Country/Blues
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In The Beginning....

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フォーマット CDアルバム
発売日 2009年11月16日
国内/輸入 輸入
レーベルFat Possum Records
構成数 1
パッケージ仕様 -
規格品番 FAPO12062
SKU 767981120621

構成数 : 1枚
合計収録時間 : 00:33:14
Personnel includes: Townes Van Zandt (vocals, guitar). Recorded in 1966. Includes liner notes by John Lomax III. Not surprisingly, when one listens to these early recordings of Townes Van Zandt, it's obvious from the start that he was someone and something that arrived fully formed. Even if the songs themselves weren't quite as refined as they would become, virtually all of the elements are in place: the poetry, the stark melodies, the restless wanderlust, the inherent melancholy and impenetrable darkness; all of which this would inhabit his lyrics and delivery for the rest of his too-short life. The songs on In the Beginning were recorded in his first Nashville recording sessions in 1966, pre-dating the release of For the Sake of the Song by two years. Eight of these ten songs was recorded with Van Zandt playing solo on his guitar. All of them are quite revealing, not just for the obvious lyric and melody reasons, but for his guitar playing abilities; he was a considerable flatpicking talent and picked up his idol's, fellow Houstonian Lightin' Hopkins', trademark stutter shuffle as well. The blues are as present Van Zandt's tunes as folk and country were. Check the set's opening track "Black Widow's Blues," one of two songs recorded with a full backing band; the other is the stellar "Hunger Child Blues." He's got the blues moan, the chilling lyrics (best not revealed here so as not to spoil the listener's surprise), and a dynamic delivery that was a trademark then and there. Some songs here hint at others to come later. "Gypsy Friday" is one of the most pure and gentle of Van Zandt's folk songs, and recalls his traveling tunes. One can hear the gigantic influence of Hank Williams on the beautiful love song "Waitin' for the Day." The album's final two tracks -- "Big Country Blues" and "Black Crow Blues" -- feature shapes and hints of "Waitin' Round to Die" and "Marie." Take this for what it is, not some holy grail, but a collection of heretofore unheard and excellent early Van Zandt material, which is in itself a gift. ~ Thom Jurek
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Black Widow Blues
    2. 2.
      Maryetta's Song
    3. 3.
      Hunger Child Blues
    4. 4.
      Gypsy Friday
    5. 5.
      Waitin' For the Day
    6. 6.
      Black Jack Mama
    7. 7.
      When Your Dream Lovers Die
    8. 8.
      Colorado Bound
    9. 9.
      Big Country Blues
    10. 10.
      Black Crow Blues

作品の情報

メイン
アーティスト: Townes Van Zandt

その他
プロデューサー: Jack Clement

商品の紹介

Dirty Linen (8/03, p.61) - "...The man was already an impressive writer and a deft guitarist....It's a real find..." Mojo (Publisher) (4/03, p.108) - 4 stars out of 5 - "...Fans will love it..."
Rovi

Not surprisingly, when one listens to these early recordings of Townes Van Zandt, it's obvious from the start that he was someone and something that arrived fully formed. Even if the songs themselves weren’t quite as refined as they would become, virtually all of the elements are in place: the poetry, the stark melodies, the restless wanderlust, the inherent melancholy and impenetrable darkness; all of which this would inhabit his lyrics and delivery for the rest of his too-short life. The songs on In the Beginning were recorded in his first Nashville recording sessions in 1966, pre-dating the release of For the Sake of the Song by two years. Eight of these ten songs was recorded with Van Zandt playing solo on his guitar. All of them are quite revealing, not just for the obvious lyric and melody reasons, but for his guitar playing abilities; he was a considerable flatpicking talent and picked up his idol's, fellow Houstonian Lightin’ Hopkins', trademark stutter shuffle as well. The blues are as present Van Zandt's tunes as folk and country were. Check the set’s opening track “Black Widow’s Blues,” one of two songs recorded with a full backing band; the other is the stellar “Hunger Child Blues.” He’s got the blues moan, the chilling lyrics (best not revealed here so as not to spoil the listener's surprise), and a dynamic delivery that was a trademark then and there. Some songs here hint at others to come later. “Gypsy Friday” is one of the most pure and gentle of Van Zandt's folk songs, and recalls his traveling tunes. One can hear the gigantic influence of Hank Williams on the beautiful love song “Waitin’ for the Day.” The album’s final two tracks -- "Big Country Blues” and “Black Crow Blues” -- feature shapes and hints of “Waitin’ Round to Die” and “Marie.” Take this for what it is, not some holy grail, but a collection of heretofore unheard and excellent early Van Zandt material, which is in itself a gift. ~ Thom Jurek
Rovi

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