Jazz
CDアルバム

Twi - Life

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2006年05月09日
国内/輸入 輸入
レーベルCD Baby.Com/Indys
構成数 2
パッケージ仕様 -
規格品番 89171
SKU 837101174817

構成数 : 2枚
合計収録時間 : 00:00:00

  1. 1.[CDアルバム]
    1. 1.
      Oriental Folk Song
    2. 2.
      The Beast Within Beauty
    3. 3.
      Thump & Cadence
    4. 4.
      An Oasis of Bronze
    5. 5.
      Sesame Street
    6. 6.
      Smoothie
    7. 7.
      Brooklyn Street Fair
    8. 8.
      The Whole Page
    9. 9.
      Majesty
    10. 10.
      Shift
    11. 11.
      Haile Selassie
    12. 12.
      In Faith
    13. 13.
      The Nottage Cottage
    14. 14.
      Moon Ruler
    15. 15.
      Glitch
    16. 16.
      Paradigm
    17. 17.
      Twi-Life
  2. 2.[CDアルバム]

作品の情報

メイン
アーティスト: Marcus Strickland

商品の紹介

After two albums (At Last and Brotherhood) as bandleader of a quintet of precocious jazz talents, Marcus Strickland returns with Twi-Life, an independently released, ambitious double-disc set which finds Strickland working with two separate quartets and soundscapes. The first disc features his acoustic quartet playing seven originals and Wayne Shorter's classic "Oriental Folk Song." The quartet (brother E.J. Strickland, pianist Robert Glasper and bassist Vicente Archer) is a cohesive clan of young musicians that represent the best of their peers on their respective instruments. The result is some inspired interplay that bolsters Strickland's already unique writing voice, one that is both lyrical ("Brooklyn Street Fair") and rhythmic ("Thump and Cadence"). Other times, as on "Beast Within the Beauty," a simultaneously mean and pretty tune with Strickland employing his soprano and tenor sax -- Strickland exhibits his keen ear for both melody and bounce. The second set introduces his newer quartet, where Marcus and Strickland are joined by Lage Lund (guitar) and Brad Jones (electric bass). (It's interesting to note than many of today's younger musicians are beginning to take this same approach, separating acoustic bands and material with their fusion counterparts.) Strickland's second set has a decidedly more commercial appeal and evokes a sound that may turn off a few aficionados, but the musicianship can't be denied; nor can Strickland's inclination to explore be frowned upon when today's music is often stale. If the direction of jazz is being steered by young musicians like Strickland, there is reason for optimism. ~ Vincent Thomas
Rovi

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