Rock/Pop
LPレコード

The Smiths

4.0

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フォーマット LPレコード
発売日 2009年07月07日
国内/輸入 輸入
レーベルRhino
構成数 1
パッケージ仕様 -
規格品番 2564688657
SKU 825646886579

構成数 : 1枚
合計収録時間 : 00:45:22
The Smiths: Morrissey (vocals); Johnny Marr (guitar, harmonica); Andy Rourke (bass); Mike Joyce (drums). Recorded at Pluto and Eden Studios, Manchester, and Matrix and Strawberry Studios, London in the winter of 1983. This self-titled opening salvo of the Smiths' four-year war with mediocrity stands proud as one of the era's most innovative and unique works. Flying in the face of the pomp and artifice that prevailed in pop music at the time, the Smiths raged against their makeup- wearing, synth-playing contemporaries and squarely put rock back on the agenda. Guitarist Johnny Marr married the tunesmanship and harmonic richness of his Motown heroes with the rage of punk, while Morrissey's bedroom confessionals were catnip to England's (and later the world's) disenfranchised youth. THE SMITHS demanded, and received, instant attention, desirable and otherwise, making a reluctant guitar hero out of Marr and a poster boy out of Morrissey. The jarring juxtaposition between Marr's lilting, densely-layered guitar lines and Morrissey's lyrics and plaintive delivery makes magic of "This Charming Man" (whose theme of sexual ambiguity was to remain prevalent in the group's work) and the gentle major-seventh chords of "I Don't Owe You Anything." The tender "Suffer Little Children," a paean to a group of murdered children in the band's native Manchester, gave the band their first (though far from their last) taste of public controversy.
エディション : Remaster

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作品の情報

メイン
アーティスト: The Smiths

ゲスト
アーティスト: Paul CarrackAnnalisa Jablonska

オリジナル発売日:1984年

商品の紹介

Rolling Stone (11/89) - Ranked #22 in Rolling Stone's `100 Best Albums of The Eighties' survey. Spin (p.108) - "[Morrissey] understands the essence of attractive mopiness: Imply, never explain." Q (12/93, p.139) - 4 Stars - Excellent - "...THE SMITHS gleefully introduced the arts to each other, drawing up party invites that sat Tony Richardson, Dusty Springfield and John Renbourne at the same table..." NME (Magazine) (9/25/93, p.19) - Ranked #24 among The 50 Greatest Albums Of The '80s. NME (Magazine) (10/2/93, p.29) - Ranked #72 in NME's list of the `Greatest Albums Of All Time.'
Rovi

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’80年代中盤の英国に美しく咲き、儚くも散っていったザ・スミス。モリッシーの綴る言葉がまだ蒼く直接的で、未完成の魅力が刻まれたデビュー作。ポストパンク的な性急で淡白なリズム・セクションが時代を感じさせ、ひ弱な感があるが、ジョニー・マーのギターが繊細かつ大胆に美しいメロディを紡いでいる。スミスとはモリッシーとマーの出逢いと別れの物語でもあり、この1作目は荒削りながら「始まりの予感」に満ちている。
2020/04/05 NG17さん
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