Desire Lines

Desire lines are undesignated paths created by foot-traffic erosion simply because they're where people want to go. Desire Lines walks -- strolls, ambles, struts (occasionally), and yes, meanders -- down well-trodden and welcoming musical trailways, toward no destination in particular, just for the simple pleasures of the journey. The routes are familiar and instinctually inviting, even if the signage is vague and imprecise: dub, psychedelic, downtempo, ambient, post-rock, folk, with occasional spur trails pointed toward the Tropics, or the discotheque, or into outer space. (Because Meanderthals are a triumvirate of dance producers, the road map reads "electronica," even if most of the sounds come from instruments being played in a room -- an Oslo studio to be specific -- during a handful of loosely convened live recording sessions.) The clearest, newest-looking signpost is marked "Balearic Disco," and indeed, mirrored shards of diasporic disco fallout are littered liberally along the way, though rarely are they spiky enough to spur feet into action. Mostly we glide by, basking in the sun-drenched acoustic strums and steel-pan patters of "Kunst or Ars," wallowing in the murky bass and intoxicating haze of "1-800-288-Slam," lingering amid the languid pulse and pianistic ruminations of "Bugges of Room." Fussless and fluid, loose but never lazy, Desire Lines is another fine feather in the caps of Rune Lindbaek and Idjut Boys, who now take their place alongside fellow travelers Studio, Hatchback, and Quiet Village as creators of some of the finest, hippest, and coolest chillout music of the late 2000s. ~ K. Ross Hoffman|

なんと!　イジャット・ボーイズがノルウェー・ディスコの大物リューネ・リンドバーグと手を組み、マップ・オブ・アフリカ（DJハーヴェイ）やクワイエット・ヴィレッジ（レディオ・スレイヴ）への返答とも言えるバンドを始動させちゃいましたっ!　しかもドラマーにヤム・フー、ベースにマルコム・ジョセフ（グレイス・ジョーンズのベーシスト）、そしてキーボードにピート・Zという物凄い編成!　ダウンテンポのトライバルな4つ打ちにアコギ&スティールパンをあしらい、エスノやダブの快楽性も丸呑みして至上の気持ち良さを構築っ!　ゼロ年代以降のボーダーラインを引きづらい音楽が増えるなかでも、飛び抜けたエキゾ感を持つチルアウト／バレアリック・アルバムでしょう。間違いなくこの夏マストの一枚です!
bounce (C)ヤス2B