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CDアルバム

Satie: 3 Gymnopedies, 6 Gnossiennes, etc / Anne Queffelec

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フォーマット CDアルバム
発売日 2009年09月07日
国内/輸入 輸入
レーベルVirgin Classics/Premium
構成数 1
パッケージ仕様 -
規格品番 VM6863592
SKU 5099968635923

構成数 : 1枚
合計収録時間 : 01:14:47
12Pブックレット(仏/英/独語)

『サティ:ピアノ作品集』
【曲目】
3ツノジムノペディ
6つのグノシェンヌ
スポーツと気晴らし 他
【演奏】
アンヌ・ケフェレック(ピアノ)

  1. 1.[CDアルバム]
    1. 1.
      Gnossiennes (6), for piano~No. 1: Lent
    2. 2.
      Gnossiennes (6), for piano~No. 2: Avec etonnement
    3. 3.
      Gnossiennes (6), for piano~No. 3: Lent
    4. 4.
      Gnossiennes (6), for piano~No. 4: Lent
    5. 5.
      Gnossiennes (6), for piano~No. 5: Modere
    6. 6.
      Gnossiennes (6), for piano~No. 6: Avec conviction et avec une tristesse rigoureuse
    7. 7.
      Veritables preludes flasques pour un chien (Truly Flabby Preludes for a Dog), for piano~Severe reprimande
    8. 8.
      Veritables preludes flasques pour un chien (Truly Flabby Preludes for a Dog), for piano~Seul a la maison
    9. 9.
      Veritables preludes flasques pour un chien (Truly Flabby Preludes for a Dog), for piano~On joue
    10. 10.
      Vieux sequins et vieilles cuirasses (Old sequins and armor), for piano~Chez le marchand d'or (Venise, 13e siecle)
    11. 11.
      Vieux sequins et vieilles cuirasses (Old sequins and armor), for piano~Danse cuirassee (Periode grecque)
    12. 12.
      Vieux sequins et vieilles cuirasses (Old sequins and armor), for piano~La defaite des Cimbres (Cauchemar)
    13. 13.
      Chapitres tournes en tous sens (Chapters turned every which way), for piano~Celle qui parle trop
    14. 14.
      Chapitres tournes en tous sens (Chapters turned every which way), for piano~Le porteur de grosses pierres
    15. 15.
      Chapitres tournes en tous sens (Chapters turned every which way), for piano~Regrets des enfermes (Jonas et Latude)
    16. 16.
      Gymnopedies (3), for piano (also orchestrated by Debussy)~No. 1: Lent et douloureux
    17. 17.
      Gymnopedies (3), for piano (also orchestrated by Debussy)~No. 2: Lent et triste
    18. 18.
      Gymnopedies (3), for piano (also orchestrated by Debussy)~No. 3: Lent et grave
    19. 19.
      Embryons desseches (3 dried-up embryos), for piano~d'Holothurie
    20. 20.
      Embryons desseches (3 dried-up embryos), for piano~d'Edriophthalma
    21. 21.
      Embryons desseches (3 dried-up embryos), for piano~de Podophthalma
    22. 22.
      Je te veux (I Want You), cafe-concert song for voice & piano
    23. 23.
      Sonatine bureaucratique, for piano~Allegro
    24. 24.
      Sonatine bureaucratique, for piano~Andante
    25. 25.
      Sonatine bureaucratique, for piano~Vivache
    26. 26.
      Heures seculaires et instantanees (Age-old and instantaneous hours), pieces (3) for piano~Obstacles venimeux
    27. 27.
      Heures seculaires et instantanees (Age-old and instantaneous hours), pieces (3) for piano~Crepuscule matinal (de midi)
    28. 28.
      Heures seculaires et instantanees (Age-old and instantaneous hours), pieces (3) for piano~Affolements granitiques
    29. 29.
      Le Piccadilly, march for piano
    30. 30.
      Avant-dernieres pensees (Next-to-last thoughts), pieces (3) for piano~Idylle, a Debussy
    31. 31.
      Avant-dernieres pensees (Next-to-last thoughts), pieces (3) for piano~Aubade, a Paul Dukas
    32. 32.
      Avant-dernieres pensees (Next-to-last thoughts), pieces (3) for piano~Meditation, a Albert Roussel
    33. 33.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Choral inappetissant
    34. 34.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~La Balancoire
    35. 35.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~La Chasse
    36. 36.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~La Comedie italienne (a la napolitaine)
    37. 37.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Reveil de la Mariee
    38. 38.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Colin-Maillard
    39. 39.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~La Peche
    40. 40.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Yachting
    41. 41.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Bain de mer
    42. 42.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Carnaval
    43. 43.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Golf
    44. 44.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~La Pieuvre
    45. 45.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Les Courses
    46. 46.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Les Quatre-Coins
    47. 47.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Pique-nique
    48. 48.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Water-chute
    49. 49.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Tango
    50. 50.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Traineau
    51. 51.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Flirt
    52. 52.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Feu d'artifice
    53. 53.
      Sports et divertissements (Sports and diversions), pieces (21) for piano~Le Tennis

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商品の紹介

Anne Queffelec brings plenty of style and sass to her 1988 disc of piano works by Erik Satie. With clear tone, brilliant technique, and a preference for clean textures, the Parisian pianist might not seem like everybody's first choice to play the sui generis composer's highly individualistic -- some might say highly eccentric -- piano music. Though Queffelec remains true to herself, she finds a way to accommodate to Satie. She does it mostly through deft phrasing and subtle use of rubato, keeping the lines and harmonies intact, but shaping them for maximum effectiveness. Some might miss the mist of overtones with which other pianists infuse Satie's music, preferring the evocative to the explicit, but Queffelec's lucidity doesn't strip the music of its strangeness, it highlights it. Listeners who enjoy her approach to Trois Gymnopedies, Satie's greatest hit, are likely to be delighted with the rest of the disc. Virgin Classic's digital sound is cool and a bit distant, but some might say that suits the music.
Rovi

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