| フォーマット | CDアルバム |
| 発売日 | 2000年06月30日 |
| 国内/輸入 | 輸入 |
| レーベル | Pilot |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 58 |
| SKU | 800945000581 |
構成数 : 1枚
合計収録時間 : 00:36:03
Lane & Marriot: Ronnie Lane (vocals); Steve Marriot (vocals, guitar, harmonica, keyboards).
Additional personnel: Mick Green (guitar); Mick Weaver (keyboards); Jim Leverton (bass, background vocals); Dave Hynes (drums, background vocals).
Includes liner notes by John Hellier & Jim Leverton.
Digitally remastered by Paul Kennedy.
Personnel: Ronnie Lane (vocals); Jim Leverton (vocals); Mick Green (guitar); Mick Weaver (keyboards); Dave Hynes (drums, background vocals).
Audio Mixers: Paul Kennedy ; Jim Leverton.
Liner Note Authors: John Hellier; Majic Mijits; Jim Leverton.
Finally surfacing nearly 20 years after the fact, the great lost "Majik Mijits" album project is a duo recording made in the early '80s by the creative forces from Small Faces, Steve Marriott and Ronnie Lane. (The Majik Mijits moniker is yet another reference to their diminutive size.) Marriott at the time was fresh out of reunions with Small Faces (a gathering that had initially included Lane) and Humble Pie; Lane, most recently a solo artist, was just starting to suffer the physical limitations associated with multiple sclerosis. They organized a band featuring bassist Jim Leverton, guitarist Mick Green, drummer Dave Hynes, and keyboardist Mick Weaver, and used Lane's mobile recording studio to cut an LP democratically sequenced with six songs each by Lane and Marriott (no collaborations), alternating one after the other. The result, not surprisingly, has moments when it sounds like Small Faces. In particular, Marriott's "How Does It Feel" could have been a Small Faces single of the 1980s. Typically, Lane's songs are sturdy, well-constructed efforts, while Marriott's are more varied, sometimes ("Toe Rag") even being comic throwaways. And why was the album not released in, say, 1982? Apparently, record companies either passed on it or required that the band tour to support it, which Lane was incapable of doing. So, instead, the tapes ended up in the possession of Small Faces drummer Kenney Jones before emerging in the new millennium. Now, they constitute a worthy footnote in the Small Faces story. ~ William Ruhlmann
録音 : ステレオ (Studio)
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