フォーマット |
CD |
---|---|
構成数 |
1 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2010年02月16日 |
---|---|
規格品番 |
STKS2512 |
レーベル |
|
SKU |
730003725128 |
構成数 | 1枚
合計収録時間 | 00:50:26
Audio Mixers: Paul Conboy; Foppe Talman. Recording information: Mosh Sao Paulo. Tim Simenon must have been energized by his return to the record ranks with 2008's Future Chaos, because he went right back to work and emerged barely 18 months later with Back to Light. It's obvious from the beginning here that this isn't meant to be part two of Future Chaos, or just the left-behinds from that solid album. It's a vital record that charts a completely different direction, one that's less innovative and more mainstream than Future Chaos, but succeeds nonetheless because of its match of Simenon with ace techno producer Gui Boratto, whose work for Kompakt has made him one of the brightest tech-house producers of the 2000s. As on Future Chaos, most tracks have vocal features, with the usual benefits and drawbacks (on the plus side, the tracks get extra focus; on the minus side, they can lead to overly polished tracks that don't stand out). There's precious little here of the dub influence Simenon has usually carried, making it a strange Bomb the Bass record indeed. But with vocals from Kelley Polar and a featured co-production with Martin Gore (which far outpace the other appearances, from Richard Davis and Paul Conboy), plus Boratto's spacy, hypnotic techno as an underpinning, Back to Light isn't far off from Simenon's best. ~ John Bush
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1.[CD]
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1.Boy Girl - (featuring Paul Conboy)
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2.X Ray Eyes - (featuring Kelley Polar)
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3.Infinites, The - (featuring Paul Conboy)
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4.Price on Your Head - (featuring Richard Davis)
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5.Blindspot - (featuring Paul Conboy)
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6.Start
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7.Burn Less Brighter - (featuring Paul Conboy)
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8.Happy to Be Cold - (featuring Richard Davis)
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9.Up the Mountain - (featuring The Battle of Land and Sea)
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10.Milakia - (featuring Martin Gore)
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これはビックリ! かつてトリップ・ホップやビッグ・ビートの雛形となる音を作ったボム・ザ・ベースが、本作ではエレクトロ&ハウス寄りにシフト。しかもプロデュースがグイ・ボラットなんです! ケリー・ポラーらをフィーチャーしたヴォーカル曲を中心に、シューゲイザー+レトロ趣味+スペイシーな味付けが活かされていて、往年のファンよりもむしろボラットの作風が好きな人にオススメしたい内容。
bounce (C)青木正之タワーレコード (vol.319(2010年3月25日発行号)掲載)
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