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フォーマット |
CD |
---|---|
構成数 |
1 |
国内/輸入 |
輸入 (アメリカ盤) |
パッケージ仕様 |
- |
発売日 |
2009年12月05日 |
---|---|
規格品番 |
2520540 |
レーベル |
|
SKU |
093624974154 |
---
構成数 | 1枚
合計収録時間 | 01:13:41
Audio Mixer: Joel Mullis. Recording information: Bangladesh Studios, Atlanta, GA; Metronome Studios, Scottsdale, GA; Music House Studios, Atlanta, GA; Patchwerk Recordings Studios; Silent Sound, Atlanta, GA; Stankonia Recordings, Atlanta, GA; Street Symphony Studios; Studio At The Palms, Las Vegas, NV; The Hit Factory, Miami, FL; The Palms, Las Vegas, NV; Zaytown, Atlanta, GA. Photographer: Jonathan Mannion. Just half a year from the release of the mysteriously unauthorized catalog clearinghouse/label kiss off Murder Was the Case, Gucci Mane returns with The State vs. Radric Davis, his latest on Warner Bros.' Asylum imprint. True to form, the bling-loving rapper brings the club-ready Dirty South rap, complete with trunk-rattling bass and trademark synths. Featuring production by Drumma Boy, Mannie Fresh, Shawty Redd, and Scott Storch, amongst others, it's no surprise that the album is able to perfectly capture the low and slow Southern sound. Some of the best beats come by way of Bangladesh (producer on the Lil Wayne single "A Milli"), who drops some seriously roll slowing Atlanta heat on "Stupid Wild" and "Lemonade." The all-star roster doesn't just stop on the production side. Soulja Boy Tell `Em, Rick Ross, Lil Wayne, and Bun B (as well as countless others) drop in with guest verses, culminating in an album that's so jam-packed with Dirty South royalty that it almost feels a little light on Gucci Mane. While the galaxy of guest stars has become commonplace in the rap world, it's Gucci's solo songs that paint a picture of what the rapper is really like, peeling back the veneer of excess to reveal an artist who has been affected by his past. On "Worst Enemy," a song that touches on the rapper's 2005 legal troubles, Gucci looks to stay focused on his future as he closes out the hook with "I don't turn around no mo', I look at what's in front of me/I'm focused on the future `cause yesterday is history." The ominous Shawty Redd-produced "Heavy" feels like the rapper is looking back and realizing he might be in over his head, with Gucci alternating verses about guns, cash, and drugs with a hook where he laments "My ego getting too big, it's too heavy/My head getting too big, it's too heavy," as if he's asking for someone to come help him carry the weight. At the end of the day, The State vs. Radric Davis delivers the full spectrum of Gucci Mane, showing both the cash and yellow diamond-loving side, as well as his more reflective (or at least more self-aware) side. What's important is that regardless of what side we're seeing, both of them can deliver on the down-and-dirty club jams that Atlanta is known for. ~ Gregory Heaney
録音 | ステレオ (Studio)
-
1.[CD]
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1.Classical (Intro)
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2.Toilet Bowl Shawty/Mike Epps (Interlude)
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3.Heavy
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4.Stupid Wild - (featuring Lil Wayne/Cam'ron)
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5.All About the Money - (featuring Rick Ross)
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6.Lemonade
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7.Bingo - (featuring Waka Flocka Flame/Soulja Boy)
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8.Spotlight - (featuring Usher)
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9.I Think I'm In Love - (featuring James Caesar/Jason Caesar)
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10.Bad Bad Bad - (featuring Keyshia Cole)
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11.Toilet Bowl Shawty/Mike Epps (Interlude)
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12.Sex in Crazy Places - (featuring Nicki Minaj/Trina/Bobby V)
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13.Movie, The
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14.Volume - (featuring Wooh Da Kid)
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15.Gingerbread Man - (featuring OJ da Juiceman)
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16.Wasted - (featuring Plies)
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17.Kush Is My Cologne - (featuring E-40/Devin the Dude/Bun B)
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18.Worst Enemy
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19.Toilet Bowl Shawty/Mike Epps (Interlude)
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20.Wasted - (remix)
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-
満場一致な2009年ヒップホップ界のMVPによる、まさに待望という言葉がピッタリな新作。膨大な仕事と幅広い客演で名を馳せ、圧倒的な注目のなかでのリリース……というストーリーは『Tha Carter III』直前のリル・ウェインを彷彿とさせるが、現行シーン最強のクリエイターと各地区のトップ&フレッシュな顔ぶれが揃い踏みした本作はそんな期待を凌ぐ最高にホットな出来映えだ。早くもストリート・クラシック化した“Wasted”とアッシャー参加の“Spotlight”という両極端なバズ・カットに象徴されるように、コアとマスのバランスも良し。他にも“Wasted”路線の“Heavy”やソウルジャ・ボーイらとのフッド感強めな“Bingo”など、主役の魅力を活かしたクセになる曲が揃った2009年最後の大本命盤! BURRR!
bounce (C)升本 徹タワーレコード (vol.317(2009年12月25日発行号)掲載)
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