Jazz
CDアルバム

Cries From Tha Ghetto

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2009年04月28日
国内/輸入 輸入
レーベルPi Recordings
構成数 1
パッケージ仕様 デジパック
規格品番 PIRC292
SKU 8087130029288

構成数 : 1枚
合計収録時間 : 00:00:00
録音 : ステレオ (---)

  1. 1.[CDアルバム]
    1. 1.
      First Mind
    2. 2.
      Abstrakt #1
    3. 3.
      Sick JJ
    4. 4.
      Levitation
    5. 5.
      Rain
    6. 6.
      Cries from the Ghetto
    7. 7.
      Abstrakt #2
    8. 8.
      Visionary of an Abstrakt
    9. 9.
      Abstrakt #3
    10. 10.
      Villa Tiamo
    11. 11.
      Abstrakt #4
    12. 12.
      Chasin' LeRoy

作品の情報

メイン
アーティスト: Corey Wilkes / Abstrakt Pulse

その他
アーティスト: Corey Wilkes

商品の紹介

Staying true to his reputation as a post-Lester Bowie-type jazz trumpeter, Corey Wilkes and his band Abstrakt Pulse take cues from hard and post-bop, creative improvised music, and populist latter-period Art Ensemble of Chicago sounds. Alternating between tuneful free music and spontaneously composed snippets, the formidable Wilkes and his quintet keep the music moving forward with vitality and a keen sense of drama. This is an intriguingly put-together group with veteran drummer Isaiah Spencer borrowed from the Ernest Dawkins-led New Horizons Ensemble, along with newcomers Kevin Nabors on tenor sax, guitarist Scott Hesse, and bassist Junius Paul. The opening "First Mind" gives you a good idea of what is to come, as the band leaps off a post-bop platform in mixed 5/4 and 4/4 meters. A struttin' and shouted-out attitude reflective of Bowie identifies the very hip "Levitation," while the outstanding track "Visionary of an Abstrakt" is placed firmly in the straight-ahead hard bop jazz tradition. More of the humorous, sarcastic Bowie/AEC stance is brushed on thick in loose, soulful layers for "Villa Tiamo," while "Chasin' LeRoy" is your deep-rooted black-bottom Chicago blues swing, with Wilkes and Nabors chatting along in call-and-response mode. The whiny and moaning free "SICK JJ," the languid, light, and comforting implied waltz "Rain," and the 11-minute title track with probing bass and scorching horns all add plenty of contrast. The short made-up pieces act like bridges and nothing more, though they are somewhat compelling and definitely spirited. Wilkes seems like a chameleon, not bound to a single style, and is comfortable in either this context or with a more commercial approach. He's no doubt a brilliant player, young yet wise beyond his years, and while scratching the surface, displays plenty of grit, street smarts, and a serious fun attitude, marking him as one of the most promising trumpet players in the 2000s. This is a very interesting recording that deserves repeat listenings to savor and enjoy. ~ Michael G. Nastos
Rovi

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