It's Only Natural

フジロック09出演! 02年結成。2ndリリースにあたり、レーベル各社が争奪戦を繰りひろげたというエピソードをもつカラフルなポップ・サウンドは、セス(vo)の卓越したヴォーカル力と彼らのルックスも手伝って日本でも熱狂的に迎えられた。日本デビューとなった07年の2ndアルバム発売後、2度のメンバー・チェンジを経て、珠玉の3rdアルバムが堂々完成!心地良いメロディ・ラインはそのままに、よりスウィートに、よりカラフルに、スケールアップを果たしたバラエティ豊かな楽曲群は、掛け値なしにどの曲もシングル・カット出来るハイクオリティ。

The Radio Disney crowd had an appetite for emo as well as R&B-minded teen pop in the mid- to late 2000s. So why not bring the two together? That's what the Higher (who started out as a run-of-the-mill emo band) had in mind when they moved in a more urban-flavored direction on 2007's On Fire, and the Las Vegas residents continue in that vein on It's Only Natural. The sound on this 2009 release is basically the Click Five by way of Justin Timberlake, which means there are hints of Michael Jackson at times. This is the sound of a boy band trying to be deeper and more mature while maintaining their boyishness. That type of thing was compelling when the Jackson Five and Stevie Wonder were gradually making the transition from teen idols to adult stars back in the day, but then, the Higher aren't the Jackson Five or Stevie Wonder (not that they ever claimed to be). On It's Only Natural, the Higher still have plenty of Radio Disney appeal and sound like they would fit right in playing a gig on Prom Night. But that doesn't mean that It's Only Natural is without merit. In fact, likeable grooves such as "Undertaker," "Story of a Man Obsessed," "Play with Fire," and "The Black Dress" are a definite improvement over the group's earlier recordings. When the Higher were a straight-ahead emo band and didn't have the urban/teen pop/Timberlake influence, they were totally generic and forgettable. But on It's Only Natural, their desire to balance emo, urban, and teen pop considerations makes for grooves that aren't mind-blowing but are at least fairly catchy (in a Radio Disney kind of way). ~ Alex Henderson

ラスヴェガスの4人組が、ドラマーの交代〜ギタリストの脱退を経て完成させたエピタフ第2弾アルバム（通算3作目）。前作リリース時にレーベル・カラーからかけ離れていたため物議を醸した、エモとイマドキのR&Bの折衷を思わせる音楽性はここでも健在だ。これまでと特に大きな変化があるわけではないものの、リズムひとつを取ってもアーバン・ミュージックの影響をより自然に溶け込ませることができるようになり、アレンジ面での成長を含めたバンド全体のレヴェルアップがこの作品を印象深いものにしている。どうりでニーヨ“Closer”のカヴァーもハマッているわけだ。完全にスタイルを確立した今作を機に、彼らに貼られたディスコ・エモなるレッテルが与える一発屋っぽい胡散臭さは払拭されるに違いない。
bounce (C)山口智男