フォーマット |
CD |
---|---|
構成数 |
2 |
国内/輸入 |
輸入 (ヨーロッパ盤) |
パッケージ仕様 |
- |
発売日 |
2009年10月05日 |
---|---|
規格品番 |
88697580882 |
レーベル |
|
SKU |
886975808823 |
---
構成数 | 2枚
合計収録時間 | 00:43:46
Personnel: Backstreet Boys (background vocals); Francesco Romano (guitar); Jim Jonsin (keyboards, programming, drum programming); Max Martin , Mike Mani (keyboards); Novel, Antwoine "T-Wiz" Collins, Emanuel Kiriakou, RedOne (programming); Claude Kelly (background vocals). Audio Mixers: Robert Marks; Dave Pensado; Dave "Natural Love" Russell ; Robert Orton; Serban Ghenea; Fabian Marasciullo. Recording information: Beachwood Banger Studios, Hollywood, CA; Blueprint Studios, Manchester, England; Chalice Recording Studios, Los Angeles, CA; Conway Studios, Los Angeles, CA; Henson Studios, Los Angeles, CA; Maratone Studios, Stockholm, Sweden; Pulse Recording, Los Angeles, CA; The 02 Arena, London, England; The Village, Los Angeles, CA; Westlake Audio, Hollywood, CA. Editor: Pat Thrall. Photographer: Randee St. Nicholas. Arrangers: Karlin ; Printz Board; Soulshock . Since their mid-2000s reunion, the Backstreet Boys have been acting like adults so it's not entirely a surprise that they've decided to shake things up on THIS IS US, their third album of the comeback and second since becoming a quartet. Teaming up once again with Max Martin and working with a host of modern hitmakers such as RedOne, the group takes a left turn back toward the rhythm-heavy, harmony-laden dance-pop that made their reputation a decade before. Never mind the name of the album -- the group is tellingly quite willing to fade into background, letting the producers do their work, just content to sing the hooks. It's a sharp move in two ways: BSB never had as much on-record charisma as *NSync; their best trait was how they could sell a hook without affect, and that returns here. Of course, it helps that they have a bunch of those hooks here, too -- hooks that aren't quite as galvanizing as "I Want It That Way," but easily eclipsing those on the pedestrian UNBREAKABLE, helping the band seem modern without seeming pandering. It's a move that the New Kids on the Block couldn't pull off on their tawdry, sex-obsessed comeback, and it's one that the Backstreets seemed incapable of doing just a few years ago, but on THIS IS US, they sound like they're at their peak -- which is no guarantee of a hit, but it sure makes for a better album than they've produced in quite a while.
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1.[CD]DISC 1:
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1.Straight Through My Heart
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2.Bigger
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3.Bye Bye Love
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4.All of Your Life (You Need Love)
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5.If I Knew Then
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6.This is Us
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7.Pda
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8.Masquerade
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9.She's a Dream
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10.Shattered
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11.Undone
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12.Helpless - (featuring Pitbull)
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2.[DVD]DISC 2:
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1.I Want It That Way - (live)
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2.Inconsolable - (live)
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3.One, The - (live)
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4.Call, The - (live)
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5.Everybody - (live)
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6.Shape of My Heart - (live)
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7.Straight Through My Heart [Video]
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-
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4人組のイメージもすっかり板に付いてきたBSBの新作は、元祖ボーイズ・バンドであるニュー・キッズ ・オン・ザ・ブロックの再結成に刺激を受けたか、デビュー当時を思わせるアイドル再宣言とも言える出来となった。ポップで軽快でドリーミー。楽しくていいじゃん!と開き直った様子は、大人になろうともがいていたここ数作よりよっぽど肝が据わっていて、彼らに似合っている。T・ペインやジム・ジョンシン、ブライアン・ケネディら米国勢との仕事も捨て難いが、やはり師匠マックス・マーティンやレッドワン、ソウルショック&カーリーンら欧州勢との相性が抜群。そもそもBSBの成功の秘訣が、米国R&Bと欧州ポップスとの合体だったことを考えると当然か。時代が一周、成熟したという感も。
bounce (C)村上ひさしタワーレコード (vol.314(2009年09月25日発行号)掲載)
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