, these moments are few and distant enough that after all is said and done, Rising Sun still feels like a victory. ~ Marisa Brown

これは凄い！前2作でも緻密に作り上げたバンド･アンサンブルを武器にフェラ・クティ・フォロワーの枠に収まらない方向性を見せていた彼らだが、本作では曲ごとの色というか振れ幅が過去最高に大きく、その突き抜けっぷりと格好良さがハンパないのだ！ムトゥ・アスタツケを彷彿とさせるエキゾティックな旋律が妖しい"Negus Negast"、スピリチュアル・ジャズ・ファンも虜にするであろうスロウ・ナンバー"Lotus Flower"、もちろんド級の格好良さである直球アフロビート"Agbara"と駄曲は皆無。壮大なイントロで幕を開け、ファラオ・サンンダースのリメイクで締めるというアルバムのトータルな流れも含め、ケチの付けようのない傑作です！早くも今年のアフロビート作品、大本命の登場！
bounce (C)西尾洋儀