Depending on your perspective, producers Larry and Fonce Mizell were either the best or the worst thing ever to happen to venerable jazz label Blue Note. Dispensing with the atonal abstractions of the free jazz era, during the 1970s the brothers steered the company's artists towards psychedelically funky grooves far closer to mainstream urban radio than anything Blue Note had ever dared try. Purists never recovered, but when successive generations far less concerned with tradition and the sanctity of jazz -- a music that, it should be noted, for decades prided itself on its mutations and evolutions -- rediscovered the Mizells' body of work years after the fact, they honored their cosmic and euphoric sound as the apotheosis of fusion. Sky High compiles a dozen of the Mizells' finest moments, 12 songs rivaling the best of funk's halcyon era -- highlights include Donald Byrd's "Love's So Far Away," Bobbi Humphrey's "New York Times," Gary Bartz's "Music Is My Sanctuary," and Johnny Hammond's "Starborne." ~ Jason Ankeny|
Rovi