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Rock/Pop
CDアルバム

Touchdown

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フォーマット CDアルバム
発売日 2009年04月20日
国内/輸入 輸入(イギリス盤)
レーベルFat Cat Records
構成数 1
パッケージ仕様 -
規格品番 FCAT699862
SKU 600116998620

構成数 : 1枚
合計収録時間 : 00:36:08
Personnel: Eamon Hamilton (vocals, acoustic guitar); Thomas White (guitar, guitars, drums, background vocals); Alex White (guitar, keyboards, drums, percussion); Marc Beatty (bass guitar). Audio Mixer: Paul Savage. If the Brakes were the Pixies (a band that sounds very similar), Touchdown would be their Doolittle -- that is, a slightly more polished and accessible album than their last, showing the band tightening their reigns slightly and turning in some of their tightest, cleanest work to date. It's a genuine alt pop album, one that finds the former and current members of British Sea Power, Electric Soft Parade, and the Tenderfoot more masterful than ever at churning out opaque, punchy melodies anchored by dry wit. College rock crossover potential seems evident, but, while Touchdown looks to appeal to a broader audience than its predecessors, that's not to say that things are overly toned down or have lost their edge. Things have simply been made less convoluted by trimming off the extra fat. Brakes, like always, exercise a wide variety of styles, and show off their ability to change their dynamic range drastically from one song to the next. "Red Tag" finds the group paying tribute to Radiohead, but in a much more furious punk rock fashion, "Eternal Refrain" is a sweet little country slice about the circular nature of life, and "Leaving England" is a relieving day dreamy space ballad ends the album. But as solid as these moments are, they're a little generic sounding in the overall context. The heart of Brakes lies in their true jams: immediate jingle-jangle pop songs with big, chunky choruses. And boy, there are a lot of them. ~ Jason Lymangrover
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Two Shocks

      アーティスト: Brakes

    2. 2.
      Don't Take Me to Space (Man)

      アーティスト: Brakes

    3. 3.
      Red Rag

      アーティスト: Brakes

    4. 4.
      Worry About It Later

      アーティスト: Brakes

    5. 5.
      Crush on You

      アーティスト: Brakes

    6. 6.
      Eternal Return

      アーティスト: Brakes

    7. 7.
      Do You Feel the Same?

      アーティスト: Brakes

    8. 8.
      Ancient Mysteries

      アーティスト: Brakes

    9. 9.
      Oh! Forever

      アーティスト: Brakes

    10. 10.
      Hey Hey

      アーティスト: Brakes

    11. 11.
      Why Tell the Truth (When It's Easier to Lie)

      アーティスト: Brakes

    12. 12.
      Leaving England

      アーティスト: Brakes

作品の情報

メイン
アーティスト: BrakesbrakesbrakesBrakes

その他
エンジニア: Paul Savage

商品の紹介

British Sea Powerのキーボーディスト、Eamon HamiltonがElectric Soft ParadeのWhite兄弟と、TenderfootのMarc Beattyとともに結成したUKインディー・ロック・スーパー・グループ、Brakesのサード・アルバムが登場!Mogwaiなどの作品が録音されたことで有名なChem 19 Studiosでレコーディング、プロデューサーには元Delgadosのドラマー、Paul Savageを起用。疾走感溢れるUKインディー・ロック・ファン必聴の1枚!
タワーレコード

Spin (p.85) - "Frontman Eamon Hamilton's playful yelp has given way to a sturdier sound....His lyrics remains as brashly entertaining as ever..." Spin (p.29) - Ranked #36 in Spin's "40 Best Albums Of 2009" -- "[T]hey always flash genuine curiosity and wit....Impossible not to like." Alternative Press (p.98) - 3 stars out of 5 -- "'Hey Hey' is jaunty rock 'n' roll with carefree lyrics....The standout, 'Why Tell The Truth (When It's Easier To Lie)' is sad and sweet but still manages to stay upbeat with its lively chorus." Pitchfork (Website) - "TOUCHDOWN overflows with ideas imaginatively sifted from a range of genres, and feels honest, infectious, and personable from beginning to end." Clash (Magazine) (p.108) - "Brakes' instantly familiar new record is the sound of a group who know what side their bread is buttered on. 'Touchdown' is essentially a honed version of their earlier albums..."
Rovi

If the Brakes were the Pixies (a band that sounds very similar), Touchdown would be their Doolittle -- that is, a slightly more polished and accessible album than their last, showing the band tightening their reigns slightly and turning in some of their tightest, cleanest work to date. It's a genuine alt pop album, one that finds the former and current members of British Sea Power, Electric Soft Parade, and the Tenderfoot more masterful than ever at churning out opaque, punchy melodies anchored by dry wit. College rock crossover potential seems evident, but, while Touchdown looks to appeal to a broader audience than its predecessors, that's not to say that things are overly toned down or have lost their edge. Things have simply been made less convoluted by trimming off the extra fat. Brakes, like always, exercise a wide variety of styles, and show off their ability to change their dynamic range drastically from one song to the next. "Red Tag" finds the group paying tribute to Radiohead, but in a much more furious punk rock fashion, "Eternal Refrain" is a sweet little country slice about the circular nature of life, and "Leaving England" is a relieving day dreamy space ballad ends the album. But as solid as these moments are, they're a little generic sounding in the overall context. The heart of Brakes lies in their true jams: immediate jingle-jangle pop songs with big, chunky choruses. And boy, there are a lot of them. ~ Jason Lymangrover
Rovi

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