Tentacles

Rolling Stone (p.62) - 3.5 stars out of 5 -- "Victor Rodriguez's buzzing, shrieking organ chords are pushed to the front of the mix -- the heroic voice that arcs above the band's riotous guitar-bass-drums clamor." Spin (p.78) - "[T]heir absolute focus liberates them, as bursts of chaotic instrumentation coalesce behind Jonny Bell's frayed yowls on the patiently unfolding psych of 'Andrew' and 'Memorized.'" Uncut - 4 stars out of 5 -- "Crucially, it always feels as if the Crystal Antlers are having a blast, continually cold-shouldering the obvious and pushing each other to the limits of their musicianship and beyond." Pitchfork (Website) - "Opener 'Painless Sleep' features Victor Rodriguez's skidding organ peals skipping over themselves, showing a sense of playfulness..."

An enormous amount of blog buzz championed their EP, and six months later, Crystal Antlers released their first full-length, Tentacles. Surprisingly, the debut largely lived up to all the surrounding hype. Forgoing the engineering prowess of Mars Volta producer Ikie Owens, the sextet members produced the record themselves, resulting in a brittle, sonically noisy affair -- one that practically begs to be cranked. With Victor Rodriguez's Farfisa organ front and center, neck and neck with Jonny Bell's wild howling, Crystal Antlers' prog tendencies become more evident, and their slanted arpeggio melodies seem even more skewed, making them difficult as ever to pin down, even if they are more refined. Chaotic feedback and frantic drum fills feed the fiery "Dust," "Time Erased," and "Your Spears" in an adrenalized rage. These aggressive, urgent songs are balanced out by mesmerizing instrumentals and partly psychedelic, weirdly bluesy pseudo-ballads. "Andrew" fits the unlikely combo of blues and psych together wonderfully, in what might be the band's most unlikely crossover, while "Glacier" spirals down descending scales and bucks to alternating time signatures, but somehow manages to seem relaxed at the same time. ~ Jason Lymangrover