ショッピングカート
Rock/Pop
CD
Declaration Of Dependence
★★★★★
★★★★★
5.0

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商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入 (ヨーロッパ盤)

パッケージ仕様

-

発売日

2009年09月28日

規格品番

X3068402

レーベル

CMG

SKU

5099930684027

作品の情報
メイン
アーティスト
その他
プロデューサー
オリジナル発売日
2009年
商品の紹介
どこまでも儚くて、どこまでも美しく。アイリック・ボーとアーランド・オイエのアコースティック・デュオ、キングス・オブ・コンビニエンスの前作から5年振りのアルバム。5年の歳月が経過しても相変わらずの世界観を保ちつつ、ミニマムな音数で織り成す素晴らしい楽曲群。この2人の手にかかれば、どんな歌も聞き入ってしまいます。サイド・プロジェクトや他バンドで忙しく活躍するアイランド・オイエのウィスパー・ヴォイスも健在。
---
タワーレコード
Spin (p.78) - "In addition to well-turned folk melodies and sparkling finger-picking, the duo now drape their sparse melancholy in gentle Brazilian rhythms." Billboard (p.32) - "Kings of Convenience's melodies range from the brisk and obtuse -- as heard on the angular 'My Ship Isn't Pretty' and the brooding 'Renegade' -- to the disarmingly catchy." Paste (magazine) - "Kings of Convenience have always had a tight grip on their delicate acoustic sound. However, DECLARATION OF DEPENDENCE offers a sense of cohesion their previous albums don't, a complete story through melody." Clash (Magazine) - "[T]he songs are stronger than ever. 'Declaration of Dependence' is full of hummable tunes and lyrics blessed with those quirky but charming turns of phrase..."
Rovi
In the five years since their last record, the duo of Erlend Oye and Erik Glambek Boe have each been busy, Oye with DJ gigs and his other band the Whitest Boy Alive, and Boewith his day job and fighting Clear Channel in their hometown of Bergen, Norway. Getting back into Kings of Convenience mode sounds like it was as easy as putting on a fresh pair of socks. Their third album, Declaration of Dependence, sounds like it could have been recorded at the same session as Riot on an Empty Street; it's just as relaxed, mellow, and dreamy. The pair's voices blend like honey and more honey, each of them possessing vocal chords made of cotton candy. They twine their voices around complex but warmer-than-a-Snuggie harmonies on every song; the comparisons to Simon & Garfunkel still hold up, though by now they really sound most like themselves, and not imitators. This album is sparser than the last; there are no guest vocals and very infrequent extra instruments (strings, piano). It gives the proceedings a very intimate sound, between this, the duo's hushed voices, and the peaceful songs, it's even quieter and more subdued than anything they've done so far. The mood of introspective reflection never breaks, and almost becomes unbearably powerful on a track like "My Ship Isn't Pretty." Boe and Oye pull no punches and spare no emotions, they are skilled veterans who know how to format and pace an album. The only thing the record lacks is a song as catchy as "I'd Rather Dance with You," or any songs with drums. It's not really a problem, though, since the overall effect of the album's melodies adds up to something just as powerful. A few of the songs stand out as possible singles, too, like the bossa nova-y "Mrs. Cold" or the almost peppy anti-war song "Rule My World." The lack of drums isn't much of a problem,either, the acoustic guitars that underpin the songs provide all the rhythmic push they need. Adding drums might have spoiled the introspective and feather-light feel of the record. Anyone who's been on their bandwagon all along will be glad of that, as they'll rejoice that Declaration of Dependence turns out to be another autumnal treasure from the Kings. ~ Tim Sendra
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:45:05

Personnel: Erik Glambek Boe (vocals, steel guitar, nylon-string guitar, piano); Erlend Oye (vocals, steel guitar, nylon-string guitar, background vocals); Tobias Hett (viola); Davide Bertolini (upright bass). Audio Mixers: Ingar Hunskaar; Robert Jonnum; Davide Bertolini. Recording information: Esagono Studios, Rubiera, Italy; Grieghallen, Bergen, Norway; Nordnes, Bergen. Photographers: Ase Holte; Danielle Rubi. In the five years since their last record, the duo of Erlend Oye and Erik Glambek Boe have each been busy, Oye with DJ gigs and his other band the Whitest Boy Alive, and Boe with his day job and fighting Clear Channel in their hometown of Bergen, Norway. Getting back into Kings of Convenience mode sounds like it was as easy as putting on a fresh pair of socks. Their third album, DECLARATION OF DEPENDENCE, sounds like it could have been recorded at the same session as RIOT ON AN EMPTY STREET; it's just as relaxed, mellow, and dreamy. The pair's voices blend like honey and more honey, each of them possessing vocal chords made of cotton candy. They twine their voices around complex but warmer-than-a-Snuggie harmonies on every song; the comparisons to Simon & Garfunkel still hold up, though by now they really sound most like themselves, and not imitators. This album is sparser than the last; there are no guest vocals and very infrequent extra instruments (strings, piano). It gives the proceedings a very intimate sound, between this, the duo's hushed voices, and the peaceful songs, it's even quieter and more subdued than anything they've done so far. The mood of introspective reflection never breaks, and almost becomes unbearably powerful on a track like "My Ship Isn't Pretty." Boe and Oye pull no punches and spare no emotions, they are skilled veterans who know how to format and pace an album. The only thing the record lacks is a song as catchy as "I'd Rather Dance with You," or any songs with drums. It's not really a problem, though, since the overall effect of the album's melodies adds up to something just as powerful. A few of the songs stand out as possible singles, too, like the bossa nova-y "Mrs. Cold" or the almost peppy anti-war song "Rule My World." The lack of drums isn't much of a problem,either, the acoustic guitars that underpin the songs provide all the rhythmic push they need. Adding drums might have spoiled the introspective and feather-light feel of the record. Anyone who's been on their bandwagon all along will be glad of that, as they'll rejoice that DECLARATION OF DEPENDENCE turns out to be another autumnal treasure from the Kings.

録音 | ステレオ (Studio)

    • 1.
      [CD]
レビュー
  • 結成10周年を迎えたノルウェーのインディー・ポップ・デュオによるニュー・アルバム。ますます純化したとろけるほどに美しいコーラス・ハーモニーと、音響へのこだわりをひしひしと感じさせる繊細なサウンド・プロダクション、そして豊潤なメロディー――これ以上ないほどシンプルで洗練された、ワビサビの境地とも言うべき上質なポップスをたっぷり聴かせてくれる。この安定感は流石です。
    bounce (C)冨田明宏

    タワーレコード (vol.314(2009年09月25日発行号)掲載)

カスタマーズボイス
総合評価
5.0
★★★★★
★★★★★
(2)
    評価する:
★★★★★
★★★★★
投稿日:2020/05/11

美しい歌声とアコースティックギターの旋律が心地よいです。哀愁のある歌声のハーモニーはサイモン&ガーファンクルを彷彿とさせますね。ジャケットからも感じるのですが、独特の郷愁みたいなものを帯びた切ないアルバムです。

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