サウンドトラック
LPレコード
OST

Twilight Saga : New Moon

0.0

販売価格

¥
4,190
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2009年12月22日
国内/輸入 輸入(アメリカ盤)
レーベルAtlantic
構成数 2
パッケージ仕様 -
規格品番 1519421
SKU 075678958588

構成数 : 2枚
合計収録時間 : 00:00:00
After Twilight became a world-wide hit, the film series based on Stephenie Meyer's series of vampire romance books got a major upgrade. More time, effort, and money were poured into the second film, New Moon, and nowhere is this clearer than the film's soundtrack. New Moon's music is darker, more sophisticated, and much more indie-friendly than its predecessor's soundtrack, and features more of the artists Meyer credits for inspiring her writing. One is Muse, whose "I Belong to You (New Moon Remix)" is so dramatic that it's easy to hear how the band inspired Meyer's angst-filled love triangle between the clumsy yet somehow irresistible Bella Swan, her vampire boyfriend Edward Cullen and her best friend (and werewolf) Jacob Black. Meyer also cites Radiohead as a big influence, and Thom Yorke's previously unreleased "Hearing Damage" is New Moon's main attraction. Drifting in on buzzing synth bass, the song builds to luminous, ghostly heights that make it one of the album's highlights. However, it's not the only one: Death Cab for Cutie's "Meet Me on the Equinox" is more brooding and rock-tinged than the band's usual approach, but it fits in beautifully with New Moon's sullen mood, while the close harmonies and piano on the Killers' "White Demon Love Song" inject some much-needed drama. Indeed, despite the fact that this soundtrack is more musically satisfying, and certainly more star-studded than the first film's, Twilight felt more like the world Meyer created in her books -- melodramatic, earnest, definitely not reeking of indie rock cool. Even if nothing here nails that vibe the way that Paramore's "Decode" did, Lykke Li's "Possibility" and Anya Marina's "Satellite Heart" still offer winsome indie folk backgrounds for Bella's moping. Despite a few upbeat moments that stick out like a thumb that isn't sore, songs like Grizzly Bear and Victoria Legrand's "Slow Life," Editors' "No Sound But the Wind," and Bon Iver and St. Vincent's lovely, truly odd "Roslyn" are morose enough for die-hard Twilight fans and stylish enough to please the most discerning music snobs. ~ Heather Phares
録音 : ステレオ (Studio)

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商品の紹介

After Twilight became a world-wide hit, the film series based on Stephenie Meyer's series of vampire romance books got a major upgrade. More time, effort, and money were poured into the second film, New Moon, and nowhere is this clearer than the film's soundtrack. New Moon's music is darker, more sophisticated, and much more indie-friendly than its predecessor's soundtrack, and features more of the artists Meyer credits for inspiring her writing. One is Muse, whose "I Belong to You (New Moon Remix)" is so dramatic that it's easy to hear how the band inspired Meyer's angst-filled love triangle between the clumsy yet somehow irresistible Bella Swan, her vampire boyfriend Edward Cullen and her best friend (and werewolf) Jacob Black. Meyer also cites Radiohead as a big influence, and Thom Yorke's previously unreleased "Hearing Damage" is New Moon's main attraction. Drifting in on buzzing synth bass, the song builds to luminous, ghostly heights that make it one of the album's highlights. However, it's not the only one: Death Cab for Cutie's "Meet Me on the Equinox" is more brooding and rock-tinged than the band's usual approach, but it fits in beautifully with New Moon's sullen mood, while the close harmonies and piano on the Killers' "White Demon Love Song" inject some much-needed drama. Indeed, despite the fact that this soundtrack is more musically satisfying, and certainly more star-studded than the first film's, Twilight felt more like the world Meyer created in her books -- melodramatic, earnest, definitely not reeking of indie rock cool. Even if nothing here nails that vibe the way that Paramore's "Decode" did, Lykke Li's "Possibility" and Anya Marina's "Satellite Heart" still offer winsome indie folk backgrounds for Bella's moping. Despite a few upbeat moments that stick out like a thumb that isn't sore, songs like Grizzly Bear and Victoria Legrand's "Slow Life," Editors' "No Sound But the Wind," and Bon Iver and St. Vincent's lovely, truly odd "Roslyn" are morose enough for die-hard Twilight fans and stylish enough to please the most discerning music snobs. ~ Heather Phares
Rovi

禁断の愛、第2章の音楽は美しきデスプラ。 『ニュー・ムーン:トワイライト・サーガ』(2009) サウンドトラック・スコア盤 音楽 アレクサンドル・デスプラ 監督 クリス・ウェイツ 主演 クリステン・スチュワート、ロバート・パティンソン 全世界で、現象化した、人間の女の子と、ヴァンパイアの 美少年のラブストーリー『トワイライト〜初恋』の第2章。 監督がキャサリン・ハードウィックからクリス・ウェイツに バトンタッチし、音楽も、ウェイツが前作『ライラの冒険』で 組んだ、今や世界中の監督たちの信頼厚いアレクサンドル・ デスプラ。今回も、ファンの期待を裏切ることなく、メロディアス な展開で、柔らかく美しいストリングス主体のオーケストラ・ サウンドをうっとりと聞かせてくれます。 (そして、このスコアは、同じく、フランスが生んだ世界的作曲家 のモーリス・ジャールに捧げられています) (C)馬場敏裕
タワーレコード(2009/11/17)

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