フォーマット |
CD |
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構成数 |
1 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2009年09月14日 |
---|---|
規格品番 |
RRD1788522 |
レーベル |
|
SKU |
016861788520 |
構成数 | 1枚
合計収録時間 | 00:44:42
Lyricist: Dave Mustaine. Personnel: Dave Mustaine (vocals, guitar, acoustic guitar, piano); Chris Broderick (guitar, acoustic guitar); James LoMenzo (bass guitar); Shawn Drover (drums, percussion); Chris Rodriguez, Chris Clancy (background vocals). Audio Mixer: Andy Sneap. Illustrator: John Lorenzi. Photographer: Ross Halfin. The release of 2009's ENDGAME brings with it a startling realization: if first-generation thrash metal fans had been polled about which of the genre's "Big Four" -- Metallica, Slayer, Anthrax, and Megadeth -- would prove to be the most resilient and consistently prolific over the next quarter century, the only sure-fire consensus would probably have been "well, anyone but Megadeth!" And yet, 12 studio albums and 150-plus songs later -- more than any of the other three have managed -- that's exactly what's come to pass. The group's second release for Roadrunner, whose title apparently refers to "coming full circle" rather than any sort of goodbye, finds the latest iteration of Megadeth-- debuting new guitarist Chris Broderick(ex-Nevermore, Jag Panzer)--working primarily within their technical thrash comfort zone (think PEACE SELLS through RUST IN PEACE), with only a few latter-day elements and rare experimental diversions. As such, deceptively simple guitar-shredding master classes like "This Day We Fight!," "1,320" (surprisingly, written about "funny car" racing), and first single "Headcrusher" are cut from the same bloody cloth as "Wake Up Dead" and "Set the World Afire," while politicized rants such as "44 Minutes," "Bite the Hand That Feeds," and the title cut recall old stalwarts like "Peace Sells" and "Holy Wars."
録音 | ステレオ (Studio)
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1.[CD]
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1.Dialectic Chaos
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2.This Day We Fight!
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3.44 Minutes
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4.1, 320'
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5.Bite the Hand
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6.Bodies
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7.Endgame
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8.Hardest Part of Letting Go... Sealed with a Kiss, The
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9.Head Crusher
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10.How the Story Ends
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11.Right to Go Insane, The
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かつて〈スラッシュ四天王〉と呼ばれたバンドのなかで、ぶっちゃけ一時は頭ひとつ遅れを取っていた感のあるメガデスだが、ここ数作における充実ぶりはどうだろう。通算12枚目となる本作では、十八番のインテレクチュアル・スラッシュ・メタルにモダンな攻撃性を加え、名作『Rust In Peace』(90年)をも凌駕する凶暴なサウンドを鳴らしている。あえて断言してしまおう、これは2000年代最後のスラッシュ名盤だ!
bounce (C)粟野竜二タワーレコード (vol.313(2009年08月25日発行号)掲載)
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